Nikon NIKKOR Z 2164 24-70mm
De constante f/2.8 over het hele 24-70mm bereik en de interne zoomconstructie—een primeur in deze klasse—maken dit objectief uitzonderlijk stabiel en weerbestendig. De optische formule met 3 ED- en 3 asferische elementen levert een scherpte die perfect aansluit bij de hoge eisen van Nikon's beste autofocussysteem. Dit is de beste keuze voor videografen en cinema-makers die een betrouwbare, stille werkpaardzoom nodig hebben met een score van 93.2/100 voor videowerk.
Snapshot
The 30-Second Version
The bokeh is a real treat, scoring in the 87th percentile, and the constant f/2.8 aperture is a leading feature for this class. You can find it for as low as $580, which is incredible value for the image quality, but the build feels its age and the AF is just average. It's a classic workhorse that prioritizes beautiful images over modern speed.
Pros & Cons
Pros
- Gorgeous bokeh in the 87th percentile for its class 90th
- Constant f/2.8 aperture is a leading feature for low light and control 88th
- Effective stabilization that's well above average 86th
- Proven, sharp image quality with a 4.6-star rating from over 1,000 reviews 83th
- Versatile 24-70mm range on a full-frame F-mount
Cons
- Build quality is disappointing, ranking in the 39th percentile
- AF speed is mediocre at the 55th percentile, showing its age
- Hefty at 900g, making it a poor choice for travel where it scored a 66.9
- Minimum focus distance of 366mm limits close-up potential
What owners think
The Word on the Street
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Gebaseerd op 5 gedateerde klantreviews, gegroepeerd per kalenderkwartaal. Analyse per periode is in het Engels.
The proof
Performance
This lens earns its keep with image quality that still impresses. The bokeh is a real highlight, landing in the 87th percentile, which means out-of-focus areas are rendered smoothly and are a genuine strength here. Sharpness is solid, if not chart-topping, sitting in the middle of the pack at the 66th percentile for optical performance. The constant f/2.8 aperture is a standout feature, giving you consistent exposure and depth of field control throughout the zoom range, a capability that puts it ahead of most variable-aperture competitors.
Where it shows its age is in the build and autofocus. The AF-S motor, while reliable, lands at a mediocre 55th percentile for speed, and the build quality is a real weak spot at the 39th percentile. It's weather-sealed, which is a plus, but the 900g weight is noticeable. The stabilization system is a strong performer though, ranking well above average, which helps you squeeze out sharp shots in iffy light.
Specifications
Full Specifications
Optics
| Type | zoom |
| Focal Length Min | 24 |
| Focal Length Max | 70 |
| Elements | 15 |
| Groups | 11 |
| Aspherical Elements | 3 |
| ED Elements | 3 |
| Coating | Nano Crystal Coat |
Aperture
| Max Aperture | f/2.8 |
| Min Aperture | 2.8 |
| Constant | Yes |
| Diaphragm Blades | 9 |
Build
| Mount | Nikon F |
| Format | full-frame |
| Weather Sealed | Yes |
| Weight | 0.9 kg / 2.0 lbs |
| Filter Thread | 77 |
AF & Stabilization
| AF Type | AF-S |
| Stabilization | Yes |
Focus
| Min Focus Distance | 366 |
| Max Magnification | 1/3.7 |
vs Competition
Stacked against modern mirrorless designs like the Panasonic Leica 50-200mm f/2.8-4.0, this Nikon feels its age in the build and AF departments. The Panasonic is a newer, lighter design with snappier focus, but it can't match the Nikon's constant f/2.8 aperture or its bokeh quality. A superzoom like the Tamron 18-300mm offers far more reach and versatility for travel, which is this Nikon's weakest area at a 66.9 score, but it sacrifices the constant fast aperture and professional-grade rendering. You're trading modern convenience for classic, uncompromising image quality.
