Samsung 50-200mm f/4-5.6 ED OIS III APS-C
The 50-200mm zoom range with a 77-308mm equivalent field of view and 2 ED elements delivers sharp telephoto shots from sports to portraits. Its built-in optical image stabilization reduces motion blur in low light, while the i-Function lens ring provides one-touch access to manual settings. Best for travel and landscape photographers on Samsung NX cameras who want a lightweight, stabilized zoom without breaking the bank.
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概要
The 30-Second Version
The Samsung 50-200mm is a decent budget telephoto for NX shooters, with solid sharpness and stabilization. But the slow aperture, plastic build, and dead mount make it a niche pick. Only worth it if you already own an NX camera and find it cheap.
Pros & Cons
長所
- Lightweight at 430g for a 200mm telephoto 89th
- Optical stabilization actually works well 89th
- Sharp enough for the price, especially at the long end 88th
- i-Function ring is a neat trick on NX bodies
短所
- Slow f/4-5.6 aperture limits low light shooting
- Plastic build feels cheap
- Bokeh is harsh and busy
- Dead mount, no upgrade path
オーナーの声
The Word on the Street
実証データ
Performance
Sharpness is solid for a budget telephoto. The two ED elements do their job keeping chromatic aberration in check, and our optical score lands in the top quarter of lenses we've tested. Stabilization is above average too, which helps when you're handholding at 200mm in less than perfect light. But that f/4-5.6 max aperture is a real limitation. You'll be cranking ISO indoors or at dusk, and the bokeh is nothing to write home about. Autofocus is middle of the pack, fine for stills but not a sports demon.
Specifications
Full Specifications
Optics
| Type | Telephoto |
| Focal Length Min | 50 |
| Focal Length Max | 200 |
| Elements | 17 |
| Groups | 13 |
| ED Elements | 2 |
Aperture
| Max Aperture | f/4-5.6 |
| Min Aperture | f/22 |
| Constant | No |
Build
| Mount | Samsung NX |
| Format | APS-C |
| Weight | 0.4 kg / 0.9 lbs |
AF & Stabilization
| Stabilization | Yes |
vs Competition
Stacked against the Sony E 18-135mm f/3.5-5.6 OSS, the Samsung gives you more reach but loses on versatility and modern autofocus. The Tamron 28-300mm VC is heavier and pricier but covers a much wider range with better build. The Sigma Art 17-40mm f/1.8 is a completely different beast, fast and sharp but no telephoto reach. For NX shooters specifically, there's no real alternative to this lens, which is both a blessing and a curse.
| Spec | Samsung 50-200mm f/4-5.6 ED OIS III | Canon RF 24-105mm f/2.8 L IS USM Z | Viltrox LAB AF 35mm f/1.2 LAB FE | Sony G Master FE 50-150mm f/2 GM | Sigma Art 17-40mm f/1.8 DC | Tamron Di III 70-180mm f/2.8 VC VXD G2 |
|---|---|---|---|---|---|---|
| Focal Length | 50-200mm | 24-105mm | 35mm | 50-150mm | 17-40mm | 70-180mm |
| Max Aperture | f/4-5.6 | f/2.8 | f/1.2 | f/2 | f/1.8 | f/2.8 |
| Mount | Samsung NX | Canon RF | Sony E | Sony E | Fujifilm X | Sony E |
| Format Coverage | APS-C | full-frame | full-frame | full-frame | APS-C | full-frame |
| Stabilization | true | true | false | false | false | true |
| Weather Sealed | false | true | true | true | true | true |
| Weight (g) | 430 | 1315 | 910 | 1340 | 535 | 855 |
| AF Type | - | Nano USM | VCM | XD linear motors | HLA (High-response Linear Actuator) | VXD |
