7Artisans 16mm T2.1 Hope Series Professional Cine 16mm
The 16mm T2.1 wide-angle cine prime captures T2.1 light with a 260° focus throw and suppressed breathing, enabling precise manual control on S35 sensors. Its newly designed optics and coatings render vivid, filmic texture with smooth falloff, all within a solid 998g housing that feels purpose-built for rigs. This lens suits budget-conscious filmmakers on Canon RF-mount cameras like the RED Komodo or C70 who need a wide, characterful lens for narrative shoots.
Focal length 16mm
Mount Canon RF
stabilization Ja
Weight 998 g
lens type wide-angle
36 Gesamtbewertung
Preis 0 ₹
Überblick
Vor- und Nachteile
Vorteile
- Strong stabilization (83rd percentile) 83rd
- Strong aperture (67th percentile) 67th
- Strong bokeh (65th percentile) 65th
Nachteile
- Below average build (6th percentile)
- Below average macro (14th percentile)
- Below average social proof (16th percentile)
- Below average optical (21st percentile)
Die Fakten
Leistung
Technische Daten
Alle technischen Daten
Optics
| Type | Wide-angle |
| Focal Length Min | 16 |
| Focal Length Max | 16 |
Build
| Mount | Canon RF |
| Weight | 1.0 kg / 2.2 lbs |
AF & Stabilization
| Stabilization | Yes |
Im Vergleich
| Spec | 7Artisans 16mm T2.1 Hope Series Professional Cine 16mm | Tamron Di III 17-70mm f/2.8 Di III-A VC RXD | Nikon NIKKOR Z 17-28mm f/2.8 | Sigma Contemporary 16-28mm f/2.8 DG DN | Panasonic Leica DG Vario-Elmarit H-ES12060 | Canon RF 28-70mm f/2.8 IS STM |
|---|---|---|---|---|---|---|
| Focal Length | 16mm | 17-70mm | 17-28mm | 16-28mm | 12-60mm | 28-70mm |
| Max Aperture | - | f/2.8 | f/2.8 | f/2.8 | f/2.8 | f/22 |
| Mount | Canon RF | Fujifilm X | Nikon Z | Sony E | Micro Four Thirds | Canon RF |
| Stabilization | true | true | false | false | true | true |
| Weather Sealed | false | true | true | true | true | true |
| Weight (g) | 998 | 544 | 450 | 450 | 320 | 495 |
| AF Type | - | RXD | Stepping Motor | Stepping AF Motor | linear motor | STM |
| Lens Type | wide-angle | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Produkt | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Nutzerresonanz | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| 7Artisans 16mm T2.1 Hope Series Professional Cine 16mm | 53.7 | 65.3 | 6.3 | 13.5 | 20.9 | 66.7 | 33.3 | 15.7 | 83.3 |
| Tamron Di III 17-70mm f/2.8 Di III-A VC RXD Compare | 53.7 | 87.1 | 69.8 | 85.8 | 91 | 84.3 | 89.3 | 85.4 | 83.3 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87.4 | 87.1 | 76.1 | 85.8 | 88 | 84.3 | 67.3 | 69.6 | 37.7 |
| Sigma Contemporary 16-28mm f/2.8 DG DN Compare | 87.4 | 87.1 | 76.1 | 77.8 | 97.2 | 84.3 | 67.9 | 63.6 | 37.7 |
| Panasonic Leica DG Vario-Elmarit H-ES12060 Compare | 98.1 | 87.1 | 84.6 | 51.7 | 91 | 84.3 | 93.1 | 68.6 | 83.3 |
| Canon RF 28-70mm f/2.8 IS STM Compare | 87.4 | 24 | 72.9 | 80 | 86.2 | 21 | 76.8 | 89.4 | 98.6 |
Bewertung nach Einsatzbereich
Ein ausführlicher Testbericht folgt in Kürze. Die technischen Daten, Bewertungen, Preise und Diagramme oben sind stets aktuell.
