Sigma Art 105mm f/2.8 EX DG OS HSM Macro 105mm
Delivering true 1:1 macro reproduction with a 295mm minimum focus distance, this lens combines one SLD element and Super Multi-Layer Coating for sharp, high-contrast images free of aberrations. Its weather-sealed, 710g build and built-in optical stabilization provide reliable handheld shooting in the field. This is best for macro photographers and portraitists on Sony E-mount who need a stabilized, life-size optic with strong color accuracy.
概要
The 30-Second Version
The Sigma 105mm f/2.8 macro is stupidly sharp and produces some of the best bokeh you'll find without spending a fortune. Autofocus gets a little lost in macro mode, but the stabilization and build quality are solid. If you want a dedicated macro lens that pulls double duty for portraits, this is the one.
Pros & Cons
長所
- Exceptional sharpness that holds up for both macro and portrait work. 87th
- Beautiful, creamy bokeh thanks to the 9-blade aperture. 87th
- Effective optical stabilization makes handheld macro much easier. 86th
- Solid build quality with weather sealing for peace of mind outdoors. 84th
短所
- Autofocus can hunt and get noisy when you're deep in macro range.
- No tripod collar included, which is a pain for studio macro work.
- Some Sony owners report IBIS compatibility quirks.
- A warm color tone that might need a slight correction in post.
オーナーの声
The Word on the Street
購入者の評価が時間とともにどう変化したか
独自顧客が実際にレビューを書いた時期に基づいています。発売当初の高評価が続いたかどうかがわかります。
- Q3 202550/100
Opinions are split: two love the lens for portraits and macros; one struggles with macro autofocus forcing manual use; one finds it sharp but color tone warm.
- Excellent image sharpness, bokeh, color reproduction; reliable for professional portrait and macro work.
- Macro autofocus is unreliable, especially with Leica SL3, requiring manual focus – problematic for moving subjects.
- Sharp and solid for product photography, but color tone warmer than Sony lenses – an easy fix.
- Q1 202285/100
Users praise sharpness, macro and portrait capability, and affordability. One reports IBIS incompatibility with Sony A1.
- Excellent optical sharpness and image quality.
- Versatile macro and portrait lens, preferred over Sony.
- IBIS may not work with Sony A1, limiting handheld closeups.
- Fast autofocus and good value for the price.
- Q1 202195/100
Buyers praise the lens for sharpness, fast autofocus, and versatility. One notes it pairs well with smaller cameras but mentions slow focus at minimum distance.
- Exceptional sharpness, nearly matching pricier rivals
- Fast autofocus for macro and general use
- Focus can cycle slowly at minimum distance with small cameras
- Versatile for macro, portraits, landscapes, street
- Q4 202097/100
Buyers praised the lens for exceptional sharpness, versatile macro-to-portrait use, and balanced design; one noted a single focus hiccup and audible motor.
- Extremely sharp image quality with well-controlled fringing and ghosting.
- Versatile for macro and portrait work, great bokeh, and convenient focus limiter.
- Well-balanced build on Panasonic and Sony cameras; affordable for its performance.
- Focus motor is audible; one instance of refused focus in low contrast situation.
日付のある顧客レビュー 30 件を暦四半期ごとに集計しています。期間別の分析は英語です。
実証データ
Performance
Sharpness is where this lens earns its reputation. It's exceptional, resolving fine detail that makes macro shots pop and doubles as a surprisingly good portrait lens. The bokeh sits in the 87th percentile, creamy and smooth with those 9 aperture blades doing their job. Autofocus is a mixed bag. It's fast and accurate for general shooting, but in true macro ranges it can hunt, and the HSM motor gets a bit buzzy. Owners mention it struggles in low contrast situations too. Stabilization is well above average, giving you a few extra stops of handholding confidence, which matters a ton at 105mm.
Specifications
Full Specifications
Optics
| Type | Macro |
| Focal Length Min | 105 |
| Focal Length Max | 105 |
| Elements | 17 |
| Groups | 12 |
| Aspherical Elements | 1 |
| ED Elements | 2 |
| Coating | Super Multi-Layer Coating |
Aperture
| Max Aperture | f/2.8 |
| Min Aperture | f/2.8 |
| Constant | Yes |
| Diaphragm Blades | 9 |
Build
| Mount | Canon EF |
| Format | full-frame |
| Weather Sealed | Yes |
| Weight | 0.7 kg / 1.6 lbs |
| Filter Thread | 62 |
AF & Stabilization
| AF Type | HSM |
| Stabilization | Yes |
Focus
| Min Focus Distance | 305 |
| Max Magnification | 1:1 |
vs Competition
Stacked against the competition, this Sigma is a specialist. The Tamron 17-70mm f/2.8 and Sony 18-135mm are zooms, way more versatile for travel and everyday stuff, but they can't touch the Sigma's macro reproduction or bokeh quality. The Nikon Z 17-28mm f/2.8 is a wide zoom, a completely different tool for landscapes and architecture. If you need a do-it-all walkaround lens, those zooms make more sense. But if you want to get lost in the tiny details with best-in-class sharpness, none of those competitors can keep up. The Sigma's weakness is its single-purpose nature, its versatility score is low for a reason.
