Canon EF-S 10-22mm f/3.5-4.5 USM
Sa plage focale 10-22mm (équivalent 16-35,2mm) associée à un autofocus USM rapide et des éléments asphériques/Super-UD assure des images nettes et sans distorsion. Le traitement Super Spectra limite les reflets, et son poids plume de 385g en fait un compagnon de randonnée logique. C'est l'outil idéal pour les photographes de paysage et d'architecture sur boîtier Canon APS-C cherchant un zoom grand-angle abordable.
Aperçu
En 30 secondes
Le Canon EF-S 10-22mm f/3.5-4.5 USM est un zoom ultra grand angle net qui dépasse son poids pour les utilisateurs Canon APS-C. La qualité optique est remarquable, mais l'ouverture est médiocre et il n'y a ni stabilisation ni étanchéité. En bas de la fourchette de prix, c'est une affaire ; en haut, réfléchissez à deux fois.
Avantages et inconvénients
Points forts
- Netteté exceptionnelle, surtout en fermant un peu le diaphragme 93rd
- Le bout ultra grand angle de 10mm est parfait pour les paysages et les intérieurs 86th
- Autofocus USM rapide et silencieux avec mise au point manuelle permanente 81st
- Léger à 385g et construction solide 75th
Points faibles
- Aberrations chromatiques et distorsion notables à 10mm
- Pas d'étanchéité
- Autofocus lent en basse lumière
- Pas de pare-soleil inclus dans la boîte
L'avis des propriétaires
Ce qu'en disent les utilisateurs
L'évolution de l'avis des propriétaires dans le temps
ExclusivitéD'après la date à laquelle les clients ont rédigé leurs avis - pour voir si l'enthousiasme initial s'est confirmé.
- Q2 2025100/100
Buyers praised the lens for sharp landscape and realty photos, with one noting excellent service from Best Buy after a lost shipment.
- Lens delivers sharp, clean photos without fish-eye distortion.
- Great for landscape and real estate photography.
- Good value and price from retailers like B&H.
- Excellent customer service from Best Buy for lost shipment replacement.
- Q4 202483/100
Buyers praised the lens for its internal zoom, build quality, and long-term value, with one noting it works well on modern cameras.
- Internal zoom keeps gimbal balanced for video.
- Solid build feels more durable than newer alternatives.
- Long-term compatibility with modern cameras via adapter.
- Some chromatic aberration noted but correctable in-camera.
- Q2 2023100/100
Buyers praised this lens for sharp images, solid build, and wide angle performance on Canon cropped sensor cameras, ideal for small spaces.
- Sharp image quality and solid build.
- Great for wide angle shots on Canon EF-S cameras.
- Perfect for filming in small spaces like apartments.
- Exceptional picture quality and view angles even at 22mm.
- Q4 2022100/100
Buyers praised the lens for its wide angle, sharpness, and compatibility with Canon R7 via adapter, calling it a great value for real estate and general use.
- Wide angle performance excellent on crop sensor cameras.
- Works perfectly with Canon R7 via EF to RF adapter.
- Sharp image quality and good value for real estate photography.
- Preferred over 14-35mm lens for its effectiveness.
- Q3 202267/100
Buyers praised the lens for quality and versatility, but one criticized missing accessories and perceived decline in value.
- Lens delivers great photo quality and smooth focus.
- Highly versatile for travel and landscape photography.
- No cords included; everything sold separately.
- Product quality inferior compared to earlier version.
- Q3 2021100/100
Buyers praised the lens for its wide angle, crisp photos, and quality, recommending it for travel and events.
- Wide angle and crisp photo quality praised.
- Great for travel and event photography.
- High quality and recommended by buyers.
- Works perfectly for specific uses like races.
- Q4 2020100/100
All reviews are 5-star, praising the lens for wide-angle shots in tight spaces, low light, and landscapes.
- Excellent for wide-angle photography in tight spaces and close-ups.
- Works well in low light, ideal for car shows and indoor use.
- Great for real estate and architectural photography, capturing entire buildings.
- High quality and good value, with positive remarks on condition and support.
- Q3 202093/100
Buyers praised this lens for interior, landscape, and family photos, calling it a must-have for its versatility and quality.
