Sigma Sports 185956 500mm

★★★★★ 5.0 (1)

A 500mm f/4 optical formula with one SLD and two FLD elements, plus Super Multi-Layer coating, delivers sharp, contrast-rich images, aided by a 4-stop Optical Stabilizer for handholding in dim conditions. Its dust- and splash-proof magnesium-alloy barrel, brass mount, and teleconverter compatibility ensure durability and extended reach options. This lens is ideal for sports and wildlife photographers who rely on fast Hyper Sonic AF with full-time manual override and a bright f/4 aperture to track distant, fast-moving subjects.

Focal length 500mm
Aperture f/4
Mount Sigma SA
stabilization Sì
Weather Sealed Sì
Weight 3175 g
af type Autofocus
lens type super-telephoto
Sigma Sports 185956 500mm lens
56 Punteggio Complessivo

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Disponibile anche in:

Panoramica

The 30-Second Version

The Sigma 500mm f/4 DG OS HSM Sport delivers excellent optics in the 83rd percentile and best-in-class stabilization at the 93rd percentile. But it's built for the dead Sigma SA mount, and the build quality score lands in the 8th percentile, one of the worst we've seen. Great glass, terrible ecosystem.

Pros & Cons

Pro

  • 4-stop stabilization ranks in the 93rd percentile, near best-in-class 92nd
  • Optical quality in the 83rd percentile with SLD and FLD elements 83rd
  • f/4 constant aperture at 500mm is solid for low light 83rd
  • Weather-sealed with magnesium-alloy barrel and brass mount 71st
  • 9-blade diaphragm delivers bokeh in the 79th percentile

Contro

  • Build quality score lands in the 8th percentile, one of the worst we've seen
  • Sigma SA mount is a dead system with no upgrade path
  • Autofocus sits at the 54th percentile, just average
  • 3,175 grams makes this a tripod-only lens for most shooters
  • Versatility score of 34th percentile, this is a one-trick pony

Cosa dicono i proprietari

The Word on the Street

5.0/5 (1 reviews)
🤔 The only real customer feedback is someone asking for more information, which tells you how niche this lens is.
👎 Multiple potential buyers are confused about mount compatibility, with questions about Pentax and Sony fitment that all end in disappointment.

Le prove

Performance

The optical performance is where this lens earns its keep. At the 83rd percentile, it's one of the best on the market for sharpness and aberration control. The 16 elements in 11 groups include one SLD and two FLD elements, which do the heavy lifting against chromatic aberration. The Super Multi-Layer Coating keeps flare and ghosting in check, and the 9-blade diaphragm produces bokeh that lands in the 79th percentile, well above average for a super-telephoto.

Stabilization is the real headline here. The 4-stop Optical Stabilizer ranks in the 93rd percentile, which puts it near the top of the charts for handheld shooting. That's a big deal at 500mm, where camera shake is brutal. The f/4 max aperture sits at the 68th percentile, solid but not exceptional. Autofocus is the weak link at the 54th percentile, middle of the pack. The Hyper Sonic AF motor gets the job done, but it's not going to blow anyone away for fast action tracking.

Performance Percentiles

AF 53.8
Bokeh 83.3
Build 6.5
Macro 29.3
Optical 82.8
Aperture 70.7
Versatility 33.2
Riscontro degli utenti 40.4
Stabilization 92.3

Specifications

Full Specifications

Optics

Type Super-telephoto
Focal Length Min 500
Focal Length Max 500
Elements 16
Groups 11
ED Elements 3
Coating Super Multi-Layer Coating

Aperture

Max Aperture f/4
Min Aperture f/32
Constant Yes
Diaphragm Blades 9

Build

Mount Sigma SA
Format Full-Frame
Weather Sealed Yes
Weight 3.2 kg / 7.0 lbs
Filter Thread 46

AF & Stabilization

AF Type Autofocus
Stabilization Yes
Stabilization Stops 4

Focus

Min Focus Distance 3500
Max Magnification 1:6.67

vs Competition

Stacked against the competition, the Sigma 500mm f/4 is a weird mix. The Tamron 28-300mm f/4-7.1 Di III VC VXD offers way more versatility with its zoom range, though it gives up the f/4 constant aperture. The Nikon Z 24-200mm f/4-6.3 VR and Panasonic Lumix S 24-105mm f/4 Macro O.I.S. are both more practical everyday lenses with modern mounts and better build quality scores. The Viltrox 13mm f/1.4 and Sony 16-50mm f/3.5-5.6 OSS aren't even in the same conversation, different tools entirely. What the Sigma has that none of these competitors can touch is 500mm of reach with a constant f/4 aperture and top-tier stabilization. But you're paying a premium for a mount that's going nowhere.

