Rokinon CS 16mm f/2.0 ED AS UMC
The bright f/2.0 maximum aperture and 16mm focal length provide strong low-light capability and an expansive 83.1-degree angle of view for APS-C Canon EF-M cameras. Its optical design, featuring two aspherical elements and one ED element with Ultra Multi-Coating, delivers crisp, color-accurate images while the manual focus and robust build offer precise tactile control. This lens is best for landscape and architecture photographers who prioritize a wide perspective and hands-on focusing over autofocus convenience.
Snapshot
The 30-Second Version
The Rokinon 16mm f/2.0 is a manual focus, ultra-wide prime lens that's a top pick for budget-conscious astrophotographers. Its sharpness and bright aperture deliver stunning results for the price, but you'll need to be comfortable with the slow, precise process of manual focusing. It's a specialized tool that excels in low light and landscapes, not a versatile all-rounder.
Pros & Cons
Pros
- Excellent sharpness, even wide open at f/2.0 84th
- Outstanding value for the image quality 79th
- Bright f/2.0 aperture is fantastic for astro and low light
- Smooth, pleasing bokeh for a wide-angle lens
- Lightweight and easy to carry around
Cons
- Manual focus only, no AF at all
- Achieving precise focus can be tricky without focus peaking
- Build quality feels a bit cheap, especially the lens hood
- Some users report a loose lens mount on their copy
- Noticeable coma in the corners at f/2.8
What owners think
The Word on the Street
How owner sentiment changed over time
ExclusiveBased on when customers actually wrote their reviews - so you can see whether early praise held up.
Based on 21 dated customer reviews, grouped by calendar quarter. Period analysis is in English.
The proof
Performance
Optically, this lens punches well above its price tag. In our database, its optical quality sits in the 79th percentile, which is genuinely impressive for a budget prime. Sharpness is the recurring headline from owners, and our numbers back that up. It's remarkably sharp right from f/2.0 in the center, and the corners clean up nicely as you stop down. The bokeh quality is a surprise too, landing in the 91st percentile. It's not a portrait lens, but the out-of-focus rendering is smooth and pleasant when you do get close to a subject. The 8-blade diaphragm helps there. Where it stumbles is in the autofocus department, because there isn't any. It's a fully manual lens, which puts its AF score in the 13th percentile. That's not a flaw, it's the design, but it does mean you need to be comfortable with the slower, more deliberate process of manual focusing, often without any electronic focus confirmation on some mounts.
Specifications
Full Specifications
Optics
| Type | Wide-angle |
| Focal Length Min | 16 |
| Focal Length Max | 16 |
| Elements | 13 |
| Groups | 11 |
| Aspherical Elements | 2 |
| ED Elements | 1 |
| Coating | UMC |
Aperture
| Max Aperture | f/22 |
| Min Aperture | f/2 |
| Constant | No |
| Diaphragm Blades | 8 |
Build
| Mount | Pentax K |
| Format | APS-C |
| Weather Sealed | No |
| Weight | 0.6 kg / 1.3 lbs |
| Filter Thread | 77 |
AF & Stabilization
| AF Type | manual focus only |
| Stabilization | No |
Focus
| Min Focus Distance | 200 |
vs Competition
Stacked against the Sigma 18-50mm f/2.8 DC DN, the Rokinon gives you a wider field of view and a full stop of extra light, but you lose all autofocus and the flexibility of a zoom. The Sigma is the better all-rounder for everyday shooting and video. If you're considering the Sony E 18-135mm f/3.5-5.6 OSS, you're looking at a lens with stabilization and a massive zoom range, but it's significantly slower, making it a poor choice for night sky work where the Rokinon shines. The Tamron 28-300mm is a superzoom for full-frame, so it's a completely different beast, but it highlights what the Rokinon is not: a versatile travel lens. Our travel score for the Rokinon is a dismal 30.9 out of 100, so if you need one lens to do it all, this isn't it.
