Laowa 58mm f/2.8 58mm
The apochromatic design with three ED elements delivers sharpness from 2:1 magnification to infinity with minimal chromatic aberration. Its 13-blade diaphragm and f/2.8 aperture produce smooth bokeh, while the robust all-metal build ensures long-term reliability. This lens is best for macro photographers needing 2x life-size reproduction of insects and textures on Sony E-mount bodies.
Snapshot
The 30-Second Version
The Laowa 58mm f/2.8 2X Ultra Macro APO delivers 2x magnification on full-frame for $499 USD, double what most macro lenses offer. The optics are sharp with excellent bokeh and APO color correction. You give up autofocus and stabilization, but for serious macro work that's a fair trade. If you want extreme close-up detail without spending four figures, this is the lens to get.
Pros & Cons
Pros
- 2x magnification on full-frame, double what most macro lenses offer 91st
- Excellent bokeh with a 13-blade diaphragm, 94th percentile in our database 70th
- APO design controls chromatic aberration, rare at this price
- Sharp optics with 3 ED elements, great for fine detail work
- Compact and relatively light at 595g for a 2x macro lens
Cons
- Manual focus only, AF score sits in the 14th percentile
- No image stabilization, tough for handheld macro work
- Build quality is middle of the pack, 46th percentile
- Not versatile, travel score of 30.7 out of 100
- Fussy to use at 2x, especially for moving subjects like insects
What owners think
The Word on the Street
How owner sentiment changed over time
ExclusiveBased on when customers actually wrote their reviews - so you can see whether early praise held up.
Based on 3 dated customer reviews, grouped by calendar quarter. Period analysis is in English.
The proof
Performance
The optical performance here is the headline. The APO designation means apochromatic correction, which in plain English means it controls chromatic aberration really well. You won't see purple fringing on high-contrast edges, which is a common problem with macro lenses. The bokeh sits in the 94th percentile of our database, so the out-of-focus rendering is genuinely lovely. That 13-blade diaphragm keeps highlights round even when you stop down, which is a detail most lenses in this price range don't bother with.
Sharpness is excellent, especially in the center. The 14 elements in 11 groups include 3 ED glass elements, which help with color accuracy and contrast. At 2x magnification, you'll see every hair on a bee's leg, every grain of pollen. The trade-off is that this lens demands precision. At 2x, your effective aperture drops significantly, so you need a lot of light or a flash. And without stabilization, you'll want a tripod or a steady hand. The stabilization score of 36th percentile means you're on your own for shake control.
Specifications
Full Specifications
Optics
| Type | Macro |
| Focal Length Min | 58 |
| Focal Length Max | 58 |
| Elements | 14 |
| Groups | 11 |
| ED Elements | 3 |
Aperture
| Max Aperture | f/22 |
| Min Aperture | f/2.8 |
| Constant | Yes |
| Diaphragm Blades | 13 |
Build
| Mount | Sony E |
| Format | full-frame |
| Weight | 0.6 kg / 1.3 lbs |
| Filter Thread | 67 |
AF & Stabilization
| AF Type | manual focus only |
| Stabilization | No |
Focus
| Min Focus Distance | 185 |
| Max Magnification | 2:1 |
vs Competition
The competitors here are an odd bunch, mostly because nothing else in this price range does 2x macro on full-frame. The Tamron 28-300mm f/4-7.1 is a superzoom, completely different purpose. It's for travel and convenience, not macro precision. The Sigma 18-50mm f/2.8 is an APS-C standard zoom, sharp and versatile but it won't get you anywhere near 2x magnification. The Viltrox 13mm f/1.4 is an ultra-wide for astro and landscape work. None of these are direct competitors in the macro space.
The real comparison is against 1x macro lenses from Sony, Canon, or Nikon. Those have autofocus and sometimes stabilization, which makes them easier for casual macro and portrait work. But they cost more and stop at 1x. If you're serious about macro and want to photograph tiny subjects at extreme detail, the Laowa gives you something those lenses can't. The trade-off is you lose autofocus and stabilization, which matters if you also want to use the lens for general photography.
| Spec | Laowa 58mm f/2.8 58mm | Tamron Di III VC 28-300mm f/4-7.1 VXD | Nikon NIKKOR 20059 | Sigma Art 17-40mm f/1.8 DC | Panasonic Leica DG Vario-Elmarit H-ES12035 | Sony E 18-135mm f/3.5-5.6 OSS |
|---|---|---|---|---|---|---|
| Focal Length | 58mm | 28-300mm | 18-55mm | 17-40mm | 12-35mm | 18-135mm |
| Max Aperture | f/22 | f/4 | f/3.5 | f/1.8 | f/2.8 | f/3.5 |
| Mount | Sony E | Sony E | Nikon F | Fujifilm X | Micro Four Thirds | Sony E |
| Stabilization | false | true | true | false | true | true |
| Weather Sealed | false | true | false | true | true | false |
| Weight (g) | 595 | 590 | 205 | 535 | 306 | 326 |
| AF Type | manual focus only | VXD linear motor | pulse stepping motor | HLA (High-response Linear Actuator) | Autofocus | Linear motor |
| Lens Type | macro | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Product | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Social Proof | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Laowa 58mm f/2.8 58mm | 14.8 | 43.3 | 42.3 | 91.2 | 70 | 21.8 | 33.2 | 46.5 | 34.4 |
| Tamron Di III VC 28-300mm f/4-7.1 VXD Compare | 97.7 | 83.6 | 63.1 | 83.2 | 96.3 | 70.9 | 97.9 | 50.8 | 79.4 |
| Nikon NIKKOR 20059 Compare | 84.7 | 81.4 | 83.8 | 95.4 | 54.7 | 82.8 | 82.8 | 86.2 | 92.3 |
| Sigma Art 17-40mm f/1.8 DC Compare | 53.9 | 97 | 67.1 | 72.3 | 96.7 | 95.3 | 75.8 | 94.1 | 34.4 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 53.9 | 86.7 | 83.9 | 49.1 | 86.2 | 88.3 | 80.5 | 86.2 | 96.4 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 97.7 | 81.4 | 71 | 37.6 | 77.9 | 82.8 | 95.8 | 90.7 | 79.4 |
Price
Value & Pricing
At $499 USD, this lens is a bargain for what it does. A 2x macro lens from a first-party brand would cost you well over a thousand dollars, if it existed at all. Most manufacturers stop at 1x and call it a day. Laowa is giving you double the magnification for less than half the price of a typical premium macro lens. The EUR pricing runs 557 to 587, and CAD buyers are looking at 688 to 729, which is still reasonable for the capability.
