Canon EF-S 10-22mm f/3.5-4.5 USM
Der ringförmige USM-Autofokus arbeitet schnell und leise und erlaubt jederzeit manuelle Eingriffe, während das geringe Gewicht von 385 g das Objektiv zu einem idealen Begleiter macht. Die optische Konstruktion mit drei asphärischen und einem Super-UD-Element liefert kontrastreiche Bilder mit effektiver Korrektur chromatischer Aberrationen. Dieses Ultraweitwinkel-Zoom ist die beste Wahl für APS-C-DSLR-Fotografen, die Architektur- und Landschaftsaufnahmen mit einem 16-35.2mm-Äquivalentbereich machen.
Überblick
Das Wichtigste in 30 Sekunden
Das Canon EF-S 10-22mm f/3.5-4.5 USM ist ein scharfes Ultraweitwinkel-Zoom, das für Crop-Sensor-Canon-Shooter über seinem Gewicht schlägt. Die optische Qualität ist ein Highlight, aber die Blende ist mittelmäßig und es gibt keinen Stabilisator oder Wetterabdichtung. Am unteren Ende der Preisspanne ist es ein Schnäppchen; am oberen Ende sollte man zweimal überlegen.
Vor- und Nachteile
Vorteile
- Außergewöhnliche Schärfe, besonders leicht abgeblendet 93rd
- Ultraweites 10mm-Ende perfekt für Landschaften und Innenräume 86th
- Schneller, leiser USM-Autofokus mit manuellem Override 81st
- Leicht mit 385g und solide verarbeitet 75th
Nachteile
- Deutliche chromatische Aberration und Verzerrung bei 10mm
- Keine Wetterabdichtung
- Langsamer Autofokus bei schlechtem Licht
- Keine Gegenlichtblende im Lieferumfang
Was Besitzer sagen
Was Nutzer sagen
Wie sich die Meinung der Besitzer im Lauf der Zeit verändert hat
ExklusivBasierend darauf, wann Kunden ihre Bewertungen tatsächlich geschrieben haben - so sehen Sie, ob das anfängliche Lob anhielt.
- Q2 2025100/100
Buyers praised the lens for sharp landscape and realty photos, with one noting excellent service from Best Buy after a lost shipment.
- Lens delivers sharp, clean photos without fish-eye distortion.
- Great for landscape and real estate photography.
- Good value and price from retailers like B&H.
- Excellent customer service from Best Buy for lost shipment replacement.
- Q4 202483/100
Buyers praised the lens for its internal zoom, build quality, and long-term value, with one noting it works well on modern cameras.
- Internal zoom keeps gimbal balanced for video.
- Solid build feels more durable than newer alternatives.
- Long-term compatibility with modern cameras via adapter.
- Some chromatic aberration noted but correctable in-camera.
- Q2 2023100/100
Buyers praised this lens for sharp images, solid build, and wide angle performance on Canon cropped sensor cameras, ideal for small spaces.
- Sharp image quality and solid build.
- Great for wide angle shots on Canon EF-S cameras.
- Perfect for filming in small spaces like apartments.
- Exceptional picture quality and view angles even at 22mm.
- Q4 2022100/100
Buyers praised the lens for its wide angle, sharpness, and compatibility with Canon R7 via adapter, calling it a great value for real estate and general use.
- Wide angle performance excellent on crop sensor cameras.
- Works perfectly with Canon R7 via EF to RF adapter.
- Sharp image quality and good value for real estate photography.
- Preferred over 14-35mm lens for its effectiveness.
- Q3 202267/100
Buyers praised the lens for quality and versatility, but one criticized missing accessories and perceived decline in value.
- Lens delivers great photo quality and smooth focus.
- Highly versatile for travel and landscape photography.
- No cords included; everything sold separately.
- Product quality inferior compared to earlier version.
- Q3 2021100/100
Buyers praised the lens for its wide angle, crisp photos, and quality, recommending it for travel and events.
- Wide angle and crisp photo quality praised.
- Great for travel and event photography.
- High quality and recommended by buyers.
- Works perfectly for specific uses like races.
- Q4 2020100/100
All reviews are 5-star, praising the lens for wide-angle shots in tight spaces, low light, and landscapes.
- Excellent for wide-angle photography in tight spaces and close-ups.
- Works well in low light, ideal for car shows and indoor use.
- Great for real estate and architectural photography, capturing entire buildings.