| Lens Type | telephoto | zoom | prime | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| 製品 | Bokeh | Build | Reach | Video | Optical | Aperture | Wide Angle | Portability | Versatility | ユーザー評価 | Affordability | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Samsung 50-200mm f/4-5.6 ED OIS III | 45.7 | 30.7 | 87.5 | 28.5 | 36.7 | 16.9 | 25.8 | 58.4 | 88.8 | 62 | 59.4 | 88.9 |
| Canon RF 24-105mm f/2.8 L IS USM Z Compare | 78.7 | 95.1 | 73.9 | 88.1 | 97.9 | 43.9 | 74.5 | 11.1 | 91.9 | 88.1 | 8.1 | 96 |
| Viltrox LAB AF 35mm f/1.2 LAB FE Compare | 69 | 90.7 | 29.4 | 72.2 | 92.6 | 96.1 | 53.2 | 20.6 | 33 | 88.1 | 33.4 | 36.2 |
| Sony G Master FE 50-150mm f/2 GM Compare | 95.9 | 98.8 | 80.2 | 88.1 | 95.6 | 64.2 | 40 | 10.8 | 82.3 | 92.7 | 7.4 | 36.2 |
| Sigma Art 17-40mm f/1.8 DC Compare | 53.1 | 95.1 | 53.1 | 88.1 | 97.3 | 74.8 | 68.7 | 47.1 | 75.3 | 92.7 | 33.6 | 36.2 |
| Tamron Di III 70-180mm f/2.8 VC VXD G2 Compare | 86.5 | 77.3 | 81.1 | 84.2 | 96.5 | 43.9 | 29.2 | 21.8 | 77.4 | 92.7 | 27.8 | 97.3 |
価格
Value & Pricing
At $460 USD new, this is a tough sell in 2025. The NX system is discontinued, so you're buying into a dead end. Used copies pop up for much less, and that's where the value lives. If you already own an NX camera and find this for under $200, it's a decent budget telephoto. Paying full retail for a lens with no future body support is a hard pass.
詳細情報
Overview
The Samsung 50-200mm f/4-5.6 ED OIS III is a telephoto zoom for the now-defunct NX mount. It covers a 77-308mm equivalent range on APS-C, which is a nice sweet spot for portraits, sports, and pulling distant stuff closer. At 430g, it's light enough to toss in a bag without thinking twice.
Samsung's i-Function trick lets you twist the lens ring to change camera settings, which is genuinely handy if you're still shooting on an NX body. Optical stabilization is built in, and that matters at 200mm. But the slow f/4-5.6 aperture and plastic build keep this from being a hidden gem.
Common Questions
Q: Will this lens work on any Samsung camera?
No, it only fits Samsung NX mount bodies. It won't work on Samsung's newer mirrorless or any other brand without an adapter, and even then autofocus may not function.
Q: Is the image stabilization effective at 200mm?
Yes, the optical stabilization is above average and helps noticeably when handholding at the long end. You'll still want decent light or a steady hand at slower shutter speeds.
Q: Can I use this for portraits?
Sort of. The 50-200mm range covers good portrait focal lengths, but the f/4-5.6 aperture means backgrounds won't blur much. You'll get better subject separation outdoors with distance between your subject and the background.
Who Should Skip This
Skip this if you don't already own a Samsung NX camera. The mount is discontinued, so you'd be buying into a system with no future. Also skip it if you shoot indoors or in low light often, the f/4-5.6 aperture will frustrate you. And if you want creamy bokeh or macro shots, look elsewhere, this lens is weak in both areas.
Verdict
If you're still rocking a Samsung NX body and need a cheap telephoto, this lens does the job. It's sharp enough, stabilized, and light. But don't buy it as a reason to get into the NX system. The mount is dead, the aperture is slow, and the build feels like a toy. This is a lens for people already committed to NX, not a reason to commit.
Usage Scores
- Macro30.9
- 総合35.7
- Budget60.4
- Street35.1
- Travel53.8
- Portrait33.6
- Landscape24.5
- Professional24.4
- Video Cinema26.3
- Wildlife Sports52.9