Nikon NIKKOR AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR
Offering a 24-85mm focal length with Vibration Reduction and ED glass, this lens captures sharp images on FX-format cameras (36-127.5mm equivalent on DX). The included bundle with a 64GB card, filter kit, backpack, and tripod eliminates the need for immediate accessory purchases. It suits budget-focused portrait photographers and general shooters who want a capable standard zoom out of the box.
Snapshot
The 30-Second Version
The Nikon 24-85mm f/3.5-4.5G ED VR is a versatile full-frame zoom with best-in-class build quality and excellent stabilization. It's not great for macro and the autofocus is just okay, but for everyday shooting it's a fantastic value at around $600. If you're on F-mount and need one lens that does most things well, buy it.
Pros & Cons
Pros
- Build quality is top-tier, 99th percentile in our database 92nd
- VR II stabilization is excellent, rated for 4 stops 91st
- Versatile 24-85mm range covers most everyday shooting 85th
- Good optical performance with minimal distortion and CA 83rd
Cons
- Macro performance is rough, 13th percentile
- Variable aperture gets slow at the long end
- Autofocus is just average, nothing special
- No weather sealing
The proof
Performance
Optically this lens is solid, landing in the 76th percentile overall. The three aspherical elements and one ED element do their job, keeping distortion and chromatic aberration mostly in check across the zoom range. Sharpness is good in the center and acceptable at the edges, especially stopped down a bit. The Silent Wave Motor autofocus is fine but nothing special, sitting right around the middle of the pack at the 54th percentile. It's accurate and quiet enough for stills, but don't expect sports-level tracking speed. The real star here is the VR II stabilization, which is among the best we've seen and makes handheld shooting at slower shutter speeds genuinely viable. Bokeh is pleasant for a variable aperture zoom, helped by the rounded 7-blade diaphragm, though you won't confuse it with an f/1.8 prime.
Specifications
Full Specifications
Optics
| Type | Zoom |
| Focal Length Min | 24 |
| Focal Length Max | 85 |
| Elements | 4 |
| Aspherical Elements | 3 |
| ED Elements | 1 |
| Coating | Super Integrated Coating |
Aperture
| Max Aperture | f/3.5 |
| Min Aperture | 3.5-4.5 |
| Constant | No |
| Diaphragm Blades | 7 |
Build
| Mount | F-Mount |
| Format | full-frame |
| Weight | 0.1 kg / 0.3 lbs |
| Filter Thread | 72 |
AF & Stabilization
| AF Type | Silent Wave Motor |
| Stabilization | Yes |
| Stabilization Stops | 4 |
vs Competition
Against the Tamron 28-300mm f/4-7.1, the Nikon gives up a lot of reach but wins on build quality and optical consistency. The Sigma 18-50mm f/2.8 is faster and sharper for APS-C shooters, but it's not full-frame and lacks the Nikon's stabilization chops. The Sony 18-135mm f/3.5-5.6 OSS is a closer match in spirit, but again it's crop-sensor only. For full-frame F-mount users, the Nikon 24-85mm VR sits in a sweet spot that none of these competitors directly touch.
