Sony G Master SEL2470GM 24-70mm
A 22% weight reduction to just 695g makes this the lightest f/2.8 standard zoom in its class, paired with four XD Linear Motors for near-instant autofocus. Its Nano AR Coating II effectively suppresses flare and ghosting for exceptional clarity, while the 0.32x maximum magnification adds versatile close-up capability. This lens is best for landscape and travel photographers who need a rugged, weather-sealed workhorse without the bulk.
Özet
The 30-Second Version
The Sony 24-70mm f/2.8 GM II is one of the sharpest, fastest-focusing standard zooms we've ever tested. It's lighter than the original and delivers best-in-class autofocus. It's pricey and lacks stabilization, but if you're a Sony pro who needs the best, this is it.
Pros & Cons
Artılar
- Razor-sharp across the frame even at f/2.8. 98th
- Autofocus is near-instant and dead silent. 97th
- Significantly lighter and more compact than the original. 88th
- Weather-sealed build handles rough conditions. 81st
Eksiler
- Bokeh is fine but won't blow you away.
- No optical stabilization built in.
- The plastic lens hood feels cheap for this price.
- Quality control issues like dust ingress pop up in user reports.
Sahiplerinin görüşleri
The Word on the Street
Sahip görüşleri zamanla nasıl değişti
ÖzelMüşterilerin değerlendirmelerini gerçekte ne zaman yazdığına göre - ilk övgülerin kalıcı olup olmadığını görün.
Takvim çeyreğine göre gruplanmış, tarihli 221 müşteri değerlendirmesine dayanır. Dönem analizi İngilizcedir.
Kanıtlar
Performance
Autofocus is stupid fast. We're talking 98th percentile in our database, which puts it among the absolute best right now. The four XD linear motors lock on instantly and track silently, so video shooters will be just as happy as stills photographers. Optically, it's a top-tier performer at 97th percentile. Sharpness is exceptional wide open at f/2.8 across the entire zoom range, and the Nano AR Coating II handles flare like a champ. The weak spot? Bokeh is middle of the pack at the 40th percentile. It's pleasant and smooth thanks to the 11-blade diaphragm, but don't expect the dreamy separation you'd get from a fast prime. And there's no stabilization here, which lands it in the bottom half of our rankings. If your body has IBIS you're fine, but it's worth knowing.
Specifications
Full Specifications
Optics
| Type | Zoom |
| Focal Length Min | 24 |
| Focal Length Max | 70 |
| Elements | 20 |
| Groups | 15 |
| Aspherical Elements | 2 |
| ED Elements | 4 |
| Coating | Nano AR Coating II and Fluorine Coating |
Aperture
| Max Aperture | f/22 |
| Min Aperture | f/2.8 |
| Constant | Yes |
| Diaphragm Blades | 11 |
Build
| Mount | Sony E |
| Format | full-frame |
| Weather Sealed | Yes |
| Weight | 0.7 kg / 1.5 lbs |
| Filter Thread | 82 |
AF & Stabilization
| AF Type | XD Linear Motors |
| Stabilization | No |
Focus
| Min Focus Distance | 210 |
| Max Magnification | 0.32x |
vs Competition
The Canon RF 28-70mm f/2.8 IS STM is the most direct rival and it includes stabilization, which Sony skips. That's a real advantage for Canon shooters. The Tamron 18-300mm offers way more reach and costs less, but you sacrifice the constant f/2.8 aperture and that top-shelf optical quality. The Sigma 16-300mm is another superzoom competitor that prioritizes versatility over outright image quality. If you need one lens that does everything from wide landscapes to tight portraits with zero compromises in sharpness or autofocus, the Sony still leads the pack. But if you want stabilization or a lighter wallet, those other options are worth a hard look.
