Best Landscape Lenses Under ¥150,000 in 2026

Its retractable power zoom design collapses to just 26.8mm and weighs 95g, combining a 14-42mm (28-84mm equivalent) range with Nano Surface Coating to reduce reflections. The stepping motor AF and POWER O.I.S. stabilization deliver smooth, quiet video capture and sharp handheld stills, with a close 0.34x magnification at 28mm. Best for travel and casual macro shooters needing an ultralight standard zoom.

A constant f/4 aperture across an ultra-wide 16-50mm full-frame equivalent zoom range and a fully weather-sealed build make this lens a reliable field companion. The manual focus clutch and silent MSC autofocus enable fluid transitions between stills and video, while the 411g weight keeps the kit portable. It’s best for landscape and travel photographers seeking an all-in-one wide-angle zoom that can withstand inclement conditions.

The 9mm f/1.7 ASPH delivers an 18mm equivalent view with a bright constant f/1.7 aperture, weather-sealed construction, and an exceptionally close 3.7-inch minimum focus distance. Its 130g weight and 1:4 maximum magnification enable handheld, dramatic wide-angle close-ups with shallow depth of field rare in ultra-wide lenses. This lens best suits vloggers and street photographers needing a compact, low-light prime that excels at both expansive scenes and intimate detail shots.

Its 112-gram body, weather-sealed construction, and f/1.8 aperture make this 17mm (34mm equivalent) lens a low-light and bokeh standout for Micro Four Thirds. The fast, precise autofocus and ultra-compact design enhance its discreet, travel-friendly handling without sacrificing image quality. This lens is best for street and travel photographers who need a rugged, fast prime that reliably performs in rain or dust.

A 2:1 maximum magnification—twice the typical macro ratio—and an APO optical design that eliminates chromatic aberrations deliver tack-sharp clarity in this Micro Four Thirds lens. Weighing just 240g and featuring a built-in CPU chip for camera-controlled aperture, it combines portability with precise manual focus and f/2.8 bokeh for subject isolation. This lens is best for Micro Four Thirds macro photographers needing extreme close-up detail in a compact package.

Offering 1:1 macro magnification with a 100mm focal length and T3.1 aperture, this lens captures detailed close-ups with smooth, de-clicked aperture control and a 9-blade diaphragm for circular bokeh. The Cine DS version adds unified focus and aperture gear positions, color-matched barrels, and dual-sided distance scales for quick lens swaps on set. It’s best for Micro Four Thirds video shooters needing a dedicated macro cine lens for product shots, nature details, and dramatic close-ups with follow-focus rigs.

Extends the reach of OM SYSTEM's 40-150mm f/2.8, 300mm f/4, and 100-400mm PRO lenses by 1.4x, transforming the 300mm f/4 into a 420mm f/5.6 while preserving full weather sealing. Its compact design adds negligible bulk and keeps the 150mm minimum focus distance, making it a practical field tool for sudden telephoto needs. This teleconverter is best for Micro Four Thirds wildlife and sports photographers seeking a weather-sealed, cost-effective path to longer focal lengths without carrying additional heavy glass.