- High quality and good value, with positive remarks on condition and support.
- Q3 202093/100
Buyers praised this lens for interior, landscape, and family photos, calling it a must-have for its versatility and quality.
- Versatile for interiors, landscapes, and family photos.
- Great quality and value for hobbyists.
- Recommended as essential gear for photographers.
- Meets needs for advertising rental photos.
- Q1 202083/100
Buyers praised the lens for landscapes and wide-angle shots, calling it sharp and a must-have for crop sensors. One noted sharpness was less than expected.
- Great for landscapes and wide-angle photography.
- Sharp images and superb glass quality.
- Excellent value, should be an L lens.
- One user found sharpness not as expected.
- Q4 2019100/100
Buyers praised the lens for being easy to use, great for wide-angle shots, and good value for money.
- Great for wide-angle photography and interior shots.
- Easy to attach and focus.
- Good value for the price.
- No vignetting around edges.
- Q3 201986/100
Buyers praised this wide-angle lens for landscapes, tight spaces, and real estate. It's easy to use, good value, and works well with older cameras.
- Excellent for wide-angle shots in landscapes, small rooms, and real estate.
- Good value and affordable upgrade from kit lens.
- Easy to use and compatible with older Canon cameras.
- Slightly slow aperture (f/3.5-4.5) for night or low-light shooting.
- Q2 2019100/100
Buyers praised the wide-angle lens as excellent for landscapes and beginners, with one noting it's better than the 10-18mm.
- Wide-angle lens quality praised as best or ultra-wide for landscapes.
- Great for beginners, with bundle including cleaning kit.
- Better than 10-18mm lens according to one reviewer.
- Overall satisfaction with purchase and included accessories.
- Q3 201893/100
Buyers praised this wide-angle lens for its sharpness, value, and suitability for crop sensors. It was popular for landscapes, tight spaces, and remodeling photos.
- Image quality is sharp and clear, even with heavy cropping.
- Excellent value for the price, especially on crop sensor cameras.
- Great for wide-angle shots in tight spaces like rooms or landscapes.
- Quick autofocus and no fisheye distortion.
- Q2 201890/100
Buyers praised the lens for landscape, vlogging, and indoor use, highlighting wide angle, detail, and ease of use.
- Excellent wide-angle performance for landscapes and room shots.
- Great for crop sensor vloggers, compatible with variable ND filters.
- Well-made, easy to use, and good value as a gift.
- Fast autofocus and sharp detail when zoomed in.
- Q1 201896/100
Buyers praised this wide-angle zoom lens for landscapes, astrophotography, and real estate, calling it fantastic and worth the purchase.
- Excellent for landscapes and astrophotography, with sharp, incredible photos.
- Versatile for tight spaces like real estate interiors.
- Great starter lens that complements other Canon L-series lenses.
- Highly recommended overall, meeting or exceeding expectations.
- Q4 201787/100
Buyers praised the lens for its sharpness, lack of warping, and impressive image quality, especially for landscapes and stargazing.
- Excellent image quality with sharpness and no edge warping.
- Great value for the price, especially when bought on sale.
- Impressive for stargazing and landscape photography.
- Suitable for crop body cameras and first-time wide-angle users.
- Q3 2017100/100
Buyers praised this wide-angle lens for indoor and real estate photography, citing great value, performance, and ease of use. Some noted it is pricey and lacks a hood.
- Excellent for indoor and real estate photography.
- Great value and performance for the price.
- Easy to use and delivers as advertised.
- Pricey and should include a lens hood.
- Q2 2017100/100
Buyers praised the lens for its quality, ease of use, and crisp images, noting a slight fisheye effect at 10mm.
- Lens produces beautiful crisp pictures for group shots.
- Slight fisheye appearance at 10mm requires distance adjustment.
- Easy to swap lenses and complements Canon cameras.
- Good quality packaging and timely delivery.
- Q1 201789/100
Buyers praised this lens for landscapes, portraits, and real estate photography, noting its versatility and wide-angle capability. One returned it due to switching to full-frame.
- Excellent for landscapes and wide-angle shots, including Grand Canyon and real estate.
- Versatile lens used for portraits, car photography, and family photos.
- Highly recommended by Canon users; fits well with existing equipment.
- One user returned it for full-frame upgrade, but found it usable otherwise.
