Hasselblad XCD CPHB.00000718.01 55mm
The bright f/2.5 aperture and 9-element optical design with three aspherical elements deliver exceptional sharpness across the medium-format frame in a compact, weather-sealed 372g body. Its internal autofocus is fast and nearly silent, while the leaf shutter enables flash sync at all speeds for versatile lighting control. This lens is ideal for Hasselblad X System users shooting street photography and environmental portraits who need high resolution in a lightweight, durable package.
Snapshot
The 30-Second Version
The Hasselblad XCD 55mm f/2.5 V is a compact, razor-sharp standard prime that feels tailor-made for the X System. Its 43mm equivalent field of view and fast leaf shutter make it a versatile workhorse for everything from street photography to studio work. Prices are all over the map, so shop carefully. If you're already in the Hasselblad ecosystem, this is one of the best everyday lenses you can buy.
Pros & Cons
Pros
- Exceptional sharpness across the frame, even on 100MP sensors 79th
- Compact and lightweight at 372g for a medium format lens
- Fast, quiet leaf shutter with flash sync up to 1/2000s
- Beautiful metal build quality that feels worth the investment
- Versatile 43mm equivalent focal length for everyday shooting
Cons
- No optical stabilization, which can be tricky on slower medium format bodies
- f/2.5 aperture is modest for subject isolation compared to faster glass
- Secondary control ring feels divisive and not universally loved
- Price varies wildly between vendors, making it hard to find a deal
- Some quality control reports of loose lens mount fit
What owners think
The Word on the Street
How owner sentiment changed over time
ExclusiveBased on when customers actually wrote their reviews - so you can see whether early praise held up.
Based on 14 dated customer reviews, grouped by calendar quarter. Period analysis is in English.
The proof
Performance
Sharpness is where this lens earns its keep. With nine elements in eight groups, including three aspherical elements, it's designed to resolve detail well beyond what most sensors can ask of it. In our database, its optical performance lands in the middle of the pack for its class, but that's a bit misleading. On a 100MP back, the results are genuinely stunning from corner to corner, even wide open at f/2.5. You're not buying this to chase benchmark scores. You're buying it because the files have a three-dimensional pop that's hard to quantify but immediately noticeable. The internal autofocus is fast and accurate, though it's not a generational leap over older XCD glass. It's more of a refinement. The new leaf shutter is a quiet performer, syncing flash at up to 1/2000s, which is a real asset for outdoor portrait work. The lack of stabilization is a bit of a miss, especially since medium format cameras aren't exactly known for their IBIS prowess, but that's the trade-off for keeping the weight down.
Specifications
Full Specifications
Optics
| Type | Prime |
| Focal Length Min | 55 |
| Focal Length Max | 55 |
| Elements | 9 |
| Groups | 8 |
| Aspherical Elements | 3 |
| ED Elements | 0 |
| Coating | Aspherical |
Aperture
| Max Aperture | f/32 |
| Min Aperture | f/2.5 |
| Constant | Yes |
Build
| Mount | Hasselblad X |
| Format | medium-format |
| Weather Sealed | Yes |
| Weight | 0.4 kg / 0.8 lbs |
| Filter Thread | 72 |
AF & Stabilization
| AF Type | internal autofocus |
| Stabilization | No |
Focus
| Min Focus Distance | 450 |
| Max Magnification | 1:6.4 |
vs Competition
Stacked against the competition, this lens occupies a weird space. The Sigma Contemporary 16-300mm and Tamron 17-70mm are zoom lenses for completely different systems and sensor sizes, so they're not direct rivals. They just happen to share a similar price bracket. The Canon RF 28-70mm f/2.8 is a stellar full-frame zoom, but again, it's solving a different problem. The real comparison is with other Hasselblad XCD primes. The 45mm f/4 P is smaller and lighter but a full stop slower. The 65mm f/2.8 is a bit tighter and also slower. The 55V sits in a sweet spot for speed and size, and the updated leaf shutter gives it a practical advantage for flash work. If you're cross-shopping systems, the Fujifilm GFX lineup offers a 55mm f/1.7 that's over a stop faster, but it's also significantly heavier and pricier. The Hasselblad's compactness is its superpower here.
