Sony Alpha 18-55mm f/3.5-5.6
The 18-55mm f/3.5-5.6 zoom range covers everyday shooting needs, and the 210g weight keeps it light for handheld use. It works with both Minolta and Sony SLR cameras, and the autofocus is reliable for quick shots. Best for budget-conscious portrait and street photographers who want a simple, functional kit lens without weather sealing or stabilization.
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Panoramica
The 30-Second Version
The Sony SAL1855 is a featherweight kit lens with a useful zoom range and surprisingly decent bokeh, but optical quality is near the bottom of our database. No stabilization and weak macro performance hold it back. Worth grabbing only if you find it dirt cheap for an old A-mount body.
Pros & Cons
Pro
- Tiny and light at 210g, you'll forget it's on the camera 84th
- Covers the 18-55mm range most people actually need 84th
- Bokeh is better than you'd expect from a kit lens 83rd
- Dirt cheap on the used market and works with Minolta bodies
Contro
- Optical quality is near the bottom of our database
- No image stabilization, handheld low light gets shaky
- Macro performance is basically a joke
- Autofocus is just average, nothing to write home about
Le prove
Performance
The 18-55mm range is genuinely useful, covering wide shots for landscapes and street work up to a short telephoto for portraits. Autofocus is middle of the pack, nothing snappy but it gets there. The f/3.5-5.6 aperture is standard kit lens territory, and bokeh actually ranks in the top 20 percent, which is a pleasant surprise for a lens this cheap. But the optical score is rough, sitting in the 18th percentile. Expect soft edges, mediocre contrast, and some chromatic aberration when you pixel peep. No stabilization either, so handheld shots at the long end need decent light or steady hands. Macro performance is nearly nonexistent, so don't even think about close-up work.
Specifications
Full Specifications
Optics
| Type | Zoom |
| Focal Length Min | 18 |
| Focal Length Max | 55 |
Aperture
| Max Aperture | f/3.5-5.6 |
| Constant | No |
Build
| Mount | Sony A |
| Weight | 0.2 kg / 0.5 lbs |
AF & Stabilization
| AF Type | Autofokus |
vs Competition
Stacked against the competition, this lens is in a different league entirely, and not in a good way. The Tamron 28-300mm and Sigma 16-300mm are modern superzooms with stabilization and far better optics, but they also cost real money and use different mounts. The Panasonic Leica 12-35mm and Canon RF 28-70mm f/2.8 are premium glass aimed at serious shooters. The Sony SAL1855 is a budget kit lens from a bygone era. It wins on weight and price, and that's about it. If you're on A-mount and need something cheap to get shooting, it's fine. If you're comparing it to anything current, you're already looking at the wrong lens.
| Spec | Sony Alpha 18-55mm f/3.5-5.6 | Canon RF 24-105mm f/2.8 L IS USM Z | Viltrox LAB AF 35mm f/1.2 LAB FE | Sigma Art 17-40mm f/1.8 DC | Tamron Di III 70-180mm f/2.8 VC VXD G2 | Nikon NIKKOR Z 50mm f/1.2 S |
|---|---|---|---|---|---|---|
| Focal Length | 18-55mm | 24-105mm | 35mm | 17-40mm | 70-180mm | 50mm |
| Max Aperture | f/3.5-5.6 | f/2.8 | f/1.2 | f/1.8 | f/2.8 | f/1.2 |
| Mount | Sony A | Canon RF | Sony E | Fujifilm X | Sony E | Nikon Z |
| Format Coverage | - | full-frame | full-frame | APS-C | full-frame | full-frame |
| Stabilization | false | true | false | false | true | false |
| Weather Sealed | false | true | true | true | true | true |
| Weight (g) | 210 | 1315 | 910 | 535 | 855 | 1090 |
| AF Type | Autofokus | Nano USM | VCM | HLA (High-response Linear Actuator) | VXD | Multi-Focus Stepping Motor AF System |
| Lens Type | zoom | zoom | prime | zoom | zoom | prime |