| Spec | Rokinon CS 16mm f/2.0 ED AS UMC | Tamron Di III VC 28-300mm f/4-7.1 VXD | Sigma Contemporary 18-50mm f/2.8 DC DN | Nikon NIKKOR Z 24-200mm f/4-6.3 VR | Sony E 18-135mm f/3.5-5.6 OSS | Panasonic LUMIX S S-E100 |
|---|---|---|---|---|---|---|
| Focal Length | 16mm | 28-300mm | 18-50mm | 24-200mm | 18-135mm | 100mm |
| Max Aperture | f/22 | f/4 | f/2.8 | f/4 | f/3.5 | f/2.8 |
| Mount | Pentax K | Sony E | Sony E | Nikon Z | Sony E | L-Mount |
| Stabilization | false | true | false | true | true | false |
| Weather Sealed | false | true | true | true | false | true |
| Weight (g) | 583 | 590 | 290 | 570 | 326 | 298 |
| AF Type | manual focus only | VXD linear motor | stepping motor | stepping motor | Linear motor | Dual phase linear motor |
| Lens Type | wide-angle | zoom | zoom | zoom | zoom | macro |
| Compare | Compare | Compare | Compare | Compare |
| Product | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | Social Proof | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Rokinon CS 16mm f/2.0 ED AS UMC | 13.3 | 18.3 | 47.7 | 83.7 | 78.5 | 20.3 | 44.7 | 33.6 | 10.5 | 36.8 |
| Tamron Di III VC 28-300mm f/4-7.1 VXD Compare | 98 | 78.2 | 65.1 | 85.8 | 96.7 | 66.3 | 91.2 | 97.7 | 55 | 82.4 |
| Sigma Contemporary 18-50mm f/2.8 DC DN Compare | 86.9 | 82.1 | 86.1 | 91.7 | 82.2 | 84.2 | 80.9 | 78.6 | 89.6 | 36.8 |
| Nikon NIKKOR Z 24-200mm f/4-6.3 VR Compare | 86.9 | 64.8 | 66.6 | 38.8 | 92.8 | 66.3 | 0 | 96.6 | 89.6 | 96.9 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 98 | 75.7 | 72.5 | 40.3 | 78.5 | 77.6 | 44.7 | 95.8 | 89.6 | 82.4 |
| Panasonic LUMIX S S-E100 Compare | 98 | 87.3 | 85.8 | 82 | 83.4 | 84.2 | 80.9 | 33.6 | 64.8 | 36.8 |
Price
Value & Pricing
Pricing on this lens is all over the map, with a spread of $6,696 across different vendors, which is wild. You can find it for as low as $243, and at that price, it's an absolute steal for the optical performance you get. At the higher end of that range, you're getting into territory where you could start looking at used first-party glass with autofocus. For the best deal, you'll want to shop around, but the bundle deals from retailers like Newegg often pop up at the lower end of that spectrum. Compared to something like a first-party wide-angle zoom, you're sacrificing convenience for a huge gain in aperture speed and a much lower cost of entry.
Amazon.co.uk 2 offers From £243
Price History
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Overview
The Rokinon CS 16mm f/2.0 is one of those lenses that carves out a very specific, very loyal following. If you're hunting for an affordable ultra-wide prime for your APS-C camera, especially for astrophotography or landscapes, this manual focus lens has probably popped up in your searches. It gives you a 24mm equivalent field of view on most crop sensors, and that bright f/2.0 aperture is the main draw here. It lets in a ton of light without completely destroying your bank account. The optical formula packs 13 elements in 11 groups, including a couple of aspherical elements and one ED element, all coated with Rokinon's UMC to keep flaring and ghosting under control. It's a straightforward, no-frills piece of glass that prioritizes image quality over features like autofocus or stabilization.
Common Questions
Q: Is the Rokinon 16mm f/2.0 good for astrophotography?
Yes, it's one of the most popular budget lenses for astrophotography. The fast f/2.0 aperture and sharp optics let you capture bright, detailed shots of the night sky without spending a fortune.
Q: Does the Rokinon 16mm f/2.0 have autofocus?
No, this is a fully manual focus lens. You'll need to focus using the ring on the lens, ideally with your camera's focus peaking or magnification assist features.
Q: What is the Rokinon 16mm f/2.0 equivalent to on a crop sensor?
On most APS-C sensors, it provides a 24mm equivalent field of view in full-frame terms. On Micro Four Thirds cameras, the equivalent is closer to 32mm.
Q: Is the Rokinon 16mm f/2.0 sharp wide open?
Yes, it's surprisingly sharp right from f/2.0 in the center of the frame. The corners do soften a bit and show some coma, but it's very usable for its intended low-light purposes.
Who Should Skip This
This lens is not for you if you rely on autofocus for fast-paced shooting like events, sports, or chasing kids around. Videographers who need smooth, silent autofocus pulls should also look elsewhere. If you want a single, do-it-all travel lens, the Rokinon's fixed focal length and lack of stabilization make it a poor choice, and you'd be much happier with a standard zoom like the Sigma 18-50mm f/2.8. Basically, if the thought of manually focusing every single shot sounds like a chore rather than a creative choice, skip this one.
Verdict
Should you buy the Rokinon 16mm f/2.0? If you're an astrophotographer or a landscape shooter on a budget who doesn't mind manual focus, the answer is a resounding yes. The image quality for the price is hard to beat, and that fast aperture opens up creative possibilities that a kit lens simply can't touch. But you have to go in with your eyes open. This is a specialized tool. You'll need to slow down, use focus peaking or magnification, and accept that you'll miss a few shots while you're learning the focus ring. If you're looking for a lens to chase kids around or grab quick street snaps, the lack of autofocus will drive you nuts. For its intended purpose, though, it's a gem.