Sigma Art 24-70mm F2.8 DG DN Art
Doté d'un autofocus HLA rapide et d'une ouverture constante f/2.8, ce zoom se distingue par une résolution optique améliorée et un diaphragme à 9 lames pour un bokeh doux, le tout dans un boîtier 10 % plus léger que son prédécesseur. Sa distance de mise au point minimale de 17 cm offre un rapport de reproduction de 1:2.7, idéal pour des gros plans détaillés, tandis que l'ajout d'une bague d'ouverture et la stabilisation sur 4 stops renforcent la polyvalence en vidéo. Ce zoom est parfait pour les photographes de mariage et les vidéastes hybrides en monture Sony E qui exigent une qualité d'image élevée sans sacrifier la portabilité.
Aperçu
En 30 secondes
Une optique de compétition à un prix qui défie toute concurrence, plombée par un autofocus lunatique et un poids de déménageur. Si vous avez la patience de le calibrer, c'est un sans-faute optique.
Avantages et inconvénients
Points forts
- Piqué exceptionnel, surtout au centre, qui rivalise avec le haut de gamme. 98th
- Stabilisation optique hyper efficace, parfaite pour la vidéo et les basses lumières. 94th
- Construction robuste et tropicalisée, on sent le sérieux. 93rd
- Rapport qualité-prix imbattable face aux optiques Sony ou Canon. 89th
Points faibles
- Un vrai parpaing de 1020g, la nuque s'en souvient après une journée.
- Autofocus capricieux qui demande souvent un micro-ajustement fastidieux.
- Le bokeh est assez quelconque, ne comptez pas sur un rendu magique.
- Pas de collier de trépied fourni, un oubli pénible vu le poids.
L'avis des propriétaires
Ce qu'en disent les utilisateurs
L'évolution de l'avis des propriétaires dans le temps
ExclusivitéD'après la date à laquelle les clients ont rédigé leurs avis - pour voir si l'enthousiasme initial s'est confirmé.
- Q4 202688/100
Buyers praise the Sigma 24-70mm F2.8 DG DN II Art for sharp image quality, versatile range, and solid build. Autofocus is fast in good light but can hunt in low light.
- Image quality is sharp, cinematic, and professional-grade.
- Versatile 24-70mm range covers most shooting needs without lens swaps.
- Great value compared to Sony GM, offering high performance at lower cost.
- Autofocus is fast in good light but hunts in low light conditions.
- Q3 202693/100
Buyers praise this lens as excellent, versatile, and a great value. Some note it is heavy but still recommend it.
- Excellent image quality and versatility for video and run-and-gun shooting.
- Great value compared to G series lenses, with competitive price.
- Lens is heavy but still recommended; weight is a noted drawback.
- Sharp center micro detail close to prime Sigma Art lenses.
- Q2 202682/100
Buyers praise the lens for sharpness, value, and versatility. A few note autofocus noise and low-light hunting.
- Sharp image quality and good value for the price.
- Versatile 24-70mm range suits hybrid photo/video work.
- Autofocus noise makes audio unusable for video.
- Autofocus hunts in low light, but fast in good light.
- Q1 202695/100
Buyers praise this Sigma lens as excellent value, delivering sharp, crisp images comparable to pricier Sony GM II. It's a versatile, sturdy favorite for daily use.
- Excellent value for money, often compared favorably to Sony GM II at half the price.
- Sharp, crisp image quality with great color and depth.
- Versatile and sturdy build, becoming a go-to lens for many.
- One reviewer noted it's heavier than expected, but still very happy.
- Q4 202575/100
Buyers praise image quality and color, but note the lens is heavy and may frustrate those without strong wrists or who don't edit RAW files.
- Great color and image quality, comparable to Zeiss lenses.
- Heavy but compact; may be frustrating for some shooting styles.
- Sharpness and performance for portraits and landscapes.
- Good for manual lens users seeking OIS and convenience.
- Q2 202580/100
Buyers praise sharpness, build quality, and image stabilization. One user reports focus issues and softness at wide end.
- Sharpness and build quality praised across Nikon D and Z cameras.
- Great image stabilization and suitability for documentary filmmaking.
- One user reports focus issues and soft spot at 24-35mm range.
- Overall satisfaction with lens as a versatile all-rounder.
