Olympus OM-D E-M5 Mark II Black 2015
The 5-axis image stabilization delivers up to 5 stops of compensation, and the TruePic VII processor enables 10fps bursts from the 16MP Live MOS sensor. A unique 40MP high-resolution shot mode and a weather-sealed, 417g body with a 3-inch articulating screen expand its creative and outdoor versatility. Best for vloggers and action shooters who prioritize smooth handheld footage, though it’s notably weak for controlled product photography.
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Snapshot
The 30-Second Version
The E-M5 Mark II is a compact, weather-sealed mirrorless with best-in-class 5-axis stabilization and a fun 40MP high-res mode. The 16.1MP sensor and 1080p video feel dated, and the screen cable has a known failure issue. Worth buying used at the low end of the USD 500 to USD 1,500 range, but not at the top.
Pros & Cons
Pros
- 5-axis stabilization is genuinely best-in-class for this era 90th
- Weather-sealed and only 410g, a great travel companion 89th
- 40MP high-res mode squeezes extra detail from the small sensor 88th
- EVF is sharp and bright at 2.4M dots 81st
Cons
- 16.1MP sensor is one of the weakest in our database
- Menu system is confusing enough to make you want to throw the manual at it
- Rotating screen cable has a documented failure rate after a few years
- Continuous autofocus is slow and unreliable
What owners think
The Word on the Street
How owner sentiment changed over time
ExclusiveBased on when customers actually wrote their reviews - so you can see whether early praise held up.
Based on 17 dated customer reviews, grouped by calendar quarter. Period analysis is in English.
The proof
Performance
The 5-axis IBIS is the star here. It's one of the best stabilization systems we've tracked, and it makes handheld shooting at slow shutter speeds genuinely fun. The 10fps burst is solid for action, and the 81-point AF is well above average for stills. But the 16.1MP sensor is a weak spot by modern standards, landing near the bottom of our database. Video tops out at 1080p, which is fine for casual clips but feels dated next to 4K competitors. The 2.4M-dot EVF is a standout, bright and crisp, and the articulating display is handy for odd angles. Just don't expect continuous autofocus to keep up with fast-moving subjects, it's more of a single-shot AF camera.
Specifications
Full Specifications
Sensor
| Type | Live MOS |
| Size | micro-four-thirds |
| Megapixels | 16.1 MP |
| ISO Range | 100 |
| Processor | TruePic VII |
Autofocus
| AF Points | 81 |
| AF Type | 81 |
Shooting
| Burst (Mechanical) | 10 |
| Max Shutter | 1/8000 |
| Electronic Shutter | Yes |
Video
| Max Resolution | 1080p |
| 1080p FPS | 60 |
| RAW Video | Yes |
| Codec | various codecs |
Display & EVF
| Screen Size | 3" |
| Articulating | Yes |
| EVF Resolution | 2.36 M dots |
Build
| Weather Sealed | Yes |
| Weight | 0.4 kg / 0.9 lbs |
Connectivity
| Wi-Fi | Yes |
| Hot Shoe | Yes |
vs Competition
Against the Panasonic LUMIX G9 II, the E-M5 Mark II is smaller and lighter but gets crushed on sensor resolution, video, and autofocus. The Sony a6700 brings a much better sensor and 4K video, though you lose the Olympus weather sealing and that lovely 5-axis stabilization. The Fujifilm X-T4 is the closest rival in spirit, great stabilization, retro controls, solid build, but it costs more and is heavier. The Nikon Z5 II and OM System OM-1 are in a different league entirely for image quality and speed. If you want the smallest weather-sealed body with great IBIS and don't need 4K, the E-M5 Mark II still holds a niche.