| Spec | Hasselblad XCD CPHB.00000718.01 55mm | Nikon NIKKOR Z 17-28mm f/2.8 | Tamron Di III 28-75mm f/2.8 VXD G2 | Sigma Contemporary 10-18mm f/2.8 DC DN | Canon RF 28-70mm f/2.8 IS STM | Sony G SELP28135G.SYX |
|---|---|---|---|---|---|---|
| Focal Length | 55mm | 17-28mm | 28-75mm | 10-18mm | 28-70mm | 28-135mm |
| Max Aperture | f/32 | f/2.8 | f/2.8 | f/2.8 | f/22 | f/4 |
| Mount | Hasselblad X | Nikon Z | Sony E | Sony E | Canon RF | Sony E |
| Stabilization | false | false | false | false | true | true |
| Weather Sealed | true | true | true | true | true | true |
| Weight (g) | 372 | 450 | 540 | 260 | 495 | 420 |
| AF Type | internal autofocus | Stepping Motor | VXD | Autofocus | STM | SSM |
| Lens Type | prime | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Product | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | Social Proof | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Hasselblad XCD CPHB.00000718.01 55mm | 54.6 | 3.2 | 79.3 | 59.3 | 64.4 | 4.9 | 63.3 | 33.6 | 32.9 | 38 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87 | 88.1 | 73.6 | 86.3 | 87 | 85.8 | 90.8 | 68.1 | 64.6 | 38 |
| Tamron Di III 28-75mm f/2.8 VXD G2 Compare | 54.6 | 88.1 | 67.2 | 87.3 | 87.8 | 85.8 | 80.4 | 78.2 | 83.1 | 38 |
| Sigma Contemporary 10-18mm f/2.8 DC DN Compare | 54.6 | 83.5 | 87.3 | 93.3 | 81.6 | 85.8 | 80.4 | 69.1 | 68.8 | 38 |
| Canon RF 28-70mm f/2.8 IS STM Compare | 87 | 25.9 | 70.2 | 80.4 | 85 | 22.6 | 98.1 | 77.2 | 87.9 | 98.5 |
| Sony G SELP28135G.SYX Compare | 94.2 | 80.2 | 75.5 | 31.2 | 87 | 69.9 | 63.3 | 92.4 | 50.2 | 92.8 |
Price
Value & Pricing
Let's talk about the elephant in the room. This lens doesn't have a fixed price. Depending on where you look, you'll see it listed anywhere from $3,699 to $4,716. That's a $1,017 spread, which is frankly absurd for a single piece of glass. If you're shopping, the best deal in our database right now comes from the lower end of that range, so it pays to hunt around. For a medium format prime with this level of optical performance, the lower price is actually competitive. But at the high end, you're creeping into territory where you could buy an entire high-end full-frame kit. The value proposition hinges entirely on whether you're already invested in the Hasselblad X System. If you are, this is a no-brainer standard prime. If you're just window shopping, the price of entry is steep enough to make you think twice.
Amazon.it 1 offer From €4,716
We started tracking prices for this product on May 3, 2026. The chart appears once we have more data.
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Overview
The Hasselblad XCD 55mm f/2.5 V is the kind of lens that makes you want to leave the house with just one focal length and see what happens. It's a standard prime for the X System, giving you a 43mm equivalent field of view on medium format. That's basically how your eyes see the world, which makes it a natural fit for everything from environmental portraits to documentary work. At 372 grams, it's refreshingly light for a medium format lens, and the compact design means you're not lugging around a small cannon every time you head out to shoot. This is a lens built for photographers who prioritize image quality above all else and are willing to pay for the privilege of mounting it on a 100-megapixel sensor.
Common Questions
Q: Does this lens have image stabilization?
No, the XCD 55mm f/2.5 V does not include optical stabilization. You'll be relying on your camera body's capabilities, and most Hasselblad X System bodies have limited or no IBIS. In practice, the f/2.5 aperture helps keep shutter speeds manageable in lower light, but for handheld work at slower speeds, you'll want to keep your technique steady.
Q: How close can this lens focus?
The minimum focus distance is 0.45 meters, which gives you a maximum magnification of 1:6.4. It's not a macro lens by any stretch, but it gets close enough for detail shots of flowers, food, or small objects. If you need true 1:1 macro, you'll want to look at a dedicated macro lens for the X System.
Q: Is the f/2.5 aperture enough for good background blur?
On a medium format sensor, f/2.5 gives you a shallower depth of field than the same aperture on full-frame, so subject separation is definitely achievable. That said, if you're coming from full-frame f/1.4 lenses, the bokeh won't feel as dramatic. It's a pleasing, smooth falloff, but it's not going to melt backgrounds into oblivion.
Q: What's the difference between the 55V and the older 45P or 65mm lenses?
The 55V sits between them in focal length but is faster than both. The 45mm f/4 P is smaller and lighter but a full stop slower. The 65mm f/2.8 is a bit tighter and also slower. The 55V also features the updated leaf shutter design, which is quieter and syncs flash at higher speeds, making it the more modern and versatile choice of the three.
Who Should Skip This
If you're shooting primarily in a studio with controlled lighting and your main goal is portraits with extreme subject isolation, this probably isn't your lens. The f/2.5 aperture, while respectable on medium format, won't give you the razor-thin depth of field that a faster prime can. You'd be better off looking at adapted fast glass or the Fujifilm GF 55mm f/1.7 if you're open to switching systems. Also, if you shoot a lot of handheld video or low-light stills without a tripod, the lack of stabilization might drive you nuts. In that case, a lens with OIS or a body with solid IBIS should be higher on your list.
Verdict
For the Hasselblad shooter who wants a single walkaround lens, the 55V is close to perfect. It's sharp enough to make your 100-megapixel files sing, light enough to carry all day, and the 43mm equivalent field of view is endlessly useful. The leaf shutter alone makes it a compelling upgrade for anyone who works with strobes outdoors. But if you're primarily a portrait photographer chasing the shallowest depth of field possible, the f/2.5 aperture might leave you wanting. You'd be better served by something faster, even if it means adapting glass or looking at the Fuji GFX system. For everyone else, this is the lens that should probably live on your camera.