Spec Sigma Sports 185956 500mm Sony G SELP28135G.SYX Nikon NIKKOR Z 180-600mm f/5.6-6.3 VR Canon RF 24-105mm f/2.8 L IS USM Z Fujifilm GF GF32-64mmF4 R LM WR Lens Panasonic LUMIX S PRO S-E70200
Focal Length 500mm 28-135mm 180-600mm 24-105mm 32-64mm 70-200mm
Max Aperture f/4 f/4 f/5.6 f/22 f/4 f/2.8
Mount Sigma SA Sony E Nikon Z Canon RF G Mount L-Mount
Stabilization true true true true false true
Weather Sealed true true true true true true
Weight (g) 3175 420 1950 1315 96 1570
AF Type Autofocus SSM STM Nano USM Linear motor double focus system combines a linear motor and stepping motor
Lens Type super-telephoto zoom super-telephoto zoom zoom telephoto
Compare Compare Compare Compare Compare
Prodotto AFBokehBuildMacroOpticalApertureVersatilityRiscontro degli utentiStabilization
Sigma Sports 185956 500mm 53.883.36.529.382.870.733.240.492.3
Sony G SELP28135G.SYX Compare 93.183.375.431.587.870.792.654.692.3
Nikon NIKKOR Z 180-600mm f/5.6-6.3 VR Compare 84.660.112.627.199.657.984.290.798.4
Canon RF 24-105mm f/2.8 L IS USM Z Compare 93.136.619.437.399.421.991.890.798.4
Fujifilm GF GF32-64mmF4 R LM WR Lens Compare 97.783.398.528.586.970.771.648.934.4
Panasonic LUMIX S PRO S-E70200 Compare 97.793.615.538.296.988.179.250.299.7

Prezzo

Value & Pricing

At USD 6,599 from US retailers, this lens is a hard sell. The EUR listings run 7,545 to 7,707, and Canadian buyers are looking at CAD 9,035 to 9,097. For that kind of money, you're getting excellent optics and stabilization, but you're also buying into a mount system that Sigma abandoned years ago. The resale value on SA mount glass is rough, and the build quality percentile doesn't inspire confidence for a lens this expensive. If you already own an SA body and need 500mm reach, this is your only real option. For everyone else, that money goes much further on a current mount.

Price History

1.160.000 JPY 1.180.000 JPY 1.200.000 JPY 1.220.000 JPY 30 mag19 lug23 ott 1.164.633 JPY

Approfondisci

Overview

The Sigma 500mm f/4 DG OS HSM Sport is a serious piece of glass for a mount system that's basically on life support. The optical performance is a standout, sitting in the 83rd percentile across our database, and the stabilization is even better at the 93rd percentile. That 4-stop Optical Stabilizer is the kind of thing that makes handheld super-telephoto work actually possible, which matters when you're hauling around 3,175 grams of lens.

But here's the thing: this is a Sigma SA mount lens. That's a dead system. Sigma stopped making SA cameras years ago, and the build quality score lands in the 8th percentile, which is one of the worst we've seen for a lens in this class. The magnesium-alloy barrel and brass mount sound premium on paper, but the data tells a different story. You're buying into a format with no future, and that's a big asterisk on an otherwise impressive optic.

Common Questions

Q: Will this lens work on my Pentax or Sony camera?

No. This is a Sigma SA mount lens, and it won't fit Pentax K, Sony E, or any other mount without an adapter that doesn't really exist. The SA mount was Sigma's proprietary system for their own camera bodies, and it's been discontinued for years.

Q: Is the 4-stop stabilization enough for handheld shooting at 500mm?

The stabilization ranks in the 93rd percentile across our database, which is near the top of the charts. That 4-stop compensation is genuinely helpful at 500mm, but the lens weighs 3,175 grams, so most shooters will want a tripod or monopod regardless.

Q: How does the image quality compare to other super-telephoto lenses?

The optical performance sits in the 83rd percentile, which puts it among the best on the market. The 16 elements in 11 groups with one SLD and two FLD elements do solid work against chromatic aberration, and the Super Multi-Layer Coating keeps contrast strong in backlit situations.

Who Should Skip This

Skip this if you don't already own a Sigma SA body. The mount is dead, the build quality is in the 8th percentile, and the versatility score of 34th percentile means this lens does exactly one thing. At USD 6,599, you're paying flagship money for a lens with no future. If you need 500mm reach on a modern system, look at adapted EF glass or native options from Canon, Nikon, or Sony. The autofocus at the 54th percentile also won't impress anyone shooting fast action, which is kind of the whole point of a Sports line lens.

Verdict

The Sigma 500mm f/4 DG OS HSM Sport is a genuinely excellent super-telephoto trapped in a dead mount. The optical quality and stabilization are legitimately impressive, ranking in the 83rd and 93rd percentiles respectively. If you're one of the few people still shooting Sigma SA bodies and you need serious reach, this lens delivers. But the 8th percentile build quality score and the complete lack of an upgrade path make it impossible to recommend for anyone else. The numbers on optics are great, but the numbers on longevity are not.

Usage Scores

Macro (53.4)Complessivo (56.2)Budget (53)Street (56.7)Travel (38.9)Portrait (74.7)Landscape (52)Professional (65.8)Video Cinema (66.6)Wildlife Sports (57.3)

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