- Versatile for interiors, landscapes, and family photos.
- Great quality and value for hobbyists.
- Recommended as essential gear for photographers.
- Meets needs for advertising rental photos.
- Q1 202083/100
Buyers praised the lens for landscapes and wide-angle shots, calling it sharp and a must-have for crop sensors. One noted sharpness was less than expected.
- Great for landscapes and wide-angle photography.
- Sharp images and superb glass quality.
- Excellent value, should be an L lens.
- One user found sharpness not as expected.
- Q4 2019100/100
Buyers praised the lens for being easy to use, great for wide-angle shots, and good value for money.
- Great for wide-angle photography and interior shots.
- Easy to attach and focus.
- Good value for the price.
- No vignetting around edges.
- Q3 201986/100
Buyers praised this wide-angle lens for landscapes, tight spaces, and real estate. It's easy to use, good value, and works well with older cameras.
- Excellent for wide-angle shots in landscapes, small rooms, and real estate.
- Good value and affordable upgrade from kit lens.
- Easy to use and compatible with older Canon cameras.
- Slightly slow aperture (f/3.5-4.5) for night or low-light shooting.
- Q2 2019100/100
Buyers praised the wide-angle lens as excellent for landscapes and beginners, with one noting it's better than the 10-18mm.
- Wide-angle lens quality praised as best or ultra-wide for landscapes.
- Great for beginners, with bundle including cleaning kit.
- Better than 10-18mm lens according to one reviewer.
- Overall satisfaction with purchase and included accessories.
- Q3 201893/100
Buyers praised this wide-angle lens for its sharpness, value, and suitability for crop sensors. It was popular for landscapes, tight spaces, and remodeling photos.
- Image quality is sharp and clear, even with heavy cropping.
- Excellent value for the price, especially on crop sensor cameras.
- Great for wide-angle shots in tight spaces like rooms or landscapes.
- Quick autofocus and no fisheye distortion.
- Q2 201890/100
Buyers praised the lens for landscape, vlogging, and indoor use, highlighting wide angle, detail, and ease of use.
- Excellent wide-angle performance for landscapes and room shots.
- Great for crop sensor vloggers, compatible with variable ND filters.
- Well-made, easy to use, and good value as a gift.
- Fast autofocus and sharp detail when zoomed in.
- Q1 201896/100
Buyers praised this wide-angle zoom lens for landscapes, astrophotography, and real estate, calling it fantastic and worth the purchase.
- Excellent for landscapes and astrophotography, with sharp, incredible photos.
- Versatile for tight spaces like real estate interiors.
- Great starter lens that complements other Canon L-series lenses.
- Highly recommended overall, meeting or exceeding expectations.
- Q4 201787/100
Buyers praised the lens for its sharpness, lack of warping, and impressive image quality, especially for landscapes and stargazing.
- Excellent image quality with sharpness and no edge warping.
- Great value for the price, especially when bought on sale.
- Impressive for stargazing and landscape photography.
- Suitable for crop body cameras and first-time wide-angle users.
- Q3 2017100/100
Buyers praised this wide-angle lens for indoor and real estate photography, citing great value, performance, and ease of use. Some noted it is pricey and lacks a hood.
- Excellent for indoor and real estate photography.
- Great value and performance for the price.
- Easy to use and delivers as advertised.
- Pricey and should include a lens hood.
- Q2 2017100/100
Buyers praised the lens for its quality, ease of use, and crisp images, noting a slight fisheye effect at 10mm.
- Lens produces beautiful crisp pictures for group shots.
- Slight fisheye appearance at 10mm requires distance adjustment.
- Easy to swap lenses and complements Canon cameras.
- Good quality packaging and timely delivery.
- Q1 201789/100
Buyers praised this lens for landscapes, portraits, and real estate photography, noting its versatility and wide-angle capability. One returned it due to switching to full-frame.
- Excellent for landscapes and wide-angle shots, including Grand Canyon and real estate.
- Versatile lens used for portraits, car photography, and family photos.
- Highly recommended by Canon users; fits well with existing equipment.
- One user returned it for full-frame upgrade, but found it usable otherwise.