| Spec | Nikon NIKKOR AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR | Tamron Di III VC 28-300mm f/4-7.1 VXD | Sigma Art 17-40mm f/1.8 DC | Sony E PZ 16-50mm f/3.5-5.6 OSS | Panasonic Lumix G Leica DG Vario-Elmarit 8-18mm f/2.8-4 | Canon EF-S 55-250mm f/4-5.6 IS STM |
|---|---|---|---|---|---|---|
| Focal Length | 24-85mm | 28-300mm | 17-40mm | 16-50mm | 8-18mm | 55-250mm |
| Max Aperture | f/3.5 | f/4 | f/1.8 | f/3.5 | f/2.8 | f/4 |
| Mount | F-Mount | Sony E | Fujifilm X | Sony E | Micro Four Thirds | Canon EF-S |
| Stabilization | true | true | false | true | true | true |
| Weather Sealed | false | true | true | true | true | false |
| Weight (g) | 134 | 590 | 535 | 107 | 313 | 375 |
| AF Type | Silent Wave Motor | VXD linear motor | HLA (High-response Linear Actuator) | Autofocus | 240-fps autofocus drive | STM |
| Lens Type | zoom | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Product | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Social Proof | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Nikon NIKKOR AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR | 53.8 | 81.4 | 91.4 | 12.1 | 53.1 | 82.8 | 84.9 | 20.7 | 92.3 |
| Tamron Di III VC 28-300mm f/4-7.1 VXD Compare | 97.7 | 83.7 | 63.1 | 83.2 | 96.2 | 71 | 97.9 | 50.7 | 79.4 |
| Sigma Art 17-40mm f/1.8 DC Compare | 53.8 | 97 | 67.1 | 72.3 | 96.6 | 95.3 | 75.7 | 94.1 | 34.5 |
| Sony E PZ 16-50mm f/3.5-5.6 OSS Compare | 53.8 | 81.4 | 98 | 41.4 | 66.4 | 82.8 | 83.5 | 80.9 | 92.3 |
| Panasonic Lumix G Leica DG Vario-Elmarit 8-18mm f/2.8-4 Compare | 53.8 | 86.7 | 83.5 | 35.3 | 93.3 | 88.4 | 75.2 | 80.9 | 79.4 |
| Canon EF-S 55-250mm f/4-5.6 IS STM Compare | 84.6 | 69.9 | 65 | 30.6 | 74.1 | 71 | 92.2 | 90.8 | 92.3 |
Price
Value & Pricing
At $595 to $645 USD on the used and bundle market, this lens is a genuinely good deal for F-mount shooters. You're getting near-pro build quality and excellent stabilization for what amounts to mid-range money. The fact that it often ships in bundles with filters, memory cards, and cleaning kits sweetens the pot further. If you're still rocking a Nikon DSLR and want one lens that handles most situations without breaking the bank, this is a smart buy.
Amazon 1 offer From ¥156,803
Price History
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Overview
The Nikon AF-S 24-85mm f/3.5-4.5G ED VR is one of those lenses that quietly does a lot of things well. It covers a genuinely useful range on full-frame F-mount bodies, from wide interiors to short telephoto portraits, without making you swap glass every five minutes. The build quality is frankly ridiculous for this class, sitting in the 99th percentile in our database, and the VR II stabilization is rated for up to four stops of shake reduction.
It's not a fast prime and it's not a macro lens. The variable aperture means you'll be bumping ISO indoors, and the close-focus performance is a real weak spot. But as a walkaround zoom for street, travel, and everyday shooting, it punches well above its price point.
Common Questions
Q: Is this lens good for low light shooting?
The f/3.5-4.5 aperture isn't super fast, but the VR II stabilization helps a lot for static subjects. You can handhold at slower shutter speeds than you'd expect, though moving subjects in dim conditions will still be a challenge.
Q: Does this lens work on crop sensor Nikon DSLRs?
Yes, it's an F-mount lens with full-frame coverage, so it works on both FX and DX bodies. On a crop sensor the effective focal length becomes roughly 36-128mm, which is still a useful range.
Q: Is the autofocus fast enough for action or sports?
The Silent Wave Motor is accurate and quiet, but it's not the fastest AF system out there. For casual action it's fine, but serious sports or wildlife shooters will want something with quicker focus acquisition.
Who Should Skip This
Skip this if you need real macro capability, the close-focus performance is genuinely poor at the 13th percentile. Also skip it if you shoot in harsh weather, there's no weather sealing here. And if you're on a mirrorless Z-mount body, this F-mount lens requires an adapter and you'd probably be better served by a native Z zoom.
Verdict
If you shoot a Nikon full-frame DSLR and want a single lens that handles street, travel, portraits, and general walkaround duty, this is one of the easiest recommendations we can make. The build quality alone is worth the price of admission, and the stabilization makes it forgiving in less-than-ideal light. Just don't expect it to do macro work or replace a fast prime for low-light isolation.