VENUS-LAOWA VE10028NZ
Its apochromat design virtually eliminates chromatic aberration at both in-focus and out-of-focus areas, delivering exceptional sharpness for a 100mm f/2.8 prime. The lens doubles as a capable telephoto portrait optic with infinity focus, despite its primary 2:1 ultra macro specialization and 816g all-manual build. This is best for macro photographers using Nikon Z-mount who demand critical color accuracy and are willing to trade autofocus and stabilization for pure optical performance.
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Snapshot
The 30-Second Version
The Laowa 100mm f/2.8 2X Ultra Macro APO is a manual focus specialist that delivers true 2:1 magnification with apochromatic correction on Nikon Z. It's heavy at 816 grams, lacks autofocus and stabilization, and our data shows build quality near the bottom of the pack. At 15,382 MXN, you're paying for the rare 2X macro capability. Buy it if extreme close-up work is your thing, skip it if you need a versatile everyday lens.
Pros & Cons
Pros
- 2:1 magnification is double what most macro lenses offer 71st
- APO design controls chromatic aberration in and out of focus 70th
- 100mm focal length works well for portraits at f/2.8
- Manual focus with a long throw gives precise control for macro
- Solid aperture and bokeh performance for the price
Cons
- No autofocus, which limits handheld and action shooting
- Build quality ranks in the bottom 10 percent of our database
- No weather sealing or stabilization
- Optical performance overall sits at the 18th percentile
- 816 grams is heavy for a manual focus prime
The proof
Performance
Let's talk about what this lens does well first. The APO design is the headline feature, and it's a real one. Chromatic aberration in macro work is a constant annoyance, especially longitudinal CA that shows up as green and magenta fringing in out-of-focus areas. Laowa's apochromatic correction is designed to handle both in-focus and out-of-focus CA, which is genuinely useful when you're shooting shiny bugs or metallic details at 2:1 magnification. The aperture ranking sits at the 70th percentile, which is solid for a macro prime. Bokeh quality lands at the 69th percentile, so backgrounds should render smoothly enough for portrait work too.
Now the less flattering numbers. The optical score overall is at the 18th percentile, which is disappointing. That's not saying this lens is bad optically, but compared to everything else in our database, it's not setting records. The macro score is at the 12th percentile, which seems counterintuitive for a lens marketed as a 2X ultra macro. But remember, that percentile is against all products of this type, and many modern zooms now include surprisingly capable close-focus features. The build quality ranking is the real gut punch at the 8th percentile. For a lens that costs this much and weighs 816 grams, you'd expect tank-like construction. Our data suggests it's not there. No weather sealing and no stabilization drag the versatility score down to the 33rd percentile. This is a lens that demands a controlled environment and a steady hand or tripod.
Specifications
Full Specifications
Optics
| Focal Length Min | 100 |
| Focal Length Max | 100 |
Aperture
| Min Aperture | f/2.8 |
Build
| Weight | 0.8 kg / 1.8 lbs |
vs Competition
The most direct comparison here is against standard 1:1 macro lenses. The Nikon Z mount has native options that offer autofocus, weather sealing, and better build quality, but none of them hit 2:1 magnification without extension tubes or additional accessories. The Laowa's party trick is that extra magnification, and for people shooting extremely small subjects like insect eyes or watch movements, that's the whole ballgame. The trade-off is you give up autofocus, stabilization, and weather sealing to get it.
Against the superzoom competitors in our list, the Tamron 18-300mm and Sigma 16-300mm, the Laowa looks almost absurdly specialized. Those zooms offer image stabilization, autofocus, and focal length ranges that cover everything from wide landscapes to telephoto wildlife. They're travel lenses. The Laowa is a studio or field macro lens. The Sony 18-135mm and Panasonic 8-18mm aren't even in the same conversation for macro work. If you're choosing between these, the question isn't which is better, it's what are you actually going to shoot. The Laowa wins for extreme close-up work. It loses for literally everything else.
| Spec | VENUS-LAOWA VE10028NZ | Tamron Di III VC 28-300mm f/4-7.1 VXD | Nikon NIKKOR 20059 | Sigma Art 17-40mm f/1.8 DC | Panasonic Leica DG Vario-Elmarit H-ES12035 | Sony E 18-135mm f/3.5-5.6 OSS |
|---|---|---|---|---|---|---|
| Focal Length | 100mm | 28-300mm | 18-55mm | 17-40mm | 12-35mm | 18-135mm |
| Max Aperture | - | f/4 | f/3.5 | f/1.8 | f/2.8 | f/3.5 |
| Mount | - | Sony E | Nikon F | Fujifilm X | Micro Four Thirds | Sony E |
| Stabilization | false | true | true | false | true | true |
| Weather Sealed | false | true | false | true | true | false |
| Weight (g) | 816 | 590 | 205 | 535 | 306 | 326 |
| AF Type | - | VXD linear motor | pulse stepping motor | HLA (High-response Linear Actuator) | Autofocus | Linear motor |
| Lens Type | - | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Product | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Stabilization |
|---|---|---|---|---|---|---|---|---|
| VENUS-LAOWA VE10028NZ | 54 | 69.9 | 7.8 | 12.2 | 17.5 | 70.9 | 33.2 | 34.4 |
| Tamron Di III VC 28-300mm f/4-7.1 VXD Compare | 97.7 | 83.6 | 63 | 83.2 | 96.3 | 70.9 | 97.9 | 79.3 |
| Nikon NIKKOR 20059 Compare | 84.8 | 81.4 | 83.7 | 95.4 | 54.6 | 82.8 | 82.8 | 92.3 |
| Sigma Art 17-40mm f/1.8 DC Compare | 54 | 97 | 67.1 | 72.3 | 96.7 | 95.3 | 75.7 | 34.4 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 54 | 86.6 | 83.9 | 49 | 86.2 | 88.3 | 80.5 | 96.4 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 97.7 | 81.4 | 71 | 37.5 | 77.9 | 82.8 | 95.8 | 79.3 |
Price
Value & Pricing
Pricing is tricky here because we only have one listing at 15,382 MXN in Mexico. That's a single data point, so take it with a grain of salt. But assuming that's representative, you're paying a premium for the 2:1 magnification and APO correction. Most 1:1 macro lenses from first-party manufacturers cost less and include autofocus and weather sealing. What you're really buying is the extra magnification and the apochromatic design, which are genuinely rare at this price point.