- Q4 201688/100
Buyers praised the lens for sharpness, wide-angle capability, and build quality, especially on cropped sensors. It was well-received for family, real estate, and party photos.
- Sharp image quality and wide-angle performance praised for various uses.
- Build quality and ultrasonic focusing better than kit lens or 10-18 STM.
- Great complement to standard zoom lenses for wider shots.
- Fast shipping and good value from Adorama noted.
- Q4 201593/100
Buyers praise this lens for wide-angle photography, real estate, and time-lapse. They note it's well-built but lacks a lens hood and may have distortion at 10mm.
- Excellent for wide-angle shots, landscapes, real estate, and time-lapse.
- No lens hood included; some distortion and peripheral illumination at 10mm.
- Sharp images and well-built, with easy software correction for issues.
- Lens shadow with built-in flash at wide end; external flash needed.
- Q3 201593/100
Buyers praised the lens for its ease of use, quality in landscape and interior photography, and value. One noted low-light noise.
- Great for landscape and wide-angle shots with minimal distortion.
- Easy to use and versatile for group photos and interiors.
- Good value compared to luxury lenses.
- Low-light performance can be a little noisy.
- Q2 201595/100
Buyers praised the lens for sharpness and value, but noted lack of image stabilization can cause blur without a tripod.
- Excellent picture quality and sharpness for landscapes and real estate.
- Great value for money, especially for amateur photographers.
- No image stabilizer; steady hand or tripod needed to avoid blur.
- Good for small rooms and group shots.
- Q1 201591/100
Buyers praise this wide-angle lens for landscape and interior photography, noting sharpness and durability. Some mention lack of image stabilization and lens hood.
- Excellent for wide-angle landscape and interior shots on crop sensors.
- Durable; survived rain exposure and still works perfectly.
- Sharp and fast autofocus, but no image stabilization or included hood.
- Good value for the price, with 105-degree field of view.
- Q4 201478/100
Buyers praised the lens for wide-angle shots, landscapes, and real estate, noting good image quality and value. Some reported haziness and mixed indoor performance.
- Excellent for wide-angle landscapes, interiors, and group shots with sharp optics.
- Good value for the price, with minimal distortion and useful auto-correction.
- Photos appear hazy in some units, suggesting possible quality control issues.
- Indoor performance requires careful lighting; lens hood not included.
- Q3 201478/100
Buyers praised the lens for landscapes and architecture, but noted high price, barrel distortion, and noise at low ISO.
- Excellent for wide-angle landscapes and architecture, with good field of view.
- High price point; some found it too expensive compared to alternatives.
- Barrel distortion and pronounced noise at ISO 100 disappointed one buyer.
- Needs adequate lighting; slow shutter speed not ideal for motion shots.
- Q2 201493/100
Buyers praise the lens for sharpness, wide-angle performance, and durability. Some note missing hood, chromatic aberration, and lack of weather sealing.
- Excellent image quality, sharpness, and color reproduction.
- Lens hood not included; some find price high.
- Chromatic aberration and corner softness at 10mm.
- No weather sealing; concerns about moisture and dust.
- Q1 201482/100
Buyers praised the lens for wide-angle shots, real estate use, and sharpness. Some noted high price, audible autofocus, and desire for wider angle or larger aperture.
- Excellent wide-angle performance for tight spaces and landscapes.
- High price but considered worth it for quality.
- Audible autofocus buzz and desire for wider angle.
- Aperture not large enough; wish for fixed F2.8.
- Q4 201387/100
Buyers praise this lens for travel, architecture, and landscapes, citing sharpness and build. One report of severe chromatic aberration.
- Excellent for travel, architecture, and landscapes; captures wide scenes in tight spaces.
- Sharp edge-to-edge images, solid build, and light weight.
- Versatile as a walk-around lens; works well for group photos and interiors.
- Horrible chromatic aberration even after post-processing.
- Q3 201385/100
Buyers praised sharpness, build quality, and wide-angle versatility. A few noted autofocus hunting in low light and one reported back-focusing on a new copy.
- Sharp image quality and good color rendition.
- Solid construction, close to L-series quality.
- Autofocus hunts in low light; otherwise fast.
- One user reported significant back-focusing on a new lens.