- Q4 201688/100
Buyers praised the lens for sharpness, wide-angle capability, and build quality, especially on cropped sensors. It was well-received for family, real estate, and party photos.
- Sharp image quality and wide-angle performance praised for various uses.
- Build quality and ultrasonic focusing better than kit lens or 10-18 STM.
- Great complement to standard zoom lenses for wider shots.
- Fast shipping and good value from Adorama noted.
- Q4 201593/100
Buyers praise this lens for wide-angle photography, real estate, and time-lapse. They note it's well-built but lacks a lens hood and may have distortion at 10mm.
- Excellent for wide-angle shots, landscapes, real estate, and time-lapse.
- No lens hood included; some distortion and peripheral illumination at 10mm.
- Sharp images and well-built, with easy software correction for issues.
- Lens shadow with built-in flash at wide end; external flash needed.
- Q3 201593/100
Buyers praised the lens for its ease of use, quality in landscape and interior photography, and value. One noted low-light noise.
- Great for landscape and wide-angle shots with minimal distortion.
- Easy to use and versatile for group photos and interiors.
- Good value compared to luxury lenses.
- Low-light performance can be a little noisy.
- Q2 201595/100
Buyers praised the lens for sharpness and value, but noted lack of image stabilization can cause blur without a tripod.
- Excellent picture quality and sharpness for landscapes and real estate.
- Great value for money, especially for amateur photographers.
- No image stabilizer; steady hand or tripod needed to avoid blur.
- Good for small rooms and group shots.
- Q1 201591/100
Buyers praise this wide-angle lens for landscape and interior photography, noting sharpness and durability. Some mention lack of image stabilization and lens hood.
- Excellent for wide-angle landscape and interior shots on crop sensors.
- Durable; survived rain exposure and still works perfectly.
- Sharp and fast autofocus, but no image stabilization or included hood.
- Good value for the price, with 105-degree field of view.
- Q4 201478/100
Buyers praised the lens for wide-angle shots, landscapes, and real estate, noting good image quality and value. Some reported haziness and mixed indoor performance.
- Excellent for wide-angle landscapes, interiors, and group shots with sharp optics.
- Good value for the price, with minimal distortion and useful auto-correction.
- Photos appear hazy in some units, suggesting possible quality control issues.
- Indoor performance requires careful lighting; lens hood not included.
- Q3 201478/100
Buyers praised the lens for landscapes and architecture, but noted high price, barrel distortion, and noise at low ISO.
- Excellent for wide-angle landscapes and architecture, with good field of view.
- High price point; some found it too expensive compared to alternatives.
- Barrel distortion and pronounced noise at ISO 100 disappointed one buyer.
- Needs adequate lighting; slow shutter speed not ideal for motion shots.
- Q2 201493/100
Buyers praise the lens for sharpness, wide-angle performance, and durability. Some note missing hood, chromatic aberration, and lack of weather sealing.
- Excellent image quality, sharpness, and color reproduction.
- Lens hood not included; some find price high.
- Chromatic aberration and corner softness at 10mm.
- No weather sealing; concerns about moisture and dust.
- Q1 201482/100
Buyers praised the lens for wide-angle shots, real estate use, and sharpness. Some noted high price, audible autofocus, and desire for wider angle or larger aperture.
- Excellent wide-angle performance for tight spaces and landscapes.
- High price but considered worth it for quality.
- Audible autofocus buzz and desire for wider angle.
- Aperture not large enough; wish for fixed F2.8.
- Q4 201387/100
Buyers praise this lens for travel, architecture, and landscapes, citing sharpness and build. One report of severe chromatic aberration.
- Excellent for travel, architecture, and landscapes; captures wide scenes in tight spaces.
- Sharp edge-to-edge images, solid build, and light weight.
- Versatile as a walk-around lens; works well for group photos and interiors.
- Horrible chromatic aberration even after post-processing.
- Q3 201385/100
Buyers praised sharpness, build quality, and wide-angle versatility. A few noted autofocus hunting in low light and one reported back-focusing on a new copy.
- Sharp image quality and good color rendition.
- Solid construction, close to L-series quality.
- Autofocus hunts in low light; otherwise fast.
- One user reported significant back-focusing on a new lens.
- Q2 201393/100
Buyers praise this lens for sharpness, color, and build quality, especially for landscapes and events on crop bodies. Some note the high price and minor chromatic aberration.
- Excellent sharpness, color, and build quality; often compared to L-series lenses.
