7Artisans AF 24mm f/1.8
The 14-element optical design with 2 aspherical and 3 ED elements delivers sharp full-frame images, while the f/1.8 aperture and 11-blade diaphragm create smooth bokeh for subject separation. Its quiet STM motor supports face and eye detection autofocus, making it a lightweight 424g option for L-Mount systems without weather sealing. This lens is best for street and environmental portrait photographers who prioritize a fast, wide-angle prime with strong close-up rendering.
Snapshot
The 30-Second Version
A once-competitive lens that has fallen far behind. Its overall score has plummeted to 61 as new rivals like the Sigma 16-300mm and Tamron 18-300mm offer far greater range and modern performance. Only consider it if you find a bargain and its limitations are not dealbreakers for your specific work.
What owners think
How owner sentiment changed over time
ExclusiveBased on when customers actually wrote their reviews - so you can see whether early praise held up.
Based on 17 dated customer reviews, grouped by calendar quarter. Period analysis is in English.
The proof
Performance
Specifications
Full Specifications
Optics
| Type | Prime |
| Focal Length Min | 24 |
| Focal Length Max | 24 |
| Elements | 14 |
| Groups | 11 |
| Aspherical Elements | 2 |
| ED Elements | 3 |
Aperture
| Max Aperture | f/16 |
| Min Aperture | f/1.8 |
| Constant | No |
| Diaphragm Blades | 11 |
Build
| Mount | L-Mount |
| Format | full-frame |
| Weight | 0.4 kg / 0.9 lbs |
| Filter Thread | 62 |
AF & Stabilization
| AF Type | STM |
| Stabilization | No |
Focus
| Min Focus Distance | 320 |
vs Competition
The competitive field has completely reshuffled, leaving this lens in a difficult spot. The Sigma Contemporary 16-300mm f/3.5-6.7 DC OS and Tamron Di III 18-300mm f/3.5-6.3 VC VXD now set the standard for all-in-one versatility, offering a massive zoom range with surprisingly good image quality. For those on full-frame systems, the Nikon NIKKOR Z 28-400mm f/4-8 VR provides an unprecedented reach in a single lens. Even more specialized options like the Panasonic Leica DG Vario-Elmarit 50-200mm f/2.8-4.0 deliver superior sharpness and a brighter aperture for Micro Four Thirds shooters, while the Canon EF-S 18-135mm f/3.5-5.6 IS USM remains a reliable, affordable workhorse with fast autofocus. Compared to any of these, this lens feels dated, lacking both the range of the superzooms and the optical refinement of the premium telephotos.
| Spec | 7Artisans AF 24mm f/1.8 | Nikon NIKKOR Z 17-28mm f/2.8 | Tamron Di III 28-75mm f/2.8 VXD G2 | Sigma Contemporary 10-18mm f/2.8 DC DN | Panasonic Leica DG Vario-Elmarit H-ES12060 | Sony FE SEL2070G |
|---|---|---|---|---|---|---|
| Focal Length | 24mm | 17-28mm | 28-75mm | 10-18mm | 12-60mm | 20-70mm |
| Max Aperture | f/16 | f/2.8 | f/2.8 | f/2.8 | f/2.8 | f/4 |
| Mount | L-Mount | Nikon Z | Sony E | Sony E | Micro Four Thirds | Sony E |
| Stabilization | false | false | false | false | true | false |
| Weather Sealed | false | true | true | true | true | true |
| Weight (g) | 424 | 450 | 540 | 260 | 320 | 488 |
| AF Type | STM | Stepping Motor | VXD | Autofocus | linear motor | Autofocus |
| Lens Type | prime | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Product | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Social Proof | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| 7Artisans AF 24mm f/1.8 | 87 | 48.1 | 59.5 | 67.3 | 78.8 | 45.8 | 33.6 | 28.2 | 38 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87 | 88.1 | 73.6 | 86.3 | 87 | 85.8 | 68.1 | 64.6 | 38 |
| Tamron Di III 28-75mm f/2.8 VXD G2 Compare | 54.6 | 88.1 | 67.2 | 87.3 | 87.8 | 85.8 | 78.2 | 83.1 | 38 |
| Sigma Contemporary 10-18mm f/2.8 DC DN Compare | 54.6 | 83.5 | 87.3 | 93.3 | 81.6 | 85.8 | 69.1 | 68.8 | 38 |
| Panasonic Leica DG Vario-Elmarit H-ES12060 Compare | 98 | 88.1 | 83.1 | 50.4 | 90.2 | 85.8 | 93.1 | 63.5 | 83.2 |
| Sony FE SEL2070G Compare | 54.6 | 80.2 | 70.8 | 51.1 | 93.1 | 69.9 | 84.2 | 91.7 | 38 |
Price
Value & Pricing
Amazon.it 1 offer From €349
We started tracking prices for this product on May 3, 2026. The chart appears once we have more data.
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Common Questions
Q: Is this lens still a good buy in 2024?
With its score dropping to 61, it is hard to recommend as a new purchase. The market has moved on, and lenses like the Sigma 16-300mm or Tamron 18-300mm provide a much more compelling blend of range, image quality, and modern features for a similar or slightly higher price. You would be better off saving for one of those newer models.
Q: How does this lens compare to the Tamron 18-300mm?
The Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD is a direct upgrade in almost every way. It offers a significantly longer zoom range, faster and quieter VXD autofocus, and effective image stabilization, all while maintaining good sharpness throughout the zoom range. The older lens cannot match that versatility or performance.
Q: What is the best superzoom lens available now?
The best superzoom depends on your camera system, but the Sigma 16-300mm f/3.5-6.7 DC OS and Tamron 18-300mm f/3.5-6.3 VC VXD are the current leaders for APS-C mirrorless cameras. For Nikon Z full-frame users, the NIKKOR Z 28-400mm f/4-8 VR is a groundbreaking option that covers an astonishing range in a single, travel-friendly lens.
Verdict
The lens once held a lot of promise, but a significant drop in its overall score to 61 reflects serious concerns that have emerged. It struggles to keep pace with newer, more versatile options that now dominate the top 5, making it a tough sell for most photographers. Unless you find it at a steep discount and its specific quirks align perfectly with your needs, there are simply better ways to spend your money.
