Zeiss Batis 25mm f/2.0 25mm
4枚の非球面レンズを含む10群8枚の光学設計により、歪みを抑えた高解像度の広角イメージを実現します。防塵防滴の堅牢なビルドと有機ELディスプレイによる距離表示が、過酷な環境下での正確な撮影をサポートします。風景写真家や、335gの軽量設計を活かしたい旅行フォトグラファーに最適な一本です。
現在、販売店の最新価格はありません
概要
30秒まとめ
ソニーEマウント用広角の一つの到達点。驚異の解像力とZeissカラーは唯一無二だが、その対価として財布は確実に軽くなる。
メリットとデメリット
長所
- 開放から文句なしのカリカリ解像 98th
- Zeiss印の濃厚で美しい色乗り 97th
- AFは爆速でほぼ無音、動画にも最適 95th
- 防塵防滴で335gの軽量ボディは常に持ち出せる 93rd
短所
- 価格は約13万円と強気、コスパは度外視
- 手ブレ補正非搭載、低速シャッターはボディ頼み
- 暗所での近接AFが時折迷う
- OLEDディスプレイは実用性が低く、バッテリーを食うだけ
オーナーの声
ユーザーの声
購入者の評価が時間とともにどう変化したか
独自顧客が実際にレビューを書いた時期に基づいています。発売当初の高評価が続いたかどうかがわかります。
- Q4 2021100/100
Buyers in Q4 2021 were thrilled with the Zeiss 85mm lens, praising its exceptional image quality, color rendition, and bokeh for portrait and street photography.
- Exceptional image quality with sharpness, beautiful colors, and bokeh.
- Ideal for portrait and street photography, offering discreet reach.
- Worth the price compared to other 85mm lenses.
- Magical, intangible quality that impresses viewers.
- Q1 2021100/100
Buyers praised the lens for its sharpness, fast autofocus, and excellent build quality, calling it a must-buy for Sony E-mount cameras.
- Sharpness and image quality are consistently praised.
- Fast and reliable autofocus performance.
- Excellent build quality and aesthetic design.
- Well-balanced and natural fit on Sony cameras.
- Q4 2020100/100
Buyers praised the lens as compact, versatile, and fun, with excellent optics and construction.
- Compact and easy to pack, ideal for travel.
- Excellent optics and brilliant construction.
- Versatile for landscapes and portraits.
- Described as fun and carefree to use.
- Q1 202095/100
Buyers in Q1 2020 praised the lens for sharpness, color, and build, often comparing it favorably to the Sony 85mm f1.8. A few noted minor issues like internal dust or focus behavior.
- Excellent sharpness, bokeh, and color rendition; many call it the best portrait lens.
- Great value compared to the 1.4 version and Sony 85mm; weather sealing and build quality praised.
- One reviewer found internal dust/etch on new lens but said it didn't affect images.
- Both Sony and Zeiss lenses focus at exposure aperture, not wide open, which can be problematic in low light.
- Q4 2019100/100
All reviews are 5-star, praising image quality, color rendition, and build. Users highlight the lens's pleasing 'look' and sharpness for portraits and travel.
- Excellent image quality, color rendition, and sharpness.
- Pleasing 'Batis look' and contrast for portraits and travel.
- Solid build quality and fast, accurate autofocus.
- Lightweight and well-balanced for travel photography.
- Q3 2019100/100
All reviews are 5-star, praising sharpness, light weight, and color. Buyers recommend it as a top prime lens for Sony cameras.
- Exceptional sharpness and corner-to-corner clarity, even wide open.
- Very light weight, making it ideal for walk-around use.
- Excellent color rendition and contrast.
- One buyer wished they had waited for a sale to save $50.
- Q2 2019100/100
All 8 reviews are 5-star, praising the lens for its sharpness, lightweight design, and build quality. Users recommend it as a great alternative to heavier f/1.4 lenses.
- Sharpness and image quality are consistently praised.
- Lightweight and compact design is a key selling point.
- Build quality and autofocus performance are highly rated.
- Backlit OLED distance scale is beneficial for low-light shooting.
