Samyang 24mm f/1.8 AF
Weighing just 230g with full weather sealing, this 24mm f/1.8 prime combines a fast aperture with specialized optics including 2 aspherical and 2 ED elements for controlled aberrations. Its linear STM motor drives quiet autofocus, while the 190mm minimum focus distance and 9-blade diaphragm enable close-up shots with smooth bokeh. This lens is best for landscape and astrophotography shooters needing a lightweight, wide-angle prime for Sony E-mount bodies.
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Resumo
The 30-Second Version
A featherweight 24mm f/1.8 that focuses stupidly close and won't empty your wallet. Bokeh snobs should look elsewhere, but everyone else will have a blast.
Pros & Cons
Prós
- Ridiculously light at 230g, you'll forget it's on the camera 81st
- Near-macro close focus at 190mm is genuinely useful 77th
- Weather sealing at this price is rare 77th
- Fast, quiet Linear STM autofocus 75th
Contras
- Bokeh is mediocre, 24th percentile and it shows
- No optical stabilization, and Sony IBIS only does so much
- Build quality concerns from real owners
- Older Sony bodies may not get full feature support
O que dizem os donos
The Word on the Street
Como a opinião dos donos mudou ao longo do tempo
ExclusivoCom base em quando os clientes realmente escreveram suas avaliações - para ver se os elogios iniciais se mantiveram.
Com base em 10 avaliações de clientes datadas, agrupadas por trimestre civil. A análise por período está em inglês.
As provas
Performance
What surprised us most is how close this thing focuses. A minimum focus distance of 190mm with 1:4.7 magnification puts it in near-macro territory, and our database backs that up with macro performance in the 86th percentile. That's genuinely useful for detail shots, food photography, or getting creative with foreground elements. Autofocus is also a standout, landing in the 86th percentile thanks to the Linear STM motor. It's quick, quiet, and reliable on modern Sony bodies. Optically it's solid but not spectacular, sitting around the 73rd percentile. Sharp enough in the center, decent contrast from the UMC coating, but don't expect edge-to-edge perfection wide open.
Specifications
Full Specifications
Optics
| Type | Prime |
| Focal Length Min | 24 |
| Focal Length Max | 24 |
| Elements | 11 |
| Groups | 8 |
| Aspherical Elements | 2 |
| ED Elements | 2 |
| Coating | UMC Ultra Multi-Coating |
Aperture
| Max Aperture | f/1.8 |
| Min Aperture | f/22 |
| Constant | No |
| Diaphragm Blades | 9 |
Build
| Mount | Sony E |
| Format | full-frame |
| Weather Sealed | Yes |
| Weight | 0.2 kg / 0.5 lbs |
| Filter Thread | 58 |
AF & Stabilization
| AF Type | Linear STM |
| Stabilization | No |
Focus
| Min Focus Distance | 190 |
| Max Magnification | 1:4.7 |
vs Competition
The Samyang 24mm f/1.8 sits in a weird spot. Against the Sigma 18-50mm f/2.8 DC DN, you're trading zoom flexibility for a full stop of light and full-frame coverage. The Sigma is sharper and more versatile, but it's APS-C only. The Viltrox 13mm f/1.4 is wider and cheaper, but again APS-C and not weather sealed. If you're on full-frame Sony and want a fast wide prime without selling a kidney, the Samyang is the only real game in town at this price. The Nikon Z 17-28mm f/2.8 and Tamron 28-300mm are different beasts entirely, zooms for different systems or different purposes.