- Q2 201393/100
Buyers praise this lens for sharpness, color, and build quality, especially for landscapes and events on crop bodies. Some note the high price and minor chromatic aberration.
- Excellent sharpness, color, and build quality; often compared to L-series lenses.
- Ideal for landscapes, events, and wide-angle shots on crop sensor cameras.
- High price but considered worth it for performance; some find it expensive for a non-L lens.
- Chromatic aberration at 10mm, especially in high-contrast scenes, requires post-processing.
- Q1 201390/100
Buyers praise the lens for sharp, detailed images and solid build. It excels for landscapes and interiors on crop sensors, though some note edge distortion and no IS.
- Excellent image quality, sharp and detailed, comparable to L-series lenses.
- No image stabilization, but acceptable for static subjects like landscapes.
- Bulbous glass is difficult to clean; edge distortion on crop sensors.
- Solid construction, quiet USM autofocus, lightweight and easy to mount.
- Q4 201293/100
Buyers praise the lens for its sharpness, wide angle, and professional results on crop-sensor Canon cameras. Some note the high price and non-L designation.
- Excellent image quality, sharp edge-to-edge, vibrant and crisp photos.
- Great ultra-wide zoom range (10-22mm) ideal for landscapes and interiors.
- Pricey for a non-L lens, but performs like L-series glass.
- Fun to use, versatile for both photos and video on crop bodies.
- Q3 201265/100
Buyers praised sharpness and wide-angle performance but reported a lens loosening defect and missing hood.
- Sharp images, rivals L-series for interior/landscape.
- Lens became loose after 7 months, not covered by warranty.
- Expensive but good value; some consider alternatives.
- Lens hood not included despite specs; resolved by retailer.
- Q2 201293/100
Buyers praise this lens as sharp, versatile, and ideal for landscapes, architecture, and indoor events on APS-C cameras. Minor distortion at extremes is noted but correctable.
- Sharpness and image quality are excellent, often rivaling L-series lenses.
- Versatile for landscapes, architecture, indoor events, and portraits on crop sensors.
- Some barrel/pincushion distortion and chromatic aberration at 10mm and 22mm, correctable with software.
- Lightweight, durable, and uses 77mm filters; gives a professional look.
- Q1 201292/100
Buyers praise the lens for sharpness, wide perspective, and versatility for landscapes and close-ups. Some note high price, softness at 10mm, and lack of lens hood.
- Sharp, crisp image quality with very little barrel distortion.
- Versatile for landscapes, close-ups, and creative wide-angle shots.
- Expensive but considered a good investment for dedicated photographers.
- Some softness and chromatic aberration at 10mm, fixable in post.
- Q4 201188/100
Buyers praise this lens for landscapes, tight interiors, and groups. It is sharp, fun, and a big step up from kit lenses, though some note the price is high for a non-L lens.
- Excellent for landscapes, indoor groups, and tight spaces; sharp and fun to use.
- Price is steep for a non-L lens, but many find it worth the cost.
- Build quality and image quality are top-notch, exceeding expectations.
- Autofocus could be faster in low light; distortion at widest zoom is expected.
- Q3 201183/100
Buyers praised the lens for landscapes and tight spaces, citing sharpness and value. Some noted low-light limitations and missing accessories.
- Excellent for landscape and interior photography, wide field of view.
- Sharp images with good color rendition and minimal correction needed.
- Great in bright light but low-light performance disappoints some users.
- Lens hood and case not included, requiring separate storage.
- Q1 2011100/100
Buyers praised the lens for excellent image quality, wide-angle performance, and good value. Durability is assumed good but untested.
- Excellent image quality with no distortion, great for indoor shots.
- Good value for the price, fantastic image quality for cost.
- Great size, weight, and balance; excellent performance.
- Durability assumed good but not yet proven; users advise careful handling.
- Q1 2010100/100
Buyers in Q1 2010 loved this lens for its amazing colors, sharpness, and ease of use, making them feel like professionals.
- Excellent color reproduction and sharpness, especially at wide angles.
- Lightweight and easy to use, even without image stabilization.
- Great for wide-angle closeups and landscape photos.
- Highly recommended for non-professionals seeking professional results.