| Spec | Sigma Art 105mm f/2.8 EX DG OS HSM Macro 105mm | Tamron Di III VC 28-300mm f/4-7.1 VXD | Nikon NIKKOR Z 17-28mm f/2.8 | Panasonic Leica DG Vario-Elmarit H-ES12035 | Sony E 18-135mm f/3.5-5.6 OSS | Viltrox Pro AF 27mm f/1.2 |
|---|---|---|---|---|---|---|
| Focal Length | 105mm | 28-300mm | 17-28mm | 12-35mm | 18-135mm | 27mm |
| Max Aperture | f/2.8 | f/4 | f/2.8 | f/2.8 | f/3.5 | f/1.2 |
| Mount | Canon EF | Sony E | Nikon Z | Micro Four Thirds | Sony E | Sony E |
| Stabilization | true | true | false | true | true | false |
| Weather Sealed | true | true | true | true | false | true |
| Weight (g) | 710 | 610 | 450 | 306 | 326 | 560 |
| AF Type | HSM | VXD linear motor | Stepping Motor | Autofocus | Linear motor | STM |
| Lens Type | macro | zoom | zoom | zoom | zoom | prime |
| Compare | Compare | Compare | Compare | Compare |
| 製品 | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | ユーザー評価 | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Sigma Art 105mm f/2.8 EX DG OS HSM Macro 105mm | 53.6 | 86.6 | 59 | 68.4 | 86.7 | 83.6 | 44.6 | 33.7 | 85.6 | 82.5 |
| Tamron Di III VC 28-300mm f/4-7.1 VXD Compare | 98.1 | 77.3 | 65.3 | 85 | 96.8 | 65.6 | 91 | 97.8 | 55.9 | 82.5 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87.2 | 86.6 | 75.9 | 85 | 88.4 | 83.6 | 91 | 68.1 | 70.3 | 36.8 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 53.6 | 81.4 | 86.1 | 50.7 | 86.7 | 83.6 | 63.8 | 80.5 | 85.6 | 96.9 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 98.1 | 74.8 | 73.2 | 40.1 | 78.9 | 77 | 44.6 | 95.8 | 89.9 | 82.5 |
| Viltrox Pro AF 27mm f/1.2 Compare | 87.2 | 98.7 | 68.3 | 38.2 | 82.5 | 98.5 | 91 | 33.7 | 89.9 | 36.8 |
価格
Value & Pricing
Pricing is all over the map for this lens, from a suspiciously low $345 to a laughable $25,892 from some third-party sellers. Ignore the extremes. The real value sits with the major retailers where it's often found as a renewed or bundled deal. For the optical quality you're getting, it's a steal compared to first-party macro lenses that cost twice as much. The user sentiment score of 82/100 backs this up, with many owners calling it great value for money. Just shop smart and stick to reputable sellers.
詳細情報
Overview
Sigma's 105mm f/2.8 macro is one of those lenses that just gets the important stuff right. It's razor sharp, the bokeh is genuinely beautiful, and that 1:1 reproduction ratio means you can fill the frame with a ladybug's eyeball if that's your thing. The optical stabilization is a real lifesaver when you're hunched over a flower in less-than-ideal light, and the build feels solid enough to survive a few bumps in the camera bag.
Common Questions
Q: Is this lens good for portraits too, or just macro?
Absolutely. The 105mm focal length and f/2.8 aperture on a full-frame body give you flattering compression and beautiful subject separation, making it a favorite for portrait work.
Q: How loud is the autofocus motor?
The HSM motor isn't silent. It's fine for stills, but if you're shooting video and relying on in-camera audio, the focusing noise can be picked up by the mic.
Q: Does it come with a tripod collar?
No, it doesn't, and that's a common gripe. For a lens of this weight and macro intent, you'll likely want to pick up a third-party collar for better balance on a tripod.
Who Should Skip This
Skip this if you need a versatile travel or walkaround lens. The 105mm prime is a specialist, and if you're trying to capture everything from wide landscapes to quick street snaps, you'll be frustrated. Also, if silent autofocus for video is a must, the HSM motor's buzz will drive you nuts. Look at a native mirrorless macro lens with a stepper motor instead.
Verdict
This is a lens for photographers who obsess over the small stuff. If you're into macro, flowers, insects, or detailed product shots, the Sigma 105mm f/2.8 is an easy recommendation. It doubles as a stellar portrait lens with that flattering focal length and gorgeous bokeh. Just know that the autofocus isn't going to win any speed races, and you might want to budget for a tripod collar if you're doing serious studio work. For the price, the image quality is hard to beat.