- Ideal for landscapes, events, and wide-angle shots on crop sensor cameras.
- High price but considered worth it for performance; some find it expensive for a non-L lens.
- Chromatic aberration at 10mm, especially in high-contrast scenes, requires post-processing.
- Q1 201390/100
Buyers praise the lens for sharp, detailed images and solid build. It excels for landscapes and interiors on crop sensors, though some note edge distortion and no IS.
- Excellent image quality, sharp and detailed, comparable to L-series lenses.
- No image stabilization, but acceptable for static subjects like landscapes.
- Bulbous glass is difficult to clean; edge distortion on crop sensors.
- Solid construction, quiet USM autofocus, lightweight and easy to mount.
- Q4 201293/100
Buyers praise the lens for its sharpness, wide angle, and professional results on crop-sensor Canon cameras. Some note the high price and non-L designation.
- Excellent image quality, sharp edge-to-edge, vibrant and crisp photos.
- Great ultra-wide zoom range (10-22mm) ideal for landscapes and interiors.
- Pricey for a non-L lens, but performs like L-series glass.
- Fun to use, versatile for both photos and video on crop bodies.
- Q3 201265/100
Buyers praised sharpness and wide-angle performance but reported a lens loosening defect and missing hood.
- Sharp images, rivals L-series for interior/landscape.
- Lens became loose after 7 months, not covered by warranty.
- Expensive but good value; some consider alternatives.
- Lens hood not included despite specs; resolved by retailer.
- Q2 201293/100
Buyers praise this lens as sharp, versatile, and ideal for landscapes, architecture, and indoor events on APS-C cameras. Minor distortion at extremes is noted but correctable.
- Sharpness and image quality are excellent, often rivaling L-series lenses.
- Versatile for landscapes, architecture, indoor events, and portraits on crop sensors.
- Some barrel/pincushion distortion and chromatic aberration at 10mm and 22mm, correctable with software.
- Lightweight, durable, and uses 77mm filters; gives a professional look.
- Q1 201292/100
Buyers praise the lens for sharpness, wide perspective, and versatility for landscapes and close-ups. Some note high price, softness at 10mm, and lack of lens hood.
- Sharp, crisp image quality with very little barrel distortion.
- Versatile for landscapes, close-ups, and creative wide-angle shots.
- Expensive but considered a good investment for dedicated photographers.
- Some softness and chromatic aberration at 10mm, fixable in post.
- Q4 201188/100
Buyers praise this lens for landscapes, tight interiors, and groups. It is sharp, fun, and a big step up from kit lenses, though some note the price is high for a non-L lens.
- Excellent for landscapes, indoor groups, and tight spaces; sharp and fun to use.
- Price is steep for a non-L lens, but many find it worth the cost.
- Build quality and image quality are top-notch, exceeding expectations.
- Autofocus could be faster in low light; distortion at widest zoom is expected.
- Q3 201183/100
Buyers praised the lens for landscapes and tight spaces, citing sharpness and value. Some noted low-light limitations and missing accessories.
- Excellent for landscape and interior photography, wide field of view.
- Sharp images with good color rendition and minimal correction needed.
- Great in bright light but low-light performance disappoints some users.
- Lens hood and case not included, requiring separate storage.
- Q1 2011100/100
Buyers praised the lens for excellent image quality, wide-angle performance, and good value. Durability is assumed good but untested.
- Excellent image quality with no distortion, great for indoor shots.
- Good value for the price, fantastic image quality for cost.
- Great size, weight, and balance; excellent performance.
- Durability assumed good but not yet proven; users advise careful handling.
- Q1 2010100/100
Buyers in Q1 2010 loved this lens for its amazing colors, sharpness, and ease of use, making them feel like professionals.
- Excellent color reproduction and sharpness, especially at wide angles.
- Lightweight and easy to use, even without image stabilization.
- Great for wide-angle closeups and landscape photos.
- Highly recommended for non-professionals seeking professional results.
Basierend auf 310 datierten Kundenbewertungen, gruppiert nach Kalenderquartal. Die Periodenanalyse ist in englischer Sprache.