D'après 310 avis clients datés, regroupés par trimestre civil. L'analyse par période est en anglais.
Les preuves
Performances
La netteté est le point fort ici. Notre base de données place la qualité optique bien au-dessus de la moyenne, et les propriétaires la comparent régulièrement aux optiques de la série L. Le bout 10mm est magnifiquement grand angle pour les intérieurs exigus et les grands ciels, même si c'est aussi là que vous verrez le plus d'aberrations chromatiques et de distorsion en barillet. Fermez un peu le diaphragme et ça se nettoie bien. L'autofocus se classe près du sommet des classements pour ce type d'objectif, mais la chasse en basse lumière est un vrai problème. L'ouverture f/3.5-4.5 est un point faible, se situant dans le quart inférieur de nos classements, donc ce n'est pas un objectif pour les églises sombres sans trépied ou une main stable. La distance minimale de mise au point de 240mm vous permet de vous approcher raisonnablement, mais le grossissement de 0,17x signifie que la macro n'est pas son truc.
Caractéristiques techniques
Fiche technique complète
Optics
| Type | Zoom |
| Focal Length Min | 10 |
| Focal Length Max | 22 |
| Elements | 13 |
| Groups | 10 |
| Aspherical Elements | 3 |
| ED Elements | 1 |
| Coating | Super Spectra coating |
Aperture
| Max Aperture | 22-27 |
| Min Aperture | 3.5-4.5 |
| Constant | No |
| Diaphragm Blades | 6 |
Build
| Mount | Canon EF-S |
| Format | APS-C |
| Weather Sealed | No |
| Weight | 0.4 kg / 0.8 lbs |
| Filter Thread | 77 |
AF & Stabilization
| AF Type | USM |
| Stabilization | No |
Focus
| Min Focus Distance | 240 |
| Max Magnification | 0.17x |
Face à la concurrence
Face au Sigma 18-50mm f/2.8 DC DN, le Canon offre un point de départ beaucoup plus large mais perd l'ouverture constante f/2.8. Le Viltrox 13mm f/1.4 est plus rapide et plus net dans les angles pour l'astro, mais c'est une focale fixe, donc vous perdez la flexibilité du zoom. Le Sony E 18-135mm f/3.5-5.6 OSS offre la stabilisation et plus de portée, mais c'est pour une monture complètement différente. Pour les utilisateurs Canon APS-C qui veulent un zoom ultra grand angle, le 10-22mm tient toujours la route, surtout si vous le trouvez en bas de la fourchette de prix.
| Spec | Canon EF-S 10-22mm f/3.5-4.5 USM | Tamron Di III VC 28-300mm f/4-7.1 VXD | Sigma Contemporary 16-300mm f/3.5-6.7 DC OS | Nikon NIKKOR 20059 | Panasonic Leica DG Vario-Elmarit H-ES12035 | Sony E 18-135mm f/3.5-5.6 OSS |
|---|---|---|---|---|---|---|
| Focal Length | 10-22mm | 28-300mm | 16-300mm | 18-55mm | 12-35mm | 18-135mm |
| Max Aperture | 22-27 | f/4 | f/3.5 | f/3.5 | f/2.8 | f/3.5 |
| Mount | Canon EF-S | Sony E | Sony E | Nikon F | Micro Four Thirds | Sony E |
| Stabilization | false | true | true | true | true | true |
| Weather Sealed | false | true | true | false | true | false |
| Weight (g) | 385 | 590 | 615 | 205 | 306 | 326 |
| AF Type | USM | VXD linear motor | HLA | pulse stepping motor | Autofocus | Linear motor |
| Lens Type | zoom | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Produit | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | Preuve sociale | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Canon EF-S 10-22mm f/3.5-4.5 USM | 93.1 | 6.2 | 63 | 38.7 | 81.4 | 21.6 | 45.2 | 74.8 | 85.9 | 34.3 |
| Tamron Di III VC 28-300mm f/4-7.1 VXD Compare | 97.7 | 82.5 | 62.4 | 83.1 | 96.3 | 70.5 | 91 | 97.9 | 50.6 | 79.2 |
| Sigma Contemporary 16-300mm f/3.5-6.7 DC OS Compare | 53.9 | 88.4 | 60.9 | 85.1 | 99.1 | 81.9 | 0 | 99.7 | 80.5 | 99.2 |
