Fujifilm XF 90mm f/2 R LM WR 90mm
The bright f/2 aperture and three extra-low dispersion elements deliver sharp subject isolation with minimal chromatic aberration, making this 137mm-equivalent telephoto stand out. Its weather-sealed build and fast, quiet Quad Linear Motor autofocus ensure reliable performance in demanding outdoor conditions. This lens is best for wildlife and sports photographers using Fujifilm X-mount cameras who need a rugged, precise telephoto prime.
एक नज़र में
The 30-Second Version
The Fujifilm XF 90mm f/2 is one of the sharpest, fastest-focusing primes in the X-mount system. Autofocus is best-in-class and build quality is excellent. No stabilization and a long minimum focus distance are the trade-offs, but for portraits and action, it's worth every penny at the lower end of the price range.
Pros & Cons
खूबियाँ
- Razor-sharp images, even wide open at f/2 98th
- Autofocus is fast, quiet, and accurate 98th
- Weather-sealed build handles rough conditions 96th
- Excellent color rendition straight out of camera 68th
कमियाँ
- No image stabilization, which hurts for handheld low-light work
- 600mm minimum focus distance limits close-up shooting
- Bokeh is decent but not class-leading
- Fixed 137mm equivalent focal length is not versatile
मालिकों की राय
The Word on the Street
मालिकों की राय समय के साथ कैसे बदली
विशेषग्राहकों ने वास्तव में अपनी समीक्षाएँ कब लिखीं, इसके आधार पर - ताकि आप देख सकें कि शुरुआती तारीफ़ टिकी या नहीं।
- Q2 202694/100
Buyers praise this lens for exceptional sharpness, fast autofocus, and excellent build quality, calling it a gem for portraits and sports.
- Exceptional sharpness, often described as insanely sharp and better than competitors.
- Fast and quiet autofocus, especially compared to other XF prime lenses.
- Excellent build quality and weather resistance, with great fit and finish.
- No image stabilization; best outdoors or with X-H1 for indoor use.
- Q2 2022100/100
Buyers praised the lens for excellent sharpness, soft bokeh, and solid build quality, ideal for portraits and everyday use.
- Excellent sharpness and image quality highly recommended.
- Soft bokeh and fast aperture great for portraits.
- Well-built, tank-like construction typical of Fuji lenses.
- Positive service experience from Adorama mentioned.
- Q1 2021100/100
Buyers praise the lens as sharp, fast, with great bokeh and build quality. Highly recommended for studio and field use.
- Sharpness and image quality are outstanding.
- Fast autofocus and reliable performance.
- Excellent bokeh and subject isolation.
- Solid build quality and durability.
- Q3 2020100/100
Buyers praise the lens for exceptional sharpness, zero noise, and impressive bokeh, noting it's among the best in its class.
- Exceptional sharpness and detail, even at f2.
- Zero noise and fast autofocus.
- Impressive bokeh and color saturation.
- Requires fast shutter speeds for handheld shots.
- Q4 2016100/100
Buyers praised the lens for its sharpness, beautiful bokeh, and fast performance, especially for portraits and low-light photography.
- Excellent sharpness and image quality, even wide open.
- Beautiful, buttery bokeh, ideal for portraits.
- Fast autofocus, though slight searching in low light.
- No OIS, but acceptable trade-off for performance.
- Q3 201695/100
Buyers praise the lens for its sharpness and solid build, but note a clunking sound when not mounted and slow autofocus.
- Exceptional sharpness and image quality, often called the sharpest Fuji lens.
- Clunking sound when not mounted is considered normal but concerning for long-term durability.
- Solid metal construction and smooth aperture/focus rings.
- Autofocus is slow, similar to the 56mm lens, and no OIS requires high shutter speeds.
- Q1 2016100/100
Buyers praise the lens for its sharpness, speed, and low-light performance, especially for portraits on Fuji X cameras.
- Excellent image sharpness and speed.
- Great low-light performance, even at high ISO.
- Preferred for portrait photography over 56mm f1.2.
- Durable; survived a drop onto carpeted cement.
46 तिथि-युक्त ग्राहक समीक्षाओं पर आधारित, कैलेंडर तिमाही के अनुसार समूहित। अवधि-वार विश्लेषण अंग्रेज़ी में है।
प्रमाण
Performance
Autofocus is the headline here. The Quad Linear Motor snaps into focus fast and quietly, and our data puts it in the 98th percentile for AF speed. That's best-in-class territory. Optically, the three ED elements and Super EBC coating do their job. Chromatic aberration is minimal, contrast is punchy, and sharpness is exceptional even wide open at f/2. The 7-blade diaphragm produces decent bokeh, though it's not the creamiest we've seen. The weak spot is macro. At 0.2x magnification and a 600mm minimum focus distance, you're not getting close-up shots with this thing. It's a portrait and action lens, not a detail lens.