- Q3 202267/100
Buyers praised the lens for its build, clarity, bokeh, and low-light performance, but one reviewer found it disappointing.
- Excellent build quality, clarity, and bokeh.
- Great low-light performance and versatility as an everyday lens.
- One reviewer felt the lens did not meet expectations.
- Q4 202133/100
Mixed reviews: one buyer loves the lens for sharpness and build, but two others report it is not sharp or incompatible with Canon.
- Lens is sharp, heavy in a good way, great for family shoots.
- Lens not sharp at all, buyer returned it.
- Lens incompatible with Canon despite being told otherwise.
- Q3 202195/100
Buyers praised the lens for its sharpness, versatility, and build quality, though noted it is heavy.
- Crisp, clear images with great versatility from 24-70mm at f/2.8.
- Lens is heavy, but users accept it for performance.
- Excellent build quality and fast delivery.
- Great value for cinema and video work.
- Q2 2021100/100
All 9 reviews are 5-star, praising image quality, sharpness, build, and value. Buyers highly recommend it for travel and professional use.
- Excellent image quality and sharpness consistently highlighted.
- Solid build and professional feel appreciated.
- Fast and accurate autofocus noted.
- Great value and versatility for travel and general use.
- Q1 202193/100
Buyers praise the lens for its fantastic image quality, solid build, and versatility across Canon and Sony systems. One notes it is heavy but solves focus issues on older DSLRs.
- Excellent image quality and sharpness, with one copy noted as sharper than others.
- Solid build quality and good ergonomics, feels great in hand.
- Works well with Sigma USB dock for micro focus adjustment on older Canon DSLRs.
- Lens is very heavy, a notable con for some users.
- Q3 202065/100
Buyers praised the lens quality and value versus Nikon, but noted heavy weight and autofocus issues that required firmware updates.
- Excellent image quality and value compared to Nikon's offering.
- Heavy weight; some found it manageable, others too heavy.
- Autofocus misses focus in about half of shots, even after firmware updates.
- Smooth zoom/focus action and good for weddings and portraits.
- Q1 202087/100
Buyers praise image quality and value versus Canon, but consistently note the lens is heavy, especially for long hikes.
- Sharp images, fast aperture, great for street and art photography.
- Good value compared to Canon counterpart.
- Lens is heavy (2.5 lbs); needs a harness for trail use.
- Works well with Canon 5DM4 and 6D Mark II.
- Q4 2019100/100
All six reviews are 5-star, praising the lens for its sharpness, build quality, and value. Buyers recommend it as a great all-around lens.
- Sharp image quality consistently highlighted across reviews.
- Excellent build quality, comparable to Canon/Nikon.
- Great value for money, not pricey for the quality.
- Versatile lens, ideal for walking around and low light.
- Q1 201993/100
Buyers praised the lens for its quality and value, though some noted it is heavy.
- Great image quality and ease of use
- Good value for the price
- Heavy weight noted as a drawback
- Positive experience with Adorama store
- Q4 201890/100
Buyers praised the lens for sharp focus, weather sealing, and value, though some noted initial focus issues and weight.
- Sharp focus, beautiful bokeh, and great flexibility for available light photography.
- Weather sealing and image stabilization are highly valued for outdoor use.
- Initial focus issues (back/front focusing) were easily fixed with optimization software.
- Lens is a little heavy, but worth the price for studio and event work.
- Q3 201872/100
Buyers praise sharpness and versatility, but one reports inconsistent autofocus and edge softness, calling it a dud compared to other Sigma lenses.
- Sharp lens, great image quality, and versatile focal lengths for various photography needs.
- Autofocus is fast but inconsistent; one user observed focus jumping at 70mm.
- Edge sharpness is lacking; center sharpness is okay but not exceptional.
- Zoom ring direction is reversed, which some find annoying but not a deal breaker.
- Q2 201888/100
Buyers praise the lens as sharp, versatile, and quick-focusing, but one notes soft corners and edges, especially at 24mm and 70mm, requiring micro-adjustment.
- Sharp, clear, and versatile for portraits, landscapes, and low light; excellent image quality.
- Soft extreme corners and edges at wide and telephoto ends, varying by focal length.
- Requires significant micro-adjustment for sharpness; calibration via USB dock needed.
- Fast and accurate autofocus, outperforming Canon and older Sigma models for run-and-gun shooting.
