No Lenses under £400 yet. See our top picks under £800

Best Lenses under £800 for video production

Best Pick

Canon RF-S 18-150mm f/3.5-6.3 IS STM

63.5 Video/Cinema Score
18-150mmf/40Canon RFIS
Why we recommend this

An 8.3x zoom range covering 18-150mm in a mere 318g body makes this the most versatile and portable all-in-one lens for Canon APS-C RF cameras. Its 4.5-stop stabilization and STM autofocus enable sharp stills and smooth video, while the 0.59x maximum magnification at the telephoto end provides near-macro close-up capability. This lens is best for casual photographers and travelers who want a single, lightweight solution for everything from wide landscapes to distant portraits without swapping glass.

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Canon RF 35mm f/1.8 IS Macro STM 35mm

62.9 Video/Cinema Score
35mmf/22Canon RFIS
Why we recommend this ▼

Combining a bright f/1.8 aperture with 1:2 macro capability and 5-stop image stabilization, this 304g lens delivers sharp close-ups at a 170mm minimum focus distance. Its compact build and configurable control ring make it a discreet, versatile walk-around prime for the RF system. This lens is best for hybrid shooters who need a single, lightweight optic for both environmental portraits and detailed close-up work.

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No Lenses under £1,000 yet. See our top picks under £2,000

Best Lenses under £2,000 for video production

Best Pick

Canon L RF 70-200mm f/2.8 L IS USM

72.8 Video/Cinema Score
70-200mmf/32Canon RFISWeather Sealed
Why we recommend this

Combining a constant f/2.8 aperture with 5-stop image stabilization and a compact 1066g build, this is Canon’s lightest and shortest 70-200mm yet. Its optical formula, featuring one Super UD element and two aspherical elements, delivers sharp results with minimal aberrations across the full-frame image circle. This lens is best for landscape and wildlife photographers who need a portable, weather-sealed telephoto zoom for travel.

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Great Alternatives

These options also score highly and may better suit your specific needs

Canon RF-S 3.9mm f/3.5 STM Dual Fisheye 4mm

49.8 Video/Cinema Score
4mmf/16Canon RF
Why we recommend this ▼

Its dual-lens design captures stereoscopic 3D 180° VR imagery onto a single sensor, streamlining post-production for the EOS R7 at up to 4K 30 fps. The 144° field of view and Air Sphere Coating deliver immersive footage with reduced ghosting in a compact 289g body. This lens is best for VR content creators who need a simplified, single-camera workflow for spatial video.

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Premium Lenses for video production

Best Pick

Canon RF 28-70mm f/2L USM

53.6 Video/Cinema Score
28-70mmf/22Canon RFWeather Sealed
Why we recommend this

Delivering a constant f/2 aperture across the entire 28-70mm zoom range, this lens effectively replaces multiple fast primes for low-light shooting and shallow depth of field control. Its robust, weather-sealed L-series build incorporates a customizable control ring and a ring-type USM motor for fast, silent autofocus. This lens is best for wedding and event photographers who need prime-like speed with the flexibility of a zoom in fast-paced environments.

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