| Spec | Nikon NIKKOR Z 2164 24-70mm | Sigma Contemporary 16-300mm f/3.5-6.7 DC OS | Tamron Di III-A 18-300mm f/3.5-6.3 Di III-A VC VXD | Panasonic LUMIX S S-R28200 | Canon EF-S 18-135mm f/3.5-5.6 IS USM | Sony E SELP16502 |
|---|---|---|---|---|---|---|
| Focal Length | 24-70mm | 16-300mm | 18-300mm | 28-200mm | 18-135mm | 16-50mm |
| Max Aperture | f/2.8 | f/3.5 | f/3.5 | f/4 | f/3.5 | f/3.5 |
| Mount | Nikon F | Sony E | Fuji X | L-Mount | Canon EF-S | Sony E |
| Stabilization | true | true | true | true | true | true |
| Weather Sealed | true | true | false | true | false | true |
| Weight (g) | 900 | 615 | 92 | 413 | 515 | 107 |
| AF Type | AF-S | HLA | VXD linear motor | Autofocus | STM | Autofocus |
| Lens Type | zoom | zoom | zoom | macro | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Product | Af | Bokeh | Build | Macro | Optical | Aperture | Versatility | Social Proof | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Nikon NIKKOR Z 2164 24-70mm | 55.1 | 88 | 38.6 | 60.6 | 89.9 | 85.9 | 80.7 | 83.1 | 80.7 |
| Sigma Contemporary 16-300mm f/3.5-6.7 DC OS Compare | 55.1 | 86.4 | 57.6 | 86.7 | 98.9 | 79.6 | 99.6 | 78 | 99 |
| Tamron Di III-A 18-300mm f/3.5-6.3 Di III-A VC VXD Compare | 98.2 | 77.8 | 96.2 | 88.6 | 73.5 | 79.6 | 99.2 | 83.1 | 80.7 |
| Panasonic LUMIX S S-R28200 Compare | 55.1 | 80.6 | 73.5 | 71.5 | 91 | 74.2 | 95.6 | 62.6 | 99.4 |
| Canon EF-S 18-135mm f/3.5-5.6 IS USM Compare | 86.1 | 77.8 | 45.8 | 32.9 | 79.2 | 79.6 | 96 | 78 | 92.3 |
| Sony E SELP16502 Compare | 55.1 | 77.8 | 97.6 | 34.9 | 63.2 | 79.6 | 83.5 | 78 | 80.7 |
Price
Value & Pricing
Pricing on this lens is all over the map, with a wild spread of $143,864 between the lowest and highest vendor listings. You can find it for as low as $580, which is a steal for this level of optics, but some sellers are asking for a frankly absurd $144,444. Newegg and Amazon are your best bets for a sane price, and at the lower end, the price-to-performance ratio is fantastic for a professional-grade f/2.8 zoom.
Amazon.it 1 aanbiedingen Vanaf € 668
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Overview
The Nikon NIKKOR Z 2164, which is really the AF-S 24-70mm f/2.8G ED, is a workhorse that's been around the block and earned its reputation. It scores an 81.4 overall in our database, driven by a standout 87th percentile bokeh rating and a constant f/2.8 aperture that puts it among the best for subject isolation. The 4.6-star average from over a thousand reviews tells you this is a crowd-pleaser, and our data backs that up with strong marks for stabilization and versatility.
Common Questions
Q: Is this lens good for travel photography?
Honestly, it's not ideal. Our data gives it a travel score of just 66.9 out of 100. The main culprit is the weight, at 900g it's a heavy lens to carry around all day. You'd be better off with a lighter, more versatile zoom if travel is your priority.
Q: How does the autofocus perform on modern DSLRs?
The AF-S motor is reliable but not class-leading. It ranks in the 55th percentile for autofocus speed, which is solidly average. It's quick enough for most situations, but if you're shooting fast, erratic action, there are newer lenses with faster, quieter motors.
Q: Does the constant f/2.8 aperture make a big difference?
Absolutely. It's one of this lens's biggest strengths, landing in the 85th percentile for aperture performance. It means you get the same bright exposure and shallow depth of field whether you're at 24mm or 70mm, which is a huge advantage over variable-aperture zooms for low light and portraits.
Who Should Skip This
Travel and adventure photographers should look elsewhere. The 66.9 travel score isn't just a number, it's a reflection of the 900g weight that will feel like a brick after a few hours of hiking. If you need a lightweight, do-it-all zoom, a superzoom like the Tamron 18-300mm will serve you much better, even if you sacrifice that beautiful bokeh and constant aperture. This lens is for controlled environments, not backpacking.
Verdict
If you're on the Nikon F-mount and need a standard zoom with a constant f/2.8 aperture and beautiful bokeh, this lens is a no-brainer, especially if you can snag it near the $580 mark. It's a portrait and event workhorse that delivers where it counts. Just know that you're buying into a proven optical formula, not a modern, lightweight build or the fastest autofocus system. The data is clear: it's an image-quality-first lens.