- Q1 2018100/100
Buyers praised the lens for its sharpness, precision, and value, with one noting it's a great alternative to Nikon's version.
- Sharpness and precision are excellent, matching or exceeding comparable lenses.
- Great value for the price, especially as an alternative to pricier options.
- Versatile focal length, ideal for wedding photography and general use.
- Helpful customer service, encouraging repeat purchases.
- Q4 201784/100
Buyers praised sharpness, image stabilization, and versatility, though some noted the lens is heavy and one reviewer hadn't tested it enough.
- Sharpness and image quality are excellent.
- Image stabilization and f/2.8 aperture are valued.
- Lens is heavy but build quality is solid.
- One reviewer couldn't provide definitive feedback due to limited use.
- Q3 201777/100
Buyers praised sharpness, color, and build, but some reported autofocus inconsistency and back/front focus issues, especially on Nikon and Canon bodies.
- Excellent sharpness, color, and bokeh; many prefer it over OEM lenses.
- Autofocus inconsistency, back/front focus issues reported on some bodies.
- Heavy and large; some find it cumbersome for travel or petite users.
- Softness at wide end and at f/4 noted by a few reviewers.
D'après 135 avis clients datés, regroupés par trimestre civil. L'analyse par période est en anglais.
Les preuves
Performances
Ce qui surprend le plus, c'est la netteté. Avec un score dans le 98ème percentile, on est clairement sur du best-in-class. Les images sont incroyablement détaillées, même à f/2.8. La stabilisation sur 4 stops est aussi une des meilleures du marché, un vrai bonheur en basse lumière. Par contre, l'autofocus est le point noir. Il est rapide et silencieux la plupart du temps, mais on rejoint les nombreux utilisateurs qui rapportent des soucis de calibration. Un réglage via la station d'accueil USB est quasi obligatoire pour tirer le meilleur de ce 24-70mm, et c'est frustrant pour un objectif de ce calibre.
Caractéristiques techniques
Fiche technique complète
Optics
| Type | Zoom |
| Focal Length Min | 24 |
| Focal Length Max | 70 |
| Elements | 19 |
| Groups | 15 |
| Aspherical Elements | 4 |
| ED Elements | 3 |
| Coating | Super Multi-Layer Coating |
Aperture
| Max Aperture | f/2.8 |
| Min Aperture | f/2.8 |
| Constant | Yes |
| Diaphragm Blades | 9 |
Build
| Mount | Sony E |
| Format | full-frame |
| Weather Sealed | Yes |
| Weight | 1.0 kg / 2.2 lbs |
| Filter Thread | 82 |
AF & Stabilization
| AF Type | HSM |
| Stabilization | Yes |
| Stabilization Stops | 4 |
Focus
| Min Focus Distance | 170 |
| Max Magnification | 1:2.7 |
Face à la concurrence
Face au Sony G Master SEL70200GM2, le Sigma tient la dragée haute en netteté et le bat sur le prix, mais perd en fiabilité d'autofocus et en légèreté. Le Canon RF 28-70mm f/2.8 IS STM est un concurrent plus moderne, souvent plus léger et avec un AF plus sûr, mais le Sigma offre une ouverture constante à f/2.8 que le Canon n'a pas. Si vous êtes sur monture Sony E et que le poids ne vous fait pas peur, le Sigma est un choix plus malin que le Sony, à condition d'accepter de passer du temps à le calibrer.
