Best Macro Lenses Under £400 in 2026
Great Alternatives
These options also score highly and may better suit your specific needs
BROLEO BROLEOr4egxbtv8f 58mm
Why we recommend this ▼
Its 0.25x fisheye converter threads onto any 58mm filter lens, using low-dispersion optical glass and a protective coating for sharp, high-definition images with minimal aberrations. The aluminum-alloy body weighs just 327g, making it portable and durable, while the removable macro insert adds close-up capability without a separate lens. This accessory is best for hobbyist DSLR shooters with 58mm-thread lenses who want an inexpensive way to experiment with fisheye distortion and macro framing on a single body.
Rokinon Cine DS16M-C 16mm
Why we recommend this ▼
Offering a T2.2 constant aperture and a 13-element optical design with 2 aspherical and 1 ED element, the 16mm wide-angle prime’s unified Cine DS gear system requires no follow focus re-adjustment when swapping lenses. Ultra Multi-Coating reduces flare, while the included petal hood and a 7.9-inch minimum focus distance enable dramatic close-up wide shots. This lens suits APS-C Canon filmmakers who need an affordable, color-matched manual cine lens with close-focusing capability and consistent gearing for video rigs.
Serounder 01 5-50mm
Why we recommend this ▼
The 0.39x magnification and HD coating provide close-up detail within a 100mm minimum focus distance, while the wide-angle element extends spatial depth in a 213g package. Its bundled phone clip and macro lens add versatility across DSLRs, camcorders, and mobile devices, aided by a common 72mm filter thread. This lens is best for casual videographers and vloggers seeking an affordable, lightweight wide-angle option for product close-ups and establishing shots.
Rokinon 12M-C 12mm
Why we recommend this ▼
The 12mm full-frame fisheye captures a 180° diagonal view with a bright f/2.8 aperture and 12-element optics including 2 aspherical and 3 ED elements. Its fully manual focus and nanocrystal/UMC coatings suppress flare, making it a dependable, affordable option for architectural and creative landscape work. This lens is best for macro and portrait photographers who want extreme visual distortion but should avoid travel due to its specialized, bulky build.
Rokinon Series II 85mm f/1.4 85mm
Why we recommend this ▼
The bright f/1.4 aperture and one hybrid aspherical element deliver sharp subject isolation with controlled chromatic aberrations, making it a strong portrait lens. Its weather-sealed, lightweight 485g build and Ultra Multi-Coating provide practical durability and contrast in varied conditions. This manual focus prime is best for portrait photographers on a budget who prioritize a smooth bokeh quality over autofocus speed.
Rokinon Cine DS14M-MFT 14mm
Why we recommend this ▼
Its unified focus and aperture gear positions across the XEEN lineup, combined with a long 200-degree focus throw, make it a practical tool for rig-swapping on set. The durable aluminum body, tripod mount, and X-Coating for controlled flares add professional reliability that specs alone don't convey. This lens is best for video shooters needing an affordable, manual-focus wide-angle prime for full-frame Canon EF systems.
Xuan XuanLens 32mm F/10 32mm
Why we recommend this ▼
Its fixed f/10 aperture and focus-free design provide a 1.5m-to-infinity depth of field, making it a unique, recycled body cap lens for instant street shooting. Weighing just 41g and hand-assembled from a disposable camera, it transforms an EOS M camera into a no-settings, snapshot tool. This lens is best for street photographers who prioritize spontaneous capture and a lo-fi aesthetic over technical image perfection.
