Nikon HEKTOR 25mm T2.1 25mm
A deliberate Petzval-type effect and colorful indirect flares give full-frame footage a classic, stylized look with subtle focus falloff. The interchangeable Sony E and Nikon Z mounts and consistent 0.8 MOD gear positions across the series add practical versatility for rig builds. This manual-focus prime is best for cinematographers seeking expressive, vintage character for narrative or music video work rather than clinical sharpness.
Snapshot
Prós e contras
Pros
Cons
- Below average optical (15th percentile)
- Below average af (15th percentile)
- Below average build (22th percentile)
- Below average aperture (25th percentile)
What owners think
The proof
Desempenho
Especificações
Especificações completas
Optics
| Type | prime |
| Focal Length Min | 25 |
| Focal Length Max | 25 |
Aperture
| Max Aperture | 22 |
| Min Aperture | 2.1 |
| Constant | Yes |
| Diaphragm Blades | 9 |
Build
| Mount | Interchangeable Mount with Included Sony E |
| Format | full-frame |
| Weight | 0.8 kg / 1.7 lbs |
| Filter Thread | 77 |
AF & Stabilization
| AF Type | manual focus only |
| Stabilization | No |
Focus
| Min Focus Distance | 305 |
Face à concorrência
| Spec | Nikon HEKTOR 25mm T2.1 25mm | Sigma Contemporary 16-300mm f/3.5-6.7 DC OS | Tamron Di III-A 18-300mm f/3.5-6.3 Di III-A VC VXD | Panasonic LUMIX S S-R28200 | Canon EF-S 18-135mm f/3.5-5.6 IS USM | Sony E SELP16502 |
|---|---|---|---|---|---|---|
| Focal Length | 25mm | 16-300mm | 18-300mm | 28-200mm | 18-135mm | 16-50mm |
| Max Aperture | 22 | f/3.5 | f/3.5 | f/4 | f/3.5 | f/3.5 |
| Mount | Interchangeable Mount with Included Sony E | Sony E | Fuji X | L-Mount | Canon EF-S | Sony E |
| Stabilization | false | true | true | true | true | true |
| Weather Sealed | false | true | false | true | false | true |
| Weight (g) | 770 | 615 | 92 | 413 | 515 | 107 |
| AF Type | manual focus only | HLA | VXD linear motor | Autofocus | STM | Autofocus |
| Lens Type | prime | zoom | zoom | macro | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Product | Af | Bokeh | Build | Macro | Optical | Aperture | Versatility | Stabilization |
|---|---|---|---|---|---|---|---|---|
| Nikon HEKTOR 25mm T2.1 25mm | 15.2 | 29.4 | 22.4 | 64.6 | 15 | 25.3 | 34 | 35.8 |
| Sigma Contemporary 16-300mm f/3.5-6.7 DC OS Compare | 55.1 | 86.4 | 57.6 | 86.7 | 98.9 | 79.6 | 99.6 | 99 |
| Tamron Di III-A 18-300mm f/3.5-6.3 Di III-A VC VXD Compare | 98.2 | 77.8 | 96.2 | 88.6 | 73.5 | 79.6 | 99.2 | 80.7 |
| Panasonic LUMIX S S-R28200 Compare | 55.1 | 80.6 | 73.5 | 71.5 | 91 | 74.2 | 95.6 | 99.4 |
| Canon EF-S 18-135mm f/3.5-5.6 IS USM Compare | 86.1 | 77.8 | 45.8 | 32.9 | 79.2 | 79.6 | 96 | 92.3 |
| Sony E SELP16502 Compare | 55.1 | 77.8 | 97.6 | 34.9 | 63.2 | 79.6 | 83.5 | 80.7 |
Pontuações por utilização
Uma análise completa chega em breve. As especificações, pontuações, preços e gráficos acima estão sempre atualizados.