Sigma Art 50-100mm f/1.8 DC HSM 100mm
Die durchgehende f/1.8-Blende über den gesamten 50-100mm-Zoombereich macht dieses Objektiv zu einer einzigartigen Option für APS-C-DSLRs und liefert eine Bildqualität, die mit Festbrennweiten vergleichbar ist. Das optische Design mit vier SLD- und drei FLD-Elementen in Kombination mit der Super-Multi-Layer-Vergütung sorgt für hohe Schärfe und Kontrast selbst bei Offenblende. Dieses Objektiv ist am besten für Porträt- und Eventfotografen geeignet, die eine lichtstarke Telezoom-Lösung mit konstanter Blende für Nikon-F-DX-Kameras suchen.
Überblick
Was Besitzer sagen
Wie sich die Meinung der Besitzer im Lauf der Zeit verändert hat
ExklusivBasierend darauf, wann Kunden ihre Bewertungen tatsächlich geschrieben haben - so sehen Sie, ob das anfängliche Lob anhielt.
- Q2 202688/100
Buyers recommend the lens for low light and action shots, praising image quality and fast aperture, while noting focusing inconsistencies on DX cameras and weight.
- Excellent low-light performance and f/1.8 aperture praised for indoor sports and stage.
- Focus accuracy issues reported on DX cameras like D500 and D3300, especially in low light.
- Build quality and durability praised; handled extreme temps and snow at Grand Canyon.
- Heavy weight noted; lens described as cumbersome without VR, tripod collar design odd.
- Q2 202285/100
Buyers praised sharpness and APS-C compatibility for sports and portraits, but noted significant weight, noisy AF, and rare focus misses.
- Sharp lens delivers great results on APS-C cameras for sports and portraits.
- Lens is versatile and works well across multiple APS-C bodies.
- Lens is very heavy; arm fatigue occurs for those unaccustomed to beefy lenses.
- AF is noisy and slow; some users report missed shots despite overall satisfaction.
- Q2 202187/100
Buyers praised the lens for sharpness, bokeh, and portrait versatility, but noted back-focus, focus breathing, and a non-removable tripod foot as minor drawbacks.
- Sharpness and image quality praised, with good bokeh and resolving power.
- Excellent for portraits, particularly headshots with the 70mm focal length.
- Back-focus issue fixable; focus breathing requires careful subject distance.
- Non-removable tripod foot causes mounting inconvenience with battery grip.
- Q4 202075/100
Buyers praised the lens' sharpness and bokeh for portraits on crop sensors, but warned it is incompatible with full-frame cameras and noted its heavy weight and some focusing issues.
- Produces tack-sharp images with amazing bokeh, ideal for portraits.
- Incompatible with full-frame cameras despite Sigma Art branding.
- Heavy lens, but results compensate for the inconvenience.
- Significant vignetting occurs at the 50mm focal length.
- Q2 201993/100
Buyers praise this lens for its sharpness, speed, and low-light performance, with the main trade-off being its considerable weight, which many find acceptable for the image quality.
- Sharp, fast, accurate autofocus, and beautiful bokeh even in tricky light.
- Heavy and takes getting used to, but reduces need for cropping and shake with bracing.
- Excellent for video interviews and capturing performers from a distance.
- Great companion to 18-35mm f/1.8, covers most shooting needs without reservation.
- Q1 201994/100
Buyers praised the lens for its sharpness, perfect focal range for interviews, and fast autofocus. Some noted its size and weight.
- Lens is sharp and produces great images with Canon 7D Mark II.
- Ideal focal range for interviews (50-90mm) without lens changes.
- Fast and quiet autofocus works well with DPAF on C300 Mk2.
- Lens is a bit big and heavy.
- Q2 201897/100
Buyers praise the lens for its dreamy images, sharpness, and bokeh, though note its heavy weight and occasional focus adjustment needs.
- Image quality is outstanding with sharpness and beautiful bokeh.
- Auto focus may need calibration with Sigma dock for best performance.
- Lens is heavy and cumbersome for all-day event shooting.
- Great value for portrait photography on crop sensors.
- Q2 2017100/100
Buyers are extremely satisfied, praising the lens's sharpness, fast aperture, and image quality rivaling full-frame gear. The heavy weight is noted as a positive for stability.
- Exceptional image quality, rivaling full-frame gear with sharpness and isolation.
- Excellent value and performance versus high-end Canon 70-200mm f/2.8L IS II.
- Fast and quiet autofocus, suitable for portraits and general use.
- Heavy weight is favored for steadier shots; included USB dock for fine-tuning focus.
- Q1 201785/100
Buyers praised the lens for exceptional sharpness, build quality, and fast aperture, but noted weight, reverse zoom direction, and slight calibration issues.
- Excellent image sharpness, color, and build quality praised by most reviewers.
- Heavy weight appreciated for solid feel but criticized for daily carry.
- Calibration via Sigma dock resolves softness, but some residual issues at 100mm.