- Q1 201977/100
Buyers praised the lens for sharpness, portability, and fast autofocus, but some noted issues with close-focus aperture stopping and low-light AF.
- Excellent sharpness, contrast, and color rendering, especially on A7R III and A7III.
- Compact and lightweight design praised for travel and all-day carry.
- Lens stops down automatically when close focusing, affecting bokeh and low-light performance.
- Close focus AF in low light struggles; some returned lens pending firmware fix.
- Q4 201886/100
Buyers praise the lens for its natural angle, sharpness, and aberration control, with some comparing it favorably to alternatives.
- Excellent image quality with natural colors and sharpness.
- Great build quality and balanced design.
- Some users compare it to other lenses, noting trade-offs in cost or character.
- Versatile focal length between 35mm and 50mm, good for portraits.
- Q3 2018100/100
Buyers praised the lens for sharpness, light weight, and durability in all weather. Some noted chromatic aberration and limited close-up performance.
- Sharpness and image quality are outstanding.
- Lens is lighter than expected and tough.
- Chromatic aberration present but not always bothersome.
- Close-up performance is limited by design.
- Q2 201897/100
Buyers in Q2 2018 praised the Batis 135mm for its sharpness, fast autofocus, and compact size, especially for music venues and stage performances.
- Exceptional sharpness wide open and across the frame.
- Fast and accurate autofocus, ideal for low-light and action.
- Lightweight and portable design, easy to carry.
- One review noted a flimsy lens cap as a minor complaint.
- Q1 2018100/100
Buyers praise the lens for its sharpness, light weight, fast autofocus, and suitability for focus stacking and gimbal use.
- Sharp image quality and fast autofocus performance.
- Lightweight design ideal for travel and gimbal use.
- Excellent for focus stacking with manual focus aids.
- Good value for the price.
- Q4 201796/100
Buyers praised the lens for its sharpness, compact size, and smooth bokeh. Some noted autofocus delay in low light.
- Sharp image quality and smooth background blur.
- Compact and portable design for a 135mm lens.
- Autofocus delay in low light conditions.
- Great for walkaround and low-light photography.
日付のある顧客レビュー 100 件を暦四半期ごとに集計しています。期間別の分析は英語です。
実証データ
パフォーマンス
このレンズの解像力は正直、度肝を抜かれた。絞り開放から隅々までカリッカリで、4200万画素のα7R IIIでも全く破綻しない。色再現はコントラストが高く、Zeissらしいコッテリとした濃厚さがあり、RAW現像の手間が激減する。AFはリニアモーター駆動で、動き回る子供やペットにもピタリと食いつく。ただ、近接撮影時のピント精度が暗所でやや迷うという声があるのは事実で、最短撮影距離20cmを活かした寄りの撮影では注意が必要だ。
スペック
全スペック一覧
Optics
| Type | Wide-angle |
| Focal Length Min | 25 |
| Focal Length Max | 25 |
| Elements | 10 |
| Groups | 8 |
| Aspherical Elements | 4 |
Aperture
| Max Aperture | f/2 |
| Min Aperture | f/2 |
| Constant | Yes |
| Diaphragm Blades | 9 |
Build
| Mount | Sony E |
