Best Lenses under £400 for video production

Best Pick

Sigma Contemporary 56mm f/1.4 DC DN 56mm

80.9 Video/Cinema Score
56mmf/1.4Nikon ZWeather Sealed
Why we recommend this

The bright f/1.4 aperture and 84mm full-frame equivalent focal length deliver sharp subject isolation and strong low-light performance in a compact, 280g body. Its weather-sealed construction and near-silent stepping motor AF add durability and discreet operation uncommon at this price point. This lens is best for APS-C mirrorless portrait and street photographers who need a lightweight, fast telephoto prime with professional-grade optics.

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Sigma MC-11 89E965

45.8 Video/Cinema Score
Canon EF a Sony E (EOS-SE)IS
Why we recommend this ▼

This Sigma MC-11 mount converter enables full electronic control, including autofocus and aperture selection, when adapting Canon EF or Sigma SA lenses to Sony FE bodies. It uniquely supports both in-lens optical stabilization and in-body camera shake reduction, bridging two major lens ecosystems. This adapter is best for portrait photographers with existing Canon glass who are transitioning to Sony mirrorless systems.

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Sigma 875205

38.9 Video/Cinema Score
Minolta
Why we recommend this ▼

Doubling the reach of compatible Minolta-mount lenses, this dedicated APO teleconverter maintains auto focus and AE functionality without complex exposure calculations. Its apochromatic design suppresses chromatic aberration, a key differentiator for a converter at this level, though it lacks weather sealing and stabilization. This converter is best for portrait and street photographers needing extra focal length on a budget, provided their lens has a sufficiently bright open-aperture F-value.

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Best Lenses under £800 for video production

Best Pick

Sigma Contemporary 12mm f/1.4 DC

91.6 Video/Cinema Score
12mmf/1.4Canon RFWeather Sealed
Why we recommend this

Combining an ultra-bright f/1.4 aperture with a compact 225g build, this 12mm prime delivers a 19.2mm full-frame equivalent view ideal for low-light landscapes and vlogging. Its stepping motor provides fast, quiet autofocus with minimal focus breathing, while the dust- and splash-resistant construction ensures reliability outdoors. This lens is best for street photographers and vloggers needing a lightweight, weather-sealed wide-angle with strong subject separation.

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Sigma Art 28mm f/1.4 DG HSM

72.8 Video/Cinema Score
28mmf/1.4Sony EWeather Sealed
Why we recommend this ▼

The f/1.4 maximum aperture and an optical design with three aspherical and five SLD/FLD elements deliver exceptional sharpness and contrast control for low-light scenes. Its weather-sealed, robust build and Super Multi-Layer Coating ensure reliable, flare-resistant performance in demanding conditions. This lens is best for professional landscape and street photographers needing a fast, wide-angle prime with uncompromising optical clarity.

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Best Lenses under £1,000 for video production

Best Pick

Sigma Art 24-70mm f/2.8 DG DN II

70.1 Video/Cinema Score
24-70mmf/22Sony EISWeather Sealed
Why we recommend this

A redesigned HLA autofocus motor and a 7% smaller, 10% lighter body than its predecessor make this a fast-handling f/2.8 standard zoom. Its 6.7-inch minimum focusing distance delivers a strong 1:2.7 magnification ratio, offering near-macro versatility uncommon in this class. This lens is best for hybrid shooters needing a single, weather-sealed tool that excels at both detailed close-ups and general landscape work.

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Sigma 750975

36.7 Video/Cinema Score
100-400mm
Why we recommend this ▼

Combining a 100-400mm reach with a relatively light 1100g build, this lens stands out for full-frame mirrorless portability. Its dust- and splash-proof brass mount and optical design that minimizes flare add rugged, practical reliability. This is best for outdoor enthusiasts and travelers who need handheld telephoto range without the bulk of traditional pro glass.

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Best Lenses under £2,000 for video production

Best Pick

Sigma Sports 70-200mm f/2.8 DG DN OS 200mm

71.1 Video/Cinema Score
70-200mmf/22Sony EISWeather Sealed
Why we recommend this

Dual HLA motors deliver fast, quiet autofocus and the OS2 algorithm provides 7.5 stops of stabilization, making this f/2.8 telephoto zoom exceptionally steady for handheld work. Its internal zoom mechanism and weather-sealed Sports-line build resist dust and moisture while minimizing focus breathing for consistent framing. This lens is best for sports and wildlife photographers using Sony E-mount who need reliable subject tracking and sharp results in challenging outdoor conditions.

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Premium Lenses for video production

Best Pick

Sigma Sports 60-600mm f/4.5-6.3 DG DN OS

53.7 Video/Cinema Score
60-600mm22-32Sony EISWeather Sealed
Why we recommend this

A 10x zoom range from 60mm to 600mm, paired with a fast Linear Actuator (HLA) autofocus motor, makes this the only mirrorless lens of its kind, though its 2485g weight demands a sturdy grip. The dust and splash-resistant build and 1:2.4 maximum magnification add versatility for outdoor shooting, while the Dual Action Zoom function allows quick focal length changes. Best for wildlife and sports photographers on Sony E mount who need one lens to cover distant subjects without swapping glass.

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