Best Lenses under £400 for macro

Best Pick

Canon RF-S 7.8mm f/4 STM Dual 7mm

65.5 Macro Score
8mmf/16Canon RF
Why we recommend this

A stereoscopic dual-lens design captures spatial video for Apple Vision Pro and Meta Quest 3, using an STM autofocus motor and a 60° field of view on APS-C bodies like the EOS R7. Its compact 130g build and f/4 constant aperture make it an accessible entry point into the Canon EOS VR System without heavy rigs. This lens is best for content creators experimenting with 3D vlogging and immersive video, not for traditional landscape or macro work.

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TTArtisan AF1435-X-B 14mm

65 Macro Score
14mmf/2.8Canon RF
Why we recommend this

With a 114° full-frame field of view and a manual focus design featuring a clickable aperture ring, this 14mm f/2.8 lens delivers precise tactile control and a pronounced sun-star effect at narrow apertures. It accepts 77mm threaded filters directly—a practical advantage at this focal length—and focuses down to 7.9 inches for dramatic close-up perspectives. Landscape and astrophotography photographers who prioritize manual control and filter convenience will find it a capable, lightweight ultrawide prime.

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7Artisans Hope Series 25mm T2.1 25mm

63.3 Macro Score
25mmf/22Canon RFIS
Why we recommend this

A 260° focus throw and well-suppressed breathing effect provide precise manual focus control for S35 cine capture, while the T2.1 aperture ensures ample light intake. Multi-layer nano-coating and a 15-element design deliver vivid, flare-resistant images, supported by a 700g all-metal build that accepts 82mm filters for budget-conscious rigs. It’s ideal for indie filmmakers using Canon RF-S cameras like the C70 or R7 who need tactile focus pulling and a cinematic look.

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Rokinon Cine DSX14-RF 14mm

58.4 Macro Score
14mmT22Canon RFWeather Sealed
Why we recommend this

A 14mm full-frame cine lens with a T3.1 aperture and a 115.7° rectilinear view, its 14-element design uses two aspherical and two ED elements for minimal distortion, plus weather sealing and a built-in petal hood. The Canon RF mount uniquely offers a rear gel filter holder that avoids vignetting. It suits filmmakers needing precise manual focus control for ultra-wide establishing shots on mirrorless cinema rigs.

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Best Lenses under £800 for macro

Best Pick

Laowa VE10028RF A 100mm

83.2 Macro Score
100mmf/2.8Canon RF
Why we recommend this

The apochromatic design with two extra-low dispersion elements eliminates color fringing for exceptional clarity at its unique 2:1 maximum magnification, far exceeding typical 1:1 macro lenses. Its all-metal, manual-focus-only build provides a precise, dampened focus throw that is essential for critical close-up work, though it lacks any electronic communication or stabilization. This lens is best for dedicated macro photographers shooting extreme close-ups of insects or textures who prioritize optical purity and magnification over autofocus convenience.

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Sirui Saturn RF50B-A 50mm

49.6 Macro Score
50mmT16Canon RFIS
Why we recommend this

At just 465g, the carbon fiber build makes this the lightest full-frame 1.6x anamorphic, delivering a 2.4:1 or wider 2.8:1 aspect ratio with a T2.9 aperture and 10-blade diaphragm for oval bokeh. Its compact size mounts on gimbals and FPV drones for unique overhead perspectives, and optional blue or natural flare coatings add stylistic control. This manual-focus lens suits solo filmmakers and drone operators prioritizing a portable, cinematic look without heavy rigging.

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Best Lenses under £1,000 for macro

Best Pick

Canon RF-S 3.9mm f/3.5 STM Dual Fisheye 4mm

64.1 Macro Score
4mmf/16Canon RF
Why we recommend this

Its dual-lens design captures stereoscopic 3D 180° VR imagery onto a single sensor, streamlining post-production for the EOS R7 at up to 4K 30 fps. The 144° field of view and Air Sphere Coating deliver immersive footage with reduced ghosting in a compact 289g body. This lens is best for VR content creators who need a simplified, single-camera workflow for spatial video.

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Canon RF 24-240mm f/4-6.3 IS USM 24-240mm

55.9 Macro Score
24-240mm22-36Canon RFIS
Why we recommend this

A 24-240mm 10x zoom with 5-stop stabilization and Nano USM autofocus delivers full-frame versatility in a travel-ready 750g package. Smooth, quiet AF handles both photo sequences and professional-looking video focus pulls, while the lockable zoom ring adds handling security across the range. This lens is best for travel photographers and hybrid EOS R shooters who need a single lightweight optic for wide landscapes, portraits, and distant action.

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Best Lenses under £2,000 for macro

Best Pick

Canon RF RF14-35mm F4L IS USM 14-35mm

72.6 Macro Score
14-35mmf/22Canon RFISWeather Sealed
Why we recommend this

Combining an ultra-wide 14mm field of view with a constant f/4 aperture and 5.5-stop optical stabilization, this lens stands out for its compact 544g build and advanced optics with SWC and ASC coatings. Its 0.38x maximum magnification at 35mm enables dramatic close-focusing perspectives, while the Nano USM motor delivers silent, smooth autofocus for video. This lens is best for landscape and architecture photographers who need a weather-sealed, portable zoom for walkaround shooting.

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Premium Lenses for macro

Best Pick

Canon L RF100-500mm F4.5-7.1 L IS USM 100-500mm

55.3 Macro Score
100-500mmf/54Canon RFISWeather Sealed
Why we recommend this

The 100-500mm f/4.5-7.1 L IS USM pairs a versatile 100–500mm focal range with 7 ED elements, Air Sphere coating, and 5-stop optical stabilization in a weather-sealed, travel-sized build. Its Dual Nano USM autofocus drives swift, near-silent focusing, and three IS modes—standard, panning, and exposure-only—enable precise control for moving subjects. This lens suits wildlife and sports photographers who need a portable super-telephoto zoom for handheld shooting in the field.

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Canon RF 28-70mm f/2L USM 70-28mm

49.9 Macro Score
28-70mmf/22Canon RFWeather Sealed
Why we recommend this

Delivering a constant f/2 aperture across the entire 28-70mm zoom range, this lens effectively replaces multiple fast primes for low-light shooting and shallow depth of field control. Its robust, weather-sealed L-series build incorporates a customizable control ring and a ring-type USM motor for fast, silent autofocus. This lens is best for wedding and event photographers who need prime-like speed with the flexibility of a zoom in fast-paced environments.

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