| Format | full-frame |
| Weather Sealed | Yes |
| Weight | 0.3 kg / 0.7 lbs |
| Filter Thread | 67 |
AF & Stabilization
| AF Type | linear motors |
| Stabilization | No |
Focus
| Min Focus Distance | 200 |
競合製品との比較
比較対象として面白いのは、同じZeiss Batisシリーズの18mm f/2.8だ。25mmの方が一段明るく、ボケ量と低照度性能で明確に勝る。一方、18mmはよりドラマチックな超広角パースが得られる。また、純正のSony FE 24mm f/1.4 GMはさらに明るく、ボケ重視ならこちらが上。ただ、Batis 2/25の色再現とコンパクトさは唯一無二で、Zeissの「絵作り」に惚れたなら迷わずこっちを選ぶべきだ。
| Spec | Zeiss Batis 25mm f/2.0 25mm | Tamron Di III VC 28-300mm f/4-7.1 VXD | Nikon NIKKOR 20059 | Sigma Art 17-40mm f/1.8 DC | Panasonic Leica DG Vario-Elmarit H-ES12035 | Sony E 18-135mm f/3.5-5.6 OSS |
|---|---|---|---|---|---|---|
| Focal Length | 25mm | 28-300mm | 18-55mm | 17-40mm | 12-35mm | 18-135mm |
| Max Aperture | f/2 | f/4 | f/3.5 | f/1.8 | f/2.8 | f/3.5 |
| Mount | Sony E | Sony E | Nikon F | Fujifilm X | Micro Four Thirds | Sony E |
| Stabilization | false | true | true | false | true | true |
| Weather Sealed | true | true | false | true | true | false |
| Weight (g) | 335 | 590 | 205 | 535 | 306 | 326 |
| AF Type | linear motors | VXD linear motor | pulse stepping motor | HLA (High-response Linear Actuator) | Autofocus | Linear motor |
| Lens Type | wide-angle | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| 製品 | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | ユーザー評価 | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Zeiss Batis 25mm f/2.0 25mm | 97.7 | 94.7 | 81.8 | 81.1 | 65.2 | 93.3 | 87 | 33.2 | 96.8 | 34.4 |
| Tamron Di III VC 28-300mm f/4-7.1 VXD Compare | 97.7 | 83.4 | 62.9 | 83.3 | 96.3 | 70.8 | 92.1 | 97.9 | 50.4 | 79.3 |
| Nikon NIKKOR 20059 Compare | 84.6 | 81.2 | 83.6 | 95.3 | 54.3 | 82.6 | 65.5 | 82.8 | 86.1 | 92.2 |
| Sigma Art 17-40mm f/1.8 DC Compare | 53.9 | 97 | 66.9 | 72.2 | 96.6 | 95.3 | 98.3 | 75.7 | 94.1 | 34.4 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 53.9 | 86.6 | 83.7 | 48.9 | 86.1 | 88.2 | 92.1 | 80.4 | 86.1 | 96.4 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 97.7 | 81.2 | 70.8 | 37.3 | 78 | 82.6 | 47.7 | 95.8 | 90.7 | 79.3 |
価格
コストパフォーマンス
13万円オーバーの広角単焦点に「お得感」を求めるのは筋違いだ。このレンズは、最高の光学性能とビルドクオリティに金を払うもの。値段分の仕事は確実にするが、コストパフォーマンスを気にするなら素直にタムロンやシグマのズームを買った方が幸せになれる。
詳細情報
概要
Zeiss Batis 2/25は、ソニーのフルサイズEマウント用として、純粋な画質に全振りした広角単焦点レンズだ。f/2の明るさと驚異的なシャープネスが全てであり、風景やストリートで「空気感」まで写し取るような一枚を狙える。オートフォーカスは98パーセンタイルという我々のデータベースでもトップクラスの速さで、スナップ撮影でのストレスはゼロに近い。
よくある質問
Q: このレンズはAPS-C機のα6000シリーズでも使えるの?
使えるけど、オススメはしない。焦点距離が約37.5mm相当になり、広角レンズとしての旨味が激減する。このレンズの真価はフルサイズでこそ発揮されるから、素直にAPS-C用の広角を探した方がいい。
Q: Sony α7R IIに装着できる?
もちろん。フルサイズEマウントなので、α7シリーズ全機種に問題なく装着できる。高画素機との組み合わせは、このレンズの解像力をフルに引き出せるベストマッチだ。
おすすめできない人
動画メインで手ブレ補正が必須な人や、ズームの利便性を重視する人はスルーすべき。このレンズは単焦点の画質に全てを捧げている。予算を抑えたいなら、タムロンやシグマの明るい広角ズームの方が幸せになれる。
総評
Zeiss Batis 2/25は、画質に妥協したくないソニーユーザーのための広角レンズだ。軽量でAFも速く、スナップから風景まで一本で高次元にこなす。手ブレ補正や価格といった現実的なデメリットを理解した上で、このレンズの描写力を体験すれば、もう後戻りはできなくなる。