Rokinon Cine DS100M-C 100mm
Delivering true 1:1 magnification at a 305mm minimum focus distance, this 100mm T3.1 prime captures life-size macro details on full-frame sensors while its cine-centric design features unified focus and aperture gears for consistent follow-focus swaps. The 9-blade diaphragm and Ultra Multi-Coated ED glass render smooth bokeh and suppress flare, with de-clicked aperture and dual-sided scales reinforcing its video-first ergonomics. This lens is best for macro videographers and filmmakers who need precise manual focus and accurate T-stop exposure for product cinematography or detailed nature footage.
Überblick
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Die Fakten
Performance
Specifications
Full Specifications
Optics
| Type | Macro |
| Focal Length Min | 100 |
| Focal Length Max | 100 |
| Elements | 15 |
| Groups | 12 |
| ED Elements | 1 |
| Coating | Ultra Multi-Coating |
Aperture
| Max Aperture | T32 |
| Min Aperture | T3.1 |
| Constant | Yes |
| Diaphragm Blades | 9 |
Build
| Mount | Canon EF |
| Format | full-frame |
| Weight | 0.7 kg / 1.6 lbs |
| Filter Thread | 67 |
AF & Stabilization
| AF Type | manual focus only |
Focus
| Min Focus Distance | 305 |
| Max Magnification | 1:1 |
vs Competition
| Spec | Rokinon Cine DS100M-C 100mm | Sigma Contemporary 18-50mm f/2.8 DC DN | Tamron Di III 17-70mm f/2.8 Di III-A VC RXD | Nikon NIKKOR Z 17-28mm f/2.8 | Sony E PZ 16-50mm f/3.5-5.6 OSS | Panasonic LUMIX S S-R28200 |
|---|---|---|---|---|---|---|
| Focal Length | 100mm | 18-50mm | 17-70mm | 17-28mm | 16-50mm | 28-200mm |
| Max Aperture | T32 | f/2.8 | f/2.8 | f/2.8 | f/3.5 | f/4 |
| Mount | Canon EF | Sony E | Sony E | Nikon Z | Sony E | L-Mount |
| Stabilization | false | false | true | false | true | true |
| Weather Sealed | false | true | true | true | true | true |
| Weight (g) | 726 | 290 | 544 | 450 | 107 | 413 |
| AF Type | manual focus only | stepping motor | RXD | Stepping Motor | Autofocus | Autofocus |
| Lens Type | macro | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Produkt | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | Nutzerresonanz | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Rokinon Cine DS100M-C 100mm | 12.6 | 7.4 | 42 | 68.2 | 75.8 | 4.8 | 80.3 | 33.6 | 38.1 | 36.9 |
| Sigma Contemporary 18-50mm f/2.8 DC DN Compare | 87.7 | 80.8 | 86.5 | 90.9 | 82.6 | 83.1 | 80.3 | 78.4 | 89.8 | 36.9 |
| Tamron Di III 17-70mm f/2.8 Di III-A VC RXD Compare | 53.7 | 86.1 | 69.8 | 85.1 | 91.1 | 83.1 | 63.2 | 89.5 | 85.5 | 82.6 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87.7 | 86.1 | 76.1 | 85.1 | 88.4 | 83.1 | 90.8 | 68 | 70.2 | 36.9 |
| Sony E PZ 16-50mm f/3.5-5.6 OSS Compare | 53.7 | 74.1 | 98.6 | 43.7 | 69.1 | 76.3 | 63.2 | 83.2 | 81.2 | 93.5 |
| Panasonic LUMIX S S-R28200 Compare | 53.7 | 76.7 | 78.4 | 74.2 | 92 | 65 | 22 | 95.4 | 76.1 | 99.5 |