| Spec | Olympus OM-D E-M5 Mark II | Fujifilm X-H2 | Nikon Z Z9 | Sony Cinema Line FX30 | Panasonic Lumix G G9 II | Canon EOS R6 Mark III |
|---|---|---|---|---|---|---|
| Type | mirrorless | mirrorless | mirrorless | cinema | mirrorless | mirrorless |
| Sensor | 16.1MP micro-four-thirds | 40.2MP aps-c | 45.7MP full-frame | 26MP aps-c | 25.2MP micro-four-thirds | 32.5MP full-frame |
| AF Points | 81 | 425 | 493 | 759 | 779 | 1053 |
| Burst FPS | 10 | 15 | 30 | 120 | 75 | 40 |
| Video | 1080p | 8K @60fps | 8K @120fps | 4K @120fps | 4K @120fps | 8K @120fps |
| IBIS | true | true | true | true | true | true |
| Weather Sealed | true | true | true | true | true | true |
| Weight (g) | 410 | 579 | 1160 | 646 | 575 | 608 |
| Compare | Compare | Compare | Compare | Compare |
| Product | AF | EVF | Build | Burst | Video | Sensor | Battery | Display | User Sentiment | Connectivity | Social Proof | Affordability | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Olympus OM-D E-M5 Mark II | 81.1 | 87.7 | 89.6 | 72.5 | 56.6 | 15.6 | 47 | 72.5 | 17.1 | 73.9 | 77.9 | 56.5 | 89.1 |
| Fujifilm X-H2 Compare | 92.3 | 96.9 | 94.5 | 82.2 | 95.4 | 98.9 | 97.8 | 87.6 | 83.2 | 96.1 | 94.3 | 24 | 96 |
| Nikon Z Z9 Compare | 93.5 | 92 | 99.4 | 95.4 | 98.7 | 70.8 | 98 | 87.6 | 98.4 | 96.1 | 94.3 | 8.7 | 89.1 |
| Sony Cinema Line FX30 Compare | 97 | 87.7 | 95.6 | 99.6 | 92.2 | 95.4 | 96.7 | 87.6 | 83.2 | 96.1 | 79.3 | 17 | 89.1 |
| Panasonic Lumix G G9 II Compare | 98 | 91.7 | 94.4 | 96.2 | 97.6 | 63.8 | 91.9 | 87.6 | 94.4 | 96.1 | 89.6 | 22 | 89.1 |
| Canon EOS R6 Mark III Compare | 98.8 | 91.3 | 95 | 92.6 | 90.5 | 66.1 | 97.4 | 98.8 | 65.8 | 96.1 | 94.3 | 14.6 | 99.6 |
Price
Value & Pricing
Pricing is all over the place on the used market. US listings range from USD 500 to USD 1,500, which is a massive spread for a camera this old. The lower end of that range is where this camera makes sense. At USD 500 to USD 700 for a body in good shape, you're getting excellent stabilization, weather sealing, and a compact build. At USD 1,500, you're paying way too much for a 16MP sensor and 1080p video when a used Sony a6700 or Fujifilm X-T4 does more for similar money. Shop around and don't overpay for nostalgia.
Read more
Overview
The Olympus OM-D E-M5 Mark II is a compact mirrorless camera that still gets a lot right nearly a decade after release. It packs a 16.1MP Micro Four Thirds sensor, 5-axis stabilization good for about 5 stops, and a weather-sealed body that weighs just 410g. The headline trick is the 40MP high-res mode, which stitches eight shots together in-camera for extra detail when you're on a tripod.
But this is a used-market camera now, and the data tells a mixed story. Build quality and stabilization rank near the top of our database, while the sensor and user sentiment sit way down the list. Owners love the size and the steady shots, but a recurring screen cable failure and a menu system that feels like a maze keep this from being a no-brainer.
Common Questions
Q: Is the 40MP high-res mode actually usable?
Yes, but only on a tripod with a static subject. The camera combines eight shots using sensor shift, so any movement in the frame will cause artifacts.
Q: How does the autofocus handle moving subjects?
Single-shot AF is quick and accurate, but continuous AF is slow and struggles with fast action. It's not a great choice for sports or wildlife.
Q: Is this camera good for video?
It shoots 1080p up to 60fps with a high bitrate of 77 Mb/s, which is fine for casual clips. But there's no 4K, so it's not ideal for serious video work.
Who Should Skip This
Skip this if you need reliable continuous autofocus for sports or wildlife, the AF just can't keep up. Skip it if you want 4K video or a modern sensor, the 16.1MP chip is one of the weakest in our database. And skip it if you're not comfortable buying used gear with a known screen cable failure point, because that repair is not cheap.
Verdict
This is a camera for someone who wants a tiny, tough, stabilized body for travel and street photography, and who doesn't mind working around the quirks. The stabilization and build are genuinely excellent, and the 40MP mode is a fun bonus for landscapes. But the sensor is dated, the menus are a pain, and the screen cable issue is a real reliability concern. Buy it cheap, treat it gently, and you'll have a great little companion. Pay top dollar and you'll regret it.
Usage Scores
- Overall59.4
- Video61.6
- Travel60.9
- Youtube58.6
- Beginner77.5
- Vlogging62.9
- Streaming63
- Photography57.8
- Wedding Events61.3
- Sports Wildlife66.6
- Product Photography51.5