- Reverse zoom direction compared to Canon lenses is a minor annoyance.
- Q4 201678/100
Buyers praise the lens for its sharpness, fast aperture, and pro-level build, but cite stiff zoom ring, lack of weather sealing, and unreliable autofocus for professional use.
- Excellent sharpness across all focal lengths and apertures, with beautiful bokeh and solid construction.
- Fast constant f/1.8 aperture delivers stunning images, rivaling FX cameras and f/2.8 zooms.
- Unreliable autofocus randomly misses focus, a fatal flaw for professionals despite calibration attempts.
- Stiff zoom ring and zoom/collar proximity can hinder operation, especially for action photography.
- Q3 201687/100
Buyers praised the lens for exceptional sharpness, fast f/1.8 aperture, and solid build, but noted heavy weight and lack of image stabilization.
- Excellent sharpness and fast, accurate autofocus.
- Lens is very heavy; one reviewer noted it feels like holding a cinder block.
- Build quality praised but lack of weather sealing and image stabilization noted.
- Great value for crop sensor cameras, rivaling pro primes.
- Q2 201687/100
Buyers praised low-light performance, color reproduction, and image clarity, noting heavy build and some vignetting on full-frame.
- Excellent image quality, sharpness, and bokeh.
- Good low-light performance suited for events.
- Heavy lens with noticeable focus breathing.
- Vignetting occurs when used on full-frame cameras.
Basierend auf 69 datierten Kundenbewertungen, gruppiert nach Kalenderquartal. Die Periodenanalyse ist in englischer Sprache.
Die Fakten
Leistung
Technische Daten
Alle technischen Daten
Optics
| Type | Zoom |
| Focal Length Min | 50 |
| Focal Length Max | 100 |
| Elements | 21 |
| Groups | 15 |
| Aspherical Elements | 0 |
| ED Elements | 7 |
| Coating | Super Multi-Layer Coating |
Aperture
| Max Aperture | f/16 |
| Min Aperture | f/1.8 |
| Constant | Yes |
| Diaphragm Blades | 9 |
Build
| Mount | Nikon F |
| Format | APS-C |
| Weather Sealed | No |
| Weight | 1.5 kg / 3.3 lbs |
| Filter Thread | 82 |
AF & Stabilization
| AF Type | HSM |
| Stabilization | No |
Focus
| Min Focus Distance | 950 |
| Max Magnification | 1:6.67 |
Im Vergleich
| Spec | Sigma Art 50-100mm f/1.8 DC HSM 100mm | Nikon NIKKOR Z 17-28mm f/2.8 | Tamron Di III 28-75mm f/2.8 VXD G2 | Panasonic Leica DG Vario-Elmarit H-ES12060 | Canon RF 28-70mm f/2.8 IS STM | Sony G SELP28135G.SYX |
|---|---|---|---|---|---|---|
| Focal Length | 50-100mm | 17-28mm | 28-75mm | 12-60mm | 28-70mm | 28-135mm |
| Max Aperture | f/16 | f/2.8 | f/2.8 | f/2.8 | f/22 | f/4 |
| Mount | Nikon F | Nikon Z | Sony E | Micro Four Thirds | Canon RF | Sony E |
| Stabilization | false | false | false | true | true | true |
| Weather Sealed | false | true | true | true | true | true |
| Weight (g) | 1490 | 450 | 540 | 320 | 495 | 420 |
| AF Type | HSM | Stepping Motor | VXD | linear motor | STM | SSM |
| Lens Type | zoom | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Produkt | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | Nutzerresonanz | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Sigma Art 50-100mm f/1.8 DC HSM 100mm | 54.6 | 41.2 | 10.9 | 43.3 | 98.1 | 45.8 | 63.3 | 72.1 | 91.7 | 38 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87 | 88.1 | 73.6 | 86.3 | 87 | 85.8 | 90.8 | 68.1 | 64.6 | 38 |
| Tamron Di III 28-75mm f/2.8 VXD G2 Compare | 54.6 | 88.1 | 67.2 | 87.3 | 87.8 | 85.8 | 80.4 | 78.2 | 83.1 | 38 |
| Panasonic Leica DG Vario-Elmarit H-ES12060 Compare | 98 | 88.1 | 83.1 | 50.4 | 90.2 | 85.8 | 44.2 | 93.1 | 63.5 | 83.2 |
| Canon RF 28-70mm f/2.8 IS STM Compare | 87 | 25.9 | 70.2 | 80.4 | 85 | 22.6 | 98.1 | 77.2 | 87.9 | 98.5 |
| Sony G SELP28135G.SYX Compare | 94.2 | 80.2 | 75.5 | 31.2 | 87 | 69.9 | 63.3 | 92.4 | 50.2 | 92.8 |
Preis
Preis-Leistungs-Verhältnis
Wir verfolgen die Preise für dieses Produkt seit dem 7. Mai 2026. Das Diagramm erscheint, sobald mehr Daten vorliegen.