That said, you're paying for optical performance, not build quality or features. The build score of 46th percentile means it feels solid but not luxurious. No weather sealing, no autofocus, no stabilization. If you want those things, you'll spend more elsewhere. But if your priority is getting to 2x magnification with clean optics and beautiful bokeh, this is hard to beat.
Amazon 1 offer From €610
Price History
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Overview
The Laowa 58mm f/2.8 2X Ultra Macro APO is one of those lenses that makes you wonder why the big brands don't do this more often. It goes to 2x magnification on a full-frame sensor, which means a subject the size of your thumbnail fills the entire frame. Most macro lenses stop at 1x, so you'd need extension tubes or a reversed lens to get here. Laowa just built it in. And they did it for $499 USD.
This is a manual focus lens, and that's not a bug. For macro work at 2x, autofocus is nearly useless anyway. You're moving the camera or the subject by millimeters, and the depth of field at these magnifications is thinner than a credit card. The 13-blade diaphragm helps keep the out-of-focus areas smooth, which matters when your background is a blurry mess of leaves and twigs.
Who's this for? Macro shooters who want to go beyond 1x without spending four figures on a specialist lens. Portrait shooters who like the 58mm focal length and want something with character. And anyone who enjoys the slow, deliberate process of manual focusing. If you want a grab-and-go travel lens, this isn't it. The travel score of 30.7 out of 100 tells you that pretty clearly.
Common Questions
Q: Is this lens good for insect photography?
Yes, but with a caveat. The 2x magnification is excellent for capturing fine detail on insects, and the APO design keeps colors clean. However, at 2x the depth of field is extremely thin, and without autofocus or stabilization you'll need patience and good technique. Many users find a tripod or flash essential for consistent results with moving subjects.
Q: Can I use this lens for portraits?
You can, and the results can be lovely. The 58mm focal length is flattering, and the bokeh is in the 94th percentile of our database, so backgrounds melt away nicely. The f/2.8 aperture is fast enough for subject separation. Just remember it's manual focus only, so you'll be slower than with an autofocus lens. For posed portraits that's fine, but for candid or fast-moving subjects it's more challenging.
Q: How does 2x magnification compare to a standard macro lens?
A standard macro lens offers 1x magnification, meaning a subject is reproduced at life size on the sensor. At 2x, the Laowa doubles that, so a subject is projected at twice life size. This means you can fill the frame with much smaller subjects, like the eye of a fly or the stamen of a flower. The trade-off is that depth of field gets even thinner, and you need more light because the effective aperture decreases at higher magnifications.
Q: Is the lack of autofocus a dealbreaker?
For macro work, not really. At high magnifications, autofocus systems struggle because the depth of field is so thin and the subject is often moving. Most serious macro shooters use manual focus anyway, often with focus peaking or magnification aids on the camera. Where you'll miss autofocus is if you want to use this lens for general photography or portraits. If that's your main use case, a lens with autofocus might be a better fit.
Who Should Skip This
If you're looking for a general-purpose lens or something for travel, this isn't it. The travel score of 30.7 out of 100 tells the story. It's manual focus only, has no stabilization, and the 2x macro capability is wasted if you're shooting landscapes or street scenes. You'd be better off with a standard zoom like the Sigma 18-50mm f/2.8 or a travel superzoom like the Tamron 28-300mm.
Also skip this if you need autofocus for your work. The AF score of 14th percentile means this lens is near the bottom of our database for autofocus capability, because it has none. If you shoot fast-moving subjects, events, or anything where you can't take your time focusing, look at a first-party macro lens with autofocus. You'll pay more and get less magnification, but you'll actually get the shot.
Verdict
For dedicated macro shooters, this lens is an easy recommendation. The 2x magnification opens up a world of detail that 1x lenses simply can't reach. The APO correction and 13-blade diaphragm mean your images will look clean and smooth, even in challenging light. At $499 USD, it's one of the best values in macro photography right now. The macro score of 79.3 out of 100 reflects that strength.
For portrait shooters, it's a more nuanced call. The 58mm focal length and f/2.8 aperture work well for portraits, and the bokeh is genuinely beautiful. But manual focus at portrait distances is slower than autofocus, and without stabilization you'll need good technique. If portraits are your main thing, a dedicated 85mm or 50mm autofocus lens might serve you better. But if you want one lens that does both macro and portraits with character, this is a compelling option.