Compared to the competition in our database, the value proposition is mixed. The Tamron 18-300mm and Sigma 16-300mm zooms offer far more versatility and include autofocus and stabilization, though they can't touch 2:1 macro. The Nikon Z 17-28mm f/2.8 is a completely different tool for wide-angle work. If you need true 2:1 macro on a Nikon Z body, your options are limited, and that scarcity is what justifies the price. But if you can live with 1:1, there are cheaper and more capable all-around options.
Read more
Overview
The Laowa 100mm f/2.8 2X Ultra Macro APO for Nikon Z is one of those lenses that makes you do a double take. It's a manual focus macro lens that can hit 2:1 magnification, which means you can fill the frame with something the size of a grain of rice. And it does it with an apochromatic design that's supposed to kill chromatic aberration dead. That's a pretty specific set of skills, and for the right person, it's exactly what they've been hunting for.
But here's the thing. This lens is not trying to be everything to everyone. It's a specialist tool, and our data backs that up. It scores well for portraits at 49.2 out of 100, which makes sense given the 100mm focal length and f/2.8 aperture. Street photography comes in at 33.5, and video sits at 30.4. Landscape? A rough 10 out of 100. This is a lens you buy because you want to get stupidly close to small things, not because you need a walkaround zoom.
At 816 grams, it's got some heft to it. No autofocus, no stabilization, no weather sealing. You're getting a purely mechanical, all-manual experience. For macro shooters who live on a tripod with focus peaking turned on, that's not a bug, it's a feature. For everyone else, it's a pretty big ask. The price we're seeing is 15,382 MXN from a single listing in Mexico, so availability looks limited. This is a niche lens for a niche crowd, and it knows it.
Common Questions
Q: Does this lens have autofocus?
No, this is a fully manual focus lens. There's no autofocus motor and no electronic communication with the camera body for focus control. You'll need to rely on focus peaking or magnification in your camera's EVF to nail sharp focus, especially at 2:1 magnification where depth of field is razor thin.
Q: What does 2X Ultra Macro actually mean?
It means the lens can reproduce subjects at twice their actual size on your camera's sensor. A 1:1 macro lens captures a subject at life size, so a 10mm object projects as 10mm on the sensor. At 2:1, that same 10mm object projects as 20mm, filling the frame with incredible detail. This is double the magnification of most standard macro lenses.
Q: Is this lens weather sealed?
No, there's no weather sealing on this lens. You'll want to avoid shooting in rain, dust, or high humidity environments. For field macro work in less-than-ideal conditions, you'd need to take extra precautions or look at weather-sealed alternatives, though those typically max out at 1:1 magnification.
Q: Can I use this lens for regular portraits or everyday shooting?
You can, but it's not ideal. The 100mm focal length and f/2.8 aperture work fine for portraits, and our data shows it scores reasonably well there at 49.2 out of 100. But the manual focus and 816 gram weight make it slower to use than a modern autofocus lens. For everyday shooting, street photography, or video, there are much better options available.
Who Should Skip This
Skip this lens if you're not already committed to manual focus macro work. The lack of autofocus will drive you crazy if you're used to modern mirrorless lenses, and without stabilization, handheld shooting at 2:1 magnification is an exercise in frustration. You'll need a tripod, a focusing rail, and a lot of patience. If that sounds like work instead of fun, this isn't your lens.
Also skip it if you need a general-purpose lens. The landscape score of 10 out of 100 tells you everything. This is not a lens for sweeping vistas or travel photography. If you want one lens that does a bit of everything, look at the Tamron 18-300mm or Sigma 16-300mm. They won't hit 2:1 macro, but they'll cover a hundred other situations this Laowa simply can't handle. And if you want a macro lens with autofocus and weather sealing, check out first-party 1:1 options on the Z mount instead.
Verdict
If you're a dedicated macro shooter who needs 2:1 magnification on a Nikon Z body and you're comfortable with manual focus, this lens is worth a hard look. The APO correction is a genuine advantage, and the 100mm focal length gives you a comfortable working distance from skittish subjects. Pair it with a solid tripod and focus peaking, and you'll get shots that most lenses simply cannot produce. The f/2.8 aperture also makes it a decent portrait lens when you're not chasing bugs.
For everyone else, this is probably not your lens. The lack of autofocus and stabilization makes it frustrating for handheld use. The build quality concerns are hard to ignore at this price. And the optical performance, while fine for macro, doesn't stand out in our broader database. If you want a general-purpose lens that can do some close-up work, grab a superzoom like the Tamron 18-300mm. If you want a dedicated macro lens with modern conveniences, look at first-party 1:1 options. This Laowa is for the specialist who knows exactly why they need 2X.