Die Fakten
Leistung
Schärfe ist das Hauptthema. Unsere Datenbank bewertet die optische Qualität als deutlich überdurchschnittlich, und Besitzer vergleichen sie regelmäßig mit L-Serien-Gläsern. Das 10mm-Ende ist herrlich weit für enge Innenräume und große Himmel, aber genau dort sieht man auch die meiste chromatische Aberration und Tonnenverzerrung. Blende man etwas ab, wird es deutlich besser. Der Autofokus rangiert in den Top-Rängen für diesen Objektivtyp, aber bei schlechtem Licht ist das Suchen ein echtes Thema. Die Blende f/3.5-4.5 ist eine Schwachstelle und liegt im unteren Viertel unserer Rangliste, also ist dies kein Objektiv für dunkle Kirchen ohne Stativ oder ruhige Hand. Die minimale Fokusdistanz von 240mm bringt einen recht nah heran, aber die 0,17x Vergrößerung bedeutet, dass Makroarbeit nicht seine Stärke ist.
Technische Daten
Alle technischen Daten
Optics
| Type | Zoom |
| Focal Length Min | 10 |
| Focal Length Max | 22 |
| Elements | 13 |
| Groups | 10 |
| Aspherical Elements | 3 |
| ED Elements | 1 |
| Coating | Super Spectra coating |
Aperture
| Max Aperture | 22-27 |
| Min Aperture | 3.5-4.5 |
| Constant | No |
| Diaphragm Blades | 6 |
Build
| Mount | Canon EF-S |
| Format | APS-C |
| Weather Sealed | No |
| Weight | 0.4 kg / 0.8 lbs |
| Filter Thread | 77 |
AF & Stabilization
| AF Type | USM |
| Stabilization | No |
Focus
| Min Focus Distance | 240 |
| Max Magnification | 0.17x |
Im Vergleich
Im Vergleich zum Sigma 18-50mm f/2.8 DC DN bietet das Canon einen viel weiteren Startpunkt, verliert aber die konstante f/2.8-Blende. Das Viltrox 13mm f/1.4 ist schneller und schärfer in den Ecken für Astrofotografie, aber es ist eine Festbrennweite, also verliert man die Zoomflexibilität. Das Sony E 18-135mm f/3.5-5.6 OSS bietet Stabilisierung und mehr Reichweite, aber es ist für ein anderes Bajonett. Für Canon-APS-C-Shooter, die ein Ultraweitwinkel-Zoom wollen, ist das 10-22mm immer noch konkurrenzfähig, besonders wenn man es am unteren Ende der Preisspanne findet.
| Spec | Canon EF-S 10-22mm f/3.5-4.5 USM | Tamron Di III VC 28-300mm f/4-7.1 VXD | Sigma Contemporary 16-300mm f/3.5-6.7 DC OS | Sony E 18-135mm f/3.5-5.6 OSS | Nikon NIKKOR Z 17-28mm f/2.8 | Meike MIX Series 85mm F1.4 II |
|---|---|---|---|---|---|---|
| Focal Length | 10-22mm | 28-300mm | 16-300mm | 18-135mm | 17-28mm | 85mm |
| Max Aperture | 22-27 | f/4 | f/3.5 | f/3.5 | f/2.8 | f/1.4 |
| Mount | Canon EF-S | Sony E | Sony E | Sony E | Nikon Z | L-Mount |
| Stabilization | false | true | true | true | false | true |
| Weather Sealed | false | true | true | false | true | true |
| Weight (g) | 385 | 590 | 615 | 326 | 450 | 914 |
| AF Type | USM | VXD linear motor | HLA | Linear motor | Stepping Motor | STM |
| Lens Type | zoom | zoom | zoom | zoom | zoom | telephoto |
| Compare | Compare | Compare | Compare | Compare |
| Produkt | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | Nutzerresonanz | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Canon EF-S 10-22mm f/3.5-4.5 USM | 93.1 | 6.2 | 63 | 38.7 | 81.4 | 21.6 | 45.2 | 74.8 | 85.9 | 34.3 |
| Tamron Di III VC 28-300mm f/4-7.1 VXD Compare | 97.7 | 82.5 | 62.4 | 83.1 | 96.3 | 70.5 | 91 | 97.9 | 50.6 | 79.2 |
| Sigma Contemporary 16-300mm f/3.5-6.7 DC OS Compare | 53.9 | 88.4 | 60.9 | 85.1 | 99.1 | 81.9 | 0 | 99.7 | 80.5 | 99.2 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 97.7 | 80.2 | 70.4 | 36.7 | 77.7 | 81.9 | 45.2 | 95.8 | 90.6 | 79.2 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 84.5 | 89.9 | 73.2 | 83.1 | 87.7 | 87.6 | 91 | 67.1 | 66.6 | 34.3 |
| Meike MIX Series 85mm F1.4 II Compare | 84.5 | 98.4 | 40.7 | 92 | 51 | 97.4 | 80.7 | 33.2 | 76.3 | 79.2 |
Preis
Preis-Leistungs-Verhältnis
Die Preise sind sehr unterschiedlich. In den USA sieht man Angebote von USD 245 bis USD 729, eine enorme Spanne für dasselbe Objektiv. Die besten Deals liegen am unteren Ende, und bei USD 245 ist das ein absolutes Schnäppchen für die Bildqualität. Am oberen Ende zahlt man fast L-Serien-Preise für ein Objektiv ohne Wetterabdichtung oder konstante Blende. Käufer in CAD stehen vor einer ähnlichen Situation, mit Preisen von CAD 452 bis CAD 637. Vergleichen Sie die Preise und zahlen Sie den Aufpreis nur, wenn Sie eine Garantie oder ein neuwertiges Refurbished-Gerät bekommen.