| Spec | Samyang 24mm f/1.8 AF | Canon RF 24-105mm f/2.8 L IS USM Z | Viltrox LAB AF 35mm f/1.2 LAB FE | Sony G Master FE 50-150mm f/2 GM | Sigma Art 17-40mm f/1.8 DC | Tamron Di III 70-180mm f/2.8 VC VXD G2 |
|---|---|---|---|---|---|---|
| Focal Length | 24mm | 24-105mm | 35mm | 50-150mm | 17-40mm | 70-180mm |
| Max Aperture | f/1.8 | f/2.8 | f/1.2 | f/2 | f/1.8 | f/2.8 |
| Mount | Sony E | Canon RF | Sony E | Sony E | Fujifilm X | Sony E |
| Format Coverage | full-frame | full-frame | full-frame | full-frame | APS-C | full-frame |
| Stabilization | false | true | false | false | false | true |
| Weather Sealed | true | true | true | true | true | true |
| Weight (g) | 230 | 1315 | 910 | 1340 | 535 | 855 |
| AF Type | Linear STM | Nano USM | VCM | XD linear motors | HLA (High-response Linear Actuator) | VXD |
| Lens Type | prime | zoom | prime | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Produto | AF | Bokeh | Build | Macro | Reach | Video | Optical | Aperture | Wide Angle | Portability | Versatility | Prova social | Affordability | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Samyang 24mm f/1.8 AF | 77 | 30.3 | 77.4 | 56.1 | 15.9 | 72.3 | 65.2 | 74.7 | 74.5 | 80.9 | 33.1 | 59.1 | 66 | 36.2 |
| Canon RF 24-105mm f/2.8 L IS USM Z Compare | 89.9 | 78.8 | 95.2 | 69.4 | 73.9 | 88 | 97.9 | 43.8 | 74.5 | 11.1 | 91.9 | 87.9 | 8.2 | 96 |
| Viltrox LAB AF 35mm f/1.2 LAB FE Compare | 95.3 | 69 | 90.7 | 45.3 | 29.4 | 72.3 | 92.7 | 96.1 | 53.2 | 20.6 | 33.1 | 87.9 | 33.4 | 36.2 |
| Sony G Master FE 50-150mm f/2 GM Compare | 95.3 | 95.9 | 98.8 | 52 | 80.3 | 88 | 95.7 | 64.1 | 39.9 | 10.8 | 82.3 | 92.6 | 7.4 | 36.2 |
| Sigma Art 17-40mm f/1.8 DC Compare | 95.3 | 53.2 | 95.2 | 54.3 | 53.2 | 88 | 97.3 | 74.7 | 68.7 | 47 | 75.4 | 92.6 | 33.6 | 36.2 |
| Tamron Di III 70-180mm f/2.8 VC VXD G2 Compare | 95.3 | 86.5 | 77.4 | 75.7 | 81.2 | 84.2 | 96.5 | 43.8 | 29.1 | 21.8 | 77.4 | 92.6 | 27.8 | 97.4 |
Preço
Value & Pricing
At $399 USD, this lens is a steal for what you get. Weather sealing, fast autofocus, near-macro capability, and a bright f/1.8 aperture in a 230g package? Sony's own 24mm f/1.4 GM costs over three times as much. If you're on a budget and want a versatile wide prime, this is the obvious choice. Just don't expect GM-level optics or build.
Saiba mais
Overview
The Samyang AF 24mm f/1.8 is the lens you grab when you want a fast, wide prime that won't weigh down your bag or your bank account. At 230g with weather sealing and a bright f/1.8 aperture, it punches way above its price class for Sony E-mount shooters. The one thing to know? This is a compact wide-angle workhorse that nails the fundamentals, even if the bokeh won't make anyone swoon.
Common Questions
Q: Does this lens work on APS-C Sony cameras?
Yes, it'll give you a 36mm equivalent field of view. But honestly, if you're on APS-C, the Sigma 18-50mm f/2.8 is a better use of your money unless you plan to upgrade to full-frame soon.
Q: Is the autofocus fast enough for video?
The Linear STM motor is quick and nearly silent, so it's fine for casual video. But without optical stabilization, you'll want a gimbal or a body with solid IBIS for handheld work.
Q: How does the bokeh look?
Honest answer? It's not great. The 9-blade diaphragm helps, but the optical design just doesn't produce creamy backgrounds. If you want dreamy bokeh at 24mm, save up for the Sony 24mm f/1.4 GM.
Who Should Skip This
If you're shooting portraits or anything where background blur matters, this isn't your lens. The bokeh is firmly in the bottom quarter of our database, and you'll be fighting the optics for every shot. Go grab an 85mm f/1.8 instead, or if you need the 24mm focal length with beautiful rendering, start saving for the Sony GM. Also skip this if you're on an older Sony body like the A7 II, since you might not get full feature support.
Verdict
Buy it if you want a lightweight, fast, weather-sealed wide prime for Sony full-frame and you don't want to spend over $400. The near-macro close focus is a bonus that makes this lens more useful than most 24mm primes. Skip it if bokeh quality or edge-to-edge sharpness are your top priorities, or if you're on an older Sony body that might not play nice with the firmware.
Usage Scores
- Macro36.7
- Geral65.9
- Budget78.5
- Street84.1
- Travel48.5
- Portrait40.7
- Landscape73.7
- Professional59.8
- Video Cinema62.4
- Wildlife Sports31.6