| Compare | Compare | Compare | Compare | Compare |
| Prodotto | AF | Bokeh | Build | Reach | Video | Aperture | Wide Angle | Portability | Versatility | Riscontro degli utenti | Affordability | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Sony Alpha 18-55mm f/3.5-5.6 | 42.6 | 22 | 30.7 | 50.8 | 28.6 | 26.4 | 84.1 | 83.4 | 83.6 | 49.2 | 0 | 36.2 |
| Canon RF 24-105mm f/2.8 L IS USM Z Compare | 89.9 | 78.7 | 95.1 | 73.9 | 88 | 43.9 | 74.5 | 11.1 | 91.9 | 88.1 | 8.1 | 96 |
| Viltrox LAB AF 35mm f/1.2 LAB FE Compare | 95.4 | 69 | 90.6 | 29.5 | 72.2 | 96.1 | 53.2 | 20.5 | 33 | 88.1 | 33.4 | 36.2 |
| Sigma Art 17-40mm f/1.8 DC Compare | 95.4 | 53.1 | 95.1 | 53.1 | 88 | 74.9 | 68.6 | 47.1 | 75.4 | 92.6 | 33.6 | 36.2 |
| Tamron Di III 70-180mm f/2.8 VC VXD G2 Compare | 95.4 | 86.5 | 77.3 | 81.1 | 84.1 | 43.9 | 29.2 | 21.8 | 77.5 | 92.6 | 27.8 | 97.3 |
| Nikon NIKKOR Z 50mm f/1.2 S Compare | 68.6 | 80.6 | 77.3 | 43.9 | 72.2 | 96.1 | 39.9 | 15.3 | 33 | 96.1 | 15.9 | 36.2 |
Prezzo
Value & Pricing
There's no listed price here, which makes value tricky to pin down. But these lenses typically go for pocket change on the used market, and at that level it's hard to complain too much. You're getting a functional zoom that covers the basics. Just don't expect it to compete with anything modern. If you find one for under fifty bucks and you've got an old A-mount body sitting around, it's a no-brainer. Pay much more than that and you're better off saving for something sharper.
Approfondisci
Overview
The Sony SAL1855 is the classic kit lens for Sony A-mount and older Minolta DSLRs. It's an 18-55mm f/3.5-5.6 zoom that weighs almost nothing at 210g and covers the everyday range most people actually use. This is not a lens that's going to blow anyone's socks off, but it's cheap, it works, and it's been floating around used markets for years.
Our database puts it in a weird spot. Versatility, aperture, and bokeh all rank surprisingly well for a budget kit lens, but optical quality lands near the bottom of the barrel. So you get a flexible little zoom that's soft in the corners and struggles with fine detail. That's the trade-off, and for the right price it's one plenty of people are happy to make.
Common Questions
Q: Will this lens work on my Minolta DSLR?
Yes, the Sony A-mount is backwards compatible with older Minolta AF bodies, so this lens should mount and autofocus on both Sony and Minolta SLR cameras.
Q: Is this lens good for shooting in low light?
Not really. The f/3.5-5.6 aperture is slow at the long end and there's no image stabilization, so you'll need good light or a tripod to avoid blurry handheld shots.
Q: Can I use this for close-up or macro photography?
No. Macro performance scores just 20.9 out of 100 in our database, which puts it near the bottom. You'd need extension tubes or a dedicated macro lens for any serious close-up work.
Who Should Skip This
Skip this if you need sharp images, macro capability, or low-light performance. Anyone shooting on a modern mirrorless system should look elsewhere entirely, this is A-mount only. And if you already own a better zoom for your Sony or Minolta body, this lens won't add anything to your kit except clutter.
Verdict
This is a lens for people with an old Sony or Minolta DSLR who just need something to put on the front and take pictures. It's not for pixel peepers, not for macro fans, and not for anyone shooting in low light without a tripod. But if you want a lightweight everyday zoom and you find one cheap, it'll do the job. Think of it as a placeholder until you can afford better glass.
Usage Scores
- Macro27.8
- Complessivo35.6
- Budget28.7
- Street50.4
- Travel51.1
- Portrait24.8
- Landscape53.5
- Professional26.4
- Video Cinema21.5
- Wildlife Sports22.9