Amazon 1 Angebot Ab 14.890 MX$
Price History
Mehr erfahren
Überblick
Das Canon EF-S 10-22mm f/3.5-4.5 USM ist eines dieser Objektive, zu denen Canon-Shooter mit Crop-Sensor auch Jahre nach der Veröffentlichung immer wieder zurückkehren. Es deckt einen Bereich von 16-35,2mm (KB-äquivalent) ab, was praktisch der Sweet Spot für Landschaften, Innenräume und Architektur ist. Das optische Design umfasst drei asphärische Elemente und ein Super-UD-Element, Canon hat also klar Mühe investiert, um Schärfe und Kontrolle zu gewährleisten.
Mit 385g ist es leicht genug, um dauerhaft in der Tasche zu leben, ohne dass man es bereut. Der Ring-USM-Autofokus ist bei gutem Licht schnell und leise, und man hat einen manuellen Fokus-Override. Kein Stabilisator, keine Wetterabdichtung, und die Blendenöffnung ist bescheiden, aber für den Preis liefert es dort, wo es zählt.
Häufige Fragen
Q: Wird dieses Objektiv an meiner Canon 60D oder 7D funktionieren?
Ja, das EF-S-Bajonett passt auf alle Canon-APS-C-DSLRs, einschließlich 60D und der ursprünglichen 7D. Sie erhalten den vollen 16-35,2mm-Äquivalentbereich auf diesen Gehäusen.
Q: Ist dieses Objektiv gut für Gruppenfotos?
Es kann funktionieren, aber das Weitwinkelende erzeugt Randverzerrungen, die für Personen in der Nähe der Bildränder nicht schmeichelhaft sind. Wenn Sie Platz haben, um zurückzugehen und eine längere Brennweite zu verwenden, erhalten Sie ein natürlicheres Bild.
Q: Wird eine Gegenlichtblende mitgeliefert?
Nein, Canon legt keine Blende bei. Sie müssen die EW-83E-Blende separat kaufen, wenn Sie Streulicht reduzieren möchten.
Für wen es nicht geeignet ist
Überspringen Sie dieses Objektiv, wenn Sie viel bei schlechtem Licht aus der Hand fotografieren oder Wetterabdichtung für Outdoor-Abenteuer benötigen. Die langsame Blende und der fehlende Stabilisator werden Sie frustrieren, und die Verzerrung bei 10mm macht es zu einer schlechten Wahl für Gruppenporträts oder alles mit geraden Linien an den Rändern. Wenn Sie ein anderes Bajonett verwenden, sind das Sigma 18-50mm f/2.8 oder das Viltrox 13mm f/1.4 besser geeignet.
Fazit
Wenn Sie Landschaften, Architektur oder Immobilien mit einer Canon-Crop-Sensor-Kamera fotografieren, ist dieses Objektiv ein No-Brainer. Die Schärfe und die Ultraweitwinkel-Abdeckung sind das Hauptargument, und die Verarbeitungsqualität fühlt sich beruhigend solide an. Man muss nur wissen, worauf man sich einlässt: kein Stabilisator, keine Wetterabdichtung und etwas Verzerrung am Weitwinkelende. Zum richtigen Preis sind diese Kompromisse leicht zu verschmerzen.