| Spec | Sony G Master SEL2470GM 24-70mm | Sigma Contemporary 16-300mm f/3.5-6.7 DC OS | Tamron Di III 18-300mm f/3.5-6.3 Di III-A VC VXD | Canon RF 28-70mm f/2.8 IS STM | Panasonic LUMIX S S-R28200 | Nikon NIKKOR AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR |
|---|---|---|---|---|---|---|
| Focal Length | 24-70mm | 16-300mm | 18-300mm | 28-70mm | 28-200mm | 16-85mm |
| Max Aperture | f/22 | f/3.5 | f/3.5 | f/2.8 | f/4 | f/3.5 |
| Mount | Sony E | Sony E | Fujifilm X | Canon RF | L-Mount | Nikon F |
| Stabilization | false | true | true | true | true | true |
| Weather Sealed | true | true | false | true | true | false |
| Weight (g) | 695 | 615 | 92 | 495 | 413 | 59 |
| AF Type | XD Linear Motors | HLA | VXD linear motor | STM | Autofocus | AF-S |
| Lens Type | zoom | zoom | zoom | zoom | macro | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Ürün | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Kullanıcı yorumları | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Sony G Master SEL2470GM 24-70mm | 98.1 | 40.1 | 51.8 | 44.9 | 97.1 | 24 | 80.7 | 88 | 35.6 |
| Sigma Contemporary 16-300mm f/3.5-6.7 DC OS Compare | 54.6 | 84 | 57.8 | 86.5 | 98.8 | 76.8 | 99.6 | 83.1 | 99.1 |
| Tamron Di III 18-300mm f/3.5-6.3 Di III-A VC VXD Compare | 98.1 | 74.8 | 96.3 | 88.4 | 73.5 | 76.8 | 99.2 | 83.1 | 80.5 |
| Canon RF 28-70mm f/2.8 IS STM Compare | 85.4 | 86 | 67.2 | 77.3 | 84.4 | 83.7 | 77.5 | 88 | 98.3 |
| Panasonic LUMIX S S-R28200 Compare | 54.6 | 77.7 | 73.8 | 89.5 | 90.9 | 71.2 | 95.6 | 75.4 | 99.4 |
| Nikon NIKKOR AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR Compare | 54.6 | 74.8 | 98.4 | 59.7 | 64.1 | 76.8 | 94.3 | 88 | 92.2 |
Fiyat
Value & Pricing
Let's be real, this lens is expensive. The price spread across vendors is wild, ranging from $1314 to $3596. If you can snag it at the lower end of that range, it's a solid investment for a working pro. At full retail near $3600, you're paying a serious premium for the Sony badge and that last 5% of performance. The value score sits at 77.8 out of 100, which is well above average for this category. It's not a bargain, but it's a tool that will earn its keep for years. Shop around and avoid paying anywhere near the top of that price range.
Devamını oku
Overview
Sony took everything pros loved about the original 24-70mm GM and put it on a diet. The GM II is 22% lighter and noticeably smaller, which makes a real difference when it's glued to your camera all day. At 695g, it balances beautifully on modern Alpha bodies without feeling front-heavy. The constant f/2.8 aperture is still here, and the optical performance is basically flawless from corner to corner. This is the lens you grab when you can only bring one, and it needs to nail every single shot.
Common Questions
Q: Does this lens have image stabilization?
No, the lens itself does not have optical stabilization. It relies on the in-body stabilization (IBIS) of Sony Alpha cameras, which works well for most shooting situations.
Q: Is the f/2.8 aperture constant throughout the zoom range?
Yes, it maintains a constant f/2.8 maximum aperture from 24mm all the way to 70mm, which is great for consistent exposure and low-light shooting.
Q: How much lighter is this compared to the original version?
It's about 22% lighter and 18% smaller than the first-generation 24-70mm GM, weighing in at 695g. The difference is immediately noticeable on the camera.
Who Should Skip This
If you're a hobbyist or casual shooter, the price and weight are probably overkill. You'll get 90% of the performance from something like a Tamron zoom for half the cost. And if you shoot a lot of handheld video without a gimbal, the lack of lens stabilization might push you toward the Canon RF 28-70mm f/2.8 IS STM instead.
Verdict
This is the standard zoom for Sony shooters who refuse to compromise on image quality or autofocus speed. Wedding photographers, event shooters, and anyone who needs a do-it-all workhorse will find it indispensable. The weight savings over the original make it viable for all-day use, and the optical performance is as good as it gets in a zoom. Just budget for it and maybe grab a third-party lens hood.