| Nikon NIKKOR 20059 Compare | 84.5 | 80.2 | 83.2 | 95.2 | 54 | 81.9 | 63.9 | 82.8 | 85.9 | 92.2 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 53.9 | 85.7 | 83.3 | 48.1 | 86 | 87.6 | 91 | 80.4 | 85.9 | 96.4 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 97.7 | 80.2 | 70.4 | 36.7 | 77.7 | 81.9 | 45.2 | 95.8 | 90.6 | 79.2 |
Prix
Rapport qualité-prix
Les prix varient énormément. Aux États-Unis, vous verrez des annonces de USD 245 à USD 729, ce qui est un écart énorme pour le même objectif. Les meilleures affaires se trouvent en bas de cette fourchette, et à USD 245, c'est une véritable aubaine pour la qualité d'image. En haut de fourchette, vous payez presque le prix d'une série L pour un objectif sans étanchéité ni ouverture constante. Les acheteurs canadiens font face à une histoire similaire, avec des prix de CAD 452 à CAD 637. Comparez les offres et ne payez pas la prime sauf si vous obtenez une garantie ou un refurb impeccable.
Amazon 1 offre À partir de 350 £GB
Price History
En savoir plus
Aperçu
Le Canon EF-S 10-22mm f/3.5-4.5 USM est un de ces objectifs auxquels les utilisateurs de boîtiers Canon à capteur APS-C reviennent sans cesse, même des années après sa sortie. Il couvre une plage équivalente de 16-35,2mm, ce qui est en gros le point idéal pour les paysages, les intérieurs et l'architecture. La conception optique intègre trois éléments asphériques et un élément Super-UD, donc Canon a clairement mis du soin pour garder les choses nettes et maîtrisées.
À 385g, il est assez léger pour vivre dans votre sac sans que vous le regrettiez. L'autofocus USM annulaire est rapide et silencieux en bonne lumière, et vous bénéficiez d'une mise au point manuelle permanente. Pas de stabilisation, pas d'étanchéité, et la plage d'ouverture est modeste, mais pour le prix, cet objectif délivre là où ça compte.
Questions fréquentes
Q: Cet objectif fonctionnera-t-il sur mon Canon 60D ou 7D ?
Oui, la monture EF-S s'adapte à tous les reflex Canon APS-C, y compris le 60D et le 7D d'origine. Vous obtiendrez la plage équivalente complète de 16-35,2mm sur ces boîtiers.
Q: Cet objectif est-il bon pour les photos de groupe ?
Ça peut fonctionner, mais le grand angle introduit une distorsion sur les bords qui n'est pas flatteuse pour les personnes proches des bords du cadre. Si vous avez de la place pour reculer et utiliser une focale plus longue, vous obtiendrez un rendu plus naturel.
Q: Est-ce qu'il est livré avec un pare-soleil ?
Non, Canon n'inclut pas de pare-soleil dans la boîte. Vous devrez acheter le pare-soleil EW-83E séparément si vous voulez réduire les reflets.
À qui ce produit ne convient pas
Passez votre chemin si vous photographiez beaucoup en basse lumière à main levée ou si vous avez besoin d'étanchéité pour vos aventures en extérieur. L'ouverture lente et le manque de stabilisation vous frustreront, et la distorsion à 10mm en fait un mauvais choix pour les portraits de groupe ou tout ce qui a des lignes droites près des bords. Si vous êtes sur une monture complètement différente, le Sigma 18-50mm f/2.8 ou le Viltrox 13mm f/1.4 sont de meilleures options.
Verdict
Si vous photographiez des paysages, de l'architecture ou de l'immobilier sur un boîtier Canon à capteur APS-C, cet objectif est une évidence. La netteté et la couverture ultra grand angle sont les vedettes, et la qualité de construction semble rassurante et solide. Sachez juste ce qui vous attend : pas de stabilisation, pas d'étanchéité, et un peu de distorsion au grand angle. Pour le bon prix, ces compromis sont faciles à accepter.