| Spec | Sigma Art 24-70mm F2.8 DG DN Art | Tamron Di III VC 28-300mm f/4-7.1 VXD | Nikon NIKKOR Z 17-28mm f/2.8 | Sony E PZ 16-50mm f/3.5-5.6 OSS | Panasonic LUMIX S S-R28200 | Pentax Limited Series HD DA 20-40mm F2.8-4 Limited DC WR Wide Zoom |
|---|---|---|---|---|---|---|
| Focal Length | 24-70mm | 28-300mm | 17-28mm | 16-50mm | 28-200mm | 20-40mm |
| Max Aperture | f/2.8 | f/4 | f/2.8 | f/3.5 | f/4 | f/2.8 |
| Mount | Sony E | Sony E | Nikon Z | Sony E | L-Mount | Pentax K |
| Stabilization | true | true | false | true | true | true |
| Weather Sealed | true | true | true | true | true | true |
| Weight (g) | 1020 | 590 | 450 | 107 | 413 | 283 |
| AF Type | HSM | VXD linear motor | Stepping Motor | Autofocus | Autofocus | Autofocus |
| Lens Type | zoom | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Produit | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | Preuve sociale | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Sigma Art 24-70mm F2.8 DG DN Art | 54.2 | 88.9 | 40.6 | 85.9 | 98.1 | 86.2 | 64.1 | 80.7 | 93.9 | 93 |
| Tamron Di III VC 28-300mm f/4-7.1 VXD Compare | 97.7 | 80.7 | 64.1 | 84 | 96.6 | 68.8 | 91 | 97.9 | 52.3 | 80.3 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 85.3 | 88.9 | 74.6 | 84 | 87.8 | 86.2 | 91 | 67.9 | 68.1 | 35 |
| Sony E PZ 16-50mm f/3.5-5.6 OSS Compare | 54.2 | 78.1 | 98.3 | 42.1 | 66.8 | 79.9 | 64.1 | 83.5 | 81.3 | 93 |
| Panasonic LUMIX S S-R28200 Compare | 54.2 | 80.7 | 77 | 73.2 | 91.7 | 68.8 | 22.2 | 95.5 | 75.6 | 99.4 |
| Pentax Limited Series HD DA 20-40mm F2.8-4 Limited DC WR Wide Zoom Compare | 54.2 | 88.9 | 86.1 | 96.5 | 59.6 | 86.2 | 45.4 | 72.2 | 56.5 | 80.3 |
Prix
Rapport qualité-prix
Vu l'écart de prix monumental entre les revendeurs, de 781 $ à 199800 $, il faut magasiner. Clairement, à son prix le plus bas, c'est une affaire en or. Il offre 90% des performances d'un Sony G Master pour une fraction du coût. Si vous le trouvez sous la barre des 1000 $, n'hésitez pas une seconde. C'est un investissement sérieux pour un résultat professionnel.
Amazon 2 offres À partir de 173 662 JPY
Price History
En savoir plus
Aperçu
Le Sigma 24-70mm f/2.8 DG OS HSM Art, c'est le choix malin pour qui veut une qualité d'image au top sans vendre un rein pour une marque native. La clarté optique est exceptionnelle, surtout au centre, et la stabilisation intégrée fait vraiment la différence sur le terrain. C'est un objectif lourd, ça oui, et l'autofocus peut parfois jouer les divas, mais le piqué qu'il sort est tout simplement magnifique.
Questions fréquentes
Q: Est-ce que l'autofocus est fiable pour des mariages ou des événements ?
Honnêtement, c'est risqué sans calibration. L'AF peut être très bon, mais sa fiabilité n'est pas à 100%. Pour un mariage, où tu ne peux pas rater le moment clé, je ne tenterais pas le diable sans l'avoir réglé avec la station USB au préalable.
Q: Est-il vraiment si lourd ?
Oui, plus d'un kilo, c'est un morceau. Sur un boîtier hybride léger, le déséquilibre est flagrant. Pour une utilisation à main levée toute la journée, prévois une bonne sangle et des pauses.
Q: Le bokeh est-il joli pour des portraits ?
Pas vraiment, c'est son point faible. Le rendu est assez neutre, sans le côté crémeux qu'on attend d'un f/2.8 haut de gamme. Pour du portrait, un 85mm f/1.4 sera bien plus flatteur.
À qui ce produit ne convient pas
Si vous faites du reportage ou du mariage et que vous avez besoin d'un autofocus infaillible, passez votre chemin. La fiabilité n'est pas au rendez-vous sans bricolage. Pour vous, un Sony G Master ou un Canon RF 28-70mm f/2.8 IS STM, même plus cher, sera un meilleur choix. Si le poids est rédhibitoire, le Tamron 28-75mm f/2.8 est une alternative bien plus légère.
Verdict
Achetez-le pour sa qualité d'image et sa stabilisation, qui sont tout simplement superbes. C'est un outil de travail sérieux pour les photographes patients. Mais soyez prêts à dompter son autofocus avec la station d'accueil USB, et investissez dans une bonne sangle, parce que ce 24-70mm est un poids lourd. Si vous cherchez la fiabilité absolue sans prise de tête, passez votre chemin. Pour les autres, c'est un des meilleurs rapports qualité-prix du marché.