Specifications
Full Specifications
Optics
| Type | Prime |
| Focal Length Min | 90 |
| Focal Length Max | 90 |
| Elements | 11 |
| Groups | 8 |
| Aspherical Elements | 0 |
| ED Elements | 3 |
| Coating | Super EBC Coating |
Aperture
| Max Aperture | f/16 |
| Min Aperture | f/2 |
| Constant | Yes |
| Diaphragm Blades | 7 |
Build
| Mount | Fujifilm X |
| Format | APS-C |
| Weather Sealed | Yes |
| Weight | 0.5 kg / 1.2 lbs |
| Filter Thread | 62 |
AF & Stabilization
| AF Type | Quad Linear Motor |
| Stabilization | No |
Focus
| Min Focus Distance | 600 |
| Max Magnification | 0.2x |
vs Competition
Compared to the Sigma Contemporary 18-50mm f/2.8 DC DN, the Fuji gives up versatility but wins on reach and subject isolation. The Sigma is a walkaround zoom, while the Fuji is a specialist. Against the Viltrox AF 13mm F1.4 XF, it's apples and oranges, ultra-wide versus telephoto. The Tamron Di III VC 28-300mm f/4-7.1 offers stabilization and huge zoom range, but you're giving up the f/2 aperture and the Fuji's sharpness. If you need one lens for everything, look elsewhere. If you want the best portrait prime in the X-mount system, this is it.
| Spec | Fujifilm XF 90mm f/2 R LM WR 90mm | Tamron Di III VC 28-300mm f/4-7.1 VXD | Sigma Contemporary 18-50mm f/2.8 DC DN | Panasonic Leica DG Vario-Elmarit H-ES12035 | Nikon NIKKOR Z 17-28mm f/2.8 | Sony E 18-135mm f/3.5-5.6 OSS |
|---|---|---|---|---|---|---|
| Focal Length | 90mm | 28-300mm | 18-50mm | 12-35mm | 17-28mm | 18-135mm |
| Max Aperture | f/16 | f/4 | f/2.8 | f/2.8 | f/2.8 | f/3.5 |
| Mount | Fujifilm X | Sony E | Sony E | Micro Four Thirds | Nikon Z | Sony E |
| Stabilization | false | true | false | true | false | true |
| Weather Sealed | true | true | true | true | true | false |
| Weight (g) | 540 | 590 | 290 | 306 | 450 | 326 |
| AF Type | Quad Linear Motor | VXD linear motor | stepping motor | Autofocus | Stepping Motor | Linear motor |
| Lens Type | prime | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| उत्पाद | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | सामाजिक प्रमाण | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Fujifilm XF 90mm f/2 R LM WR 90mm | 97.7 | 30.2 | 67.5 | 31.9 | 66.4 | 43.6 | 98.1 | 33.6 | 96.4 | 35.7 |
| Tamron Di III VC 28-300mm f/4-7.1 VXD Compare | 97.7 | 80.9 | 63.3 | 84.9 | 96.5 | 69.1 | 91 | 97.9 | 51.4 | 80.9 |
| Sigma Contemporary 18-50mm f/2.8 DC DN Compare | 85.4 | 84.4 | 85.1 | 90.8 | 81.1 | 86.3 | 80.6 | 78.6 | 90.3 | 35.7 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 54.1 | 84.4 | 84.3 | 49.3 | 85.7 | 86.3 | 91 | 80.7 | 85.8 | 96.7 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 85.4 | 89 | 74 | 84.9 | 87.5 | 86.3 | 91 | 67.8 | 67 | 35.7 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 97.7 | 78.4 | 71.2 | 38.6 | 77.5 | 80 | 45.3 | 95.9 | 90.3 | 80.9 |
कीमत
Value & Pricing
Pricing is all over the place right now. In the US, we're seeing listings from USD 675 to USD 1,150 across 12 vendors. That's a USD 475 spread, which is wild. If you're shopping in the US, the lower end of that range is a genuinely good deal for this level of optical quality. In Canada, the spread is even bigger, from CAD 931 to CAD 1,585. Shop around. This lens is worth it at the low end, but paying top dollar when a cheaper listing exists makes no sense.
Amazon 1 ऑफ़र से £1,941
हम 20 अक्तू॰ 2026 से इस उत्पाद की कीमतों पर नज़र रख रहे हैं। अधिक डेटा होने पर चार्ट दिखाई देगा।
और पढ़ें
Overview
The Fujifilm XF 90mm f/2 R LM WR is a 137mm equivalent telephoto prime that Fuji shooters have been quietly raving about for years. It's sharp, fast to focus, and built like a little tank. If you shoot portraits, sports, or anything where you want to isolate a subject, this lens is basically a cheat code.
It's not a do-everything lens. No stabilization, a 600mm minimum focus distance, and a fixed focal length mean you need to know what you're signing up for. But for what it's designed to do, it's one of the best primes in the X-mount lineup.
Common Questions
Q: Is this lens good for portraits?
Yes, it's arguably the best portrait prime in the Fuji X-mount lineup. The 137mm equivalent focal length and f/2 aperture give you excellent subject separation and flattering compression.
Q: Does it work well in low light without stabilization?
The f/2 aperture helps a lot, but without IS you'll want to keep shutter speeds up. On newer Fuji bodies with in-body stabilization, this is less of an issue. On older bodies, expect to bump ISO or use a tripod indoors.
Q: Can I use this for macro or close-up photography?
Not really. The 600mm minimum focus distance and 0.2x magnification mean you can't get close to small subjects. Look at a dedicated macro lens if that's your thing.
Who Should Skip This
Skip this if you need a versatile walkaround lens or shoot a lot of video handheld. The fixed 137mm equivalent focal length is limiting for travel or everyday use, and the lack of stabilization makes handheld video shaky. If you need one lens that does everything, get a zoom. If you need close-up capability, this isn't your lens either.
Verdict
Buy this if you shoot portraits, sports, or events on a Fuji X-mount body and want a lens that delivers tack-sharp images with fast, reliable autofocus. It's a specialist, not a generalist, and it excels at what it's built for. The lack of stabilization is the main trade-off, but if you're shooting at f/2 with decent shutter speeds, you'll rarely miss it.