Meike Neo Series 33mm f/1.4 AF 33mm
Die f/1.4-Blende und die 50mm-Vollformat-Äquivalenz machen dieses 33mm-Objektiv zu einer starken Wahl für Freistellung bei schwachem Licht an FUJIFILM X-Kameras. Mit nur 315g und einem leisen STM-Autofokusmotor kombiniert es Portabilität mit einer unauffälligen Handhabung für Videoaufnahmen. Das Objektiv eignet sich am besten für APS-C-Fotografen, die eine erschwingliche, lichtstarke Normalbrennweite für Porträts und Alltagsszenen suchen.
Überblick
The 30-Second Version
The Meike 33mm f/1.4 AF is a sharp, fast, and stupidly affordable 50mm equivalent for Sony APS-C cameras. Autofocus is quick, the f/1.4 aperture handles low light well, and at $190 it's a no-brainer. Vignetting and edge softness at f/1.4 are the trade-offs, but they're minor. Buy it if you want native-level image quality without native-level pricing.
Pros & Cons
Vorteile
- Excellent sharpness, even wide open at f/1.4 81st
- Fast, accurate autofocus that keeps up with daily shooting 77th
- Lightweight and compact at 315g 72nd
- Outstanding value compared to native Sony glass
Nachteile
- Noticeable vignetting at f/1.4
- No image stabilization built in
- Plastic front ring feels cheap
- Minimum focus distance of 400mm limits close-up work
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The Word on the Street
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Die Fakten
Performance
Sharpness is the headline here. Owners consistently mention how crisp the images come out, even wide open at f/1.4. The 12-element, 9-group optical design with one ED element does real work, and the multilayered coatings keep contrast punchy in most situations. Autofocus is fast and accurate for a third-party lens, landing in the 54th percentile overall, which is solid but not class-leading. The STM motor is quiet enough for casual video work. The weak spots show up at the edges. Vignetting is noticeable at f/1.4, and edge softness creeps in until you stop down a bit. Flare can also get ugly shooting into bright light. The minimum focus distance of 400mm is nothing special, so don't expect to get close for detail shots. And there's no stabilization, which matters more on Sony bodies without IBIS.
Specifications
Full Specifications
Optics
| Type | Prime |
| Focal Length Min | 33 |
| Focal Length Max | 33 |
| Elements | 12 |
| Groups | 9 |
| ED Elements | 1 |
| Coating | multilayered coatings |
Aperture
| Max Aperture | f/16 |
| Min Aperture | f/1.4 |
| Constant | Yes |
| Diaphragm Blades | 9 |
Build
| Mount | Sony E |
| Format | APS-C |
| Weight | 0.3 kg / 0.7 lbs |
| Filter Thread | 55 |
AF & Stabilization
| AF Type | Autofocus |
| Stabilization | No |
Focus
| Min Focus Distance | 400 |
vs Competition
The Sigma 18-50mm f/2.8 DC DN is the obvious alternative if you want zoom flexibility, but you lose a full stop of light and pay more. The Viltrox 13mm f/1.4 is wider and sharper at the edges, but it's a completely different focal length for a different job. The 7Artisans 35mm f/1.8 is cheaper but lacks autofocus polish and feels more like a toy. The Sony 18-135mm f/3.5-5.6 OSS gives you stabilization and range, but it's slow and soft compared to this Meike. For a dedicated 50mm equivalent prime, the Meike 33mm f/1.4 is the value pick, period.
| Spec | Meike Neo Series 33mm f/1.4 AF 33mm | Sigma Contemporary 18-50mm f/2.8 DC DN | Tamron Di III 17-70mm f/2.8 Di III-A VC RXD | Viltrox AF 35mm f/1.7 XF | Sony E 18-135mm f/3.5-5.6 OSS | 7Artisans Lite Series AutoFocus 35mm F1.8 Full Frame |
|---|---|---|---|---|---|---|
| Focal Length | 33mm | 18-50mm | 17-70mm | 35mm | 18-135mm | 35mm |
| Max Aperture | f/16 | f/2.8 | f/2.8 | f/1.7 | f/3.5 | f/1.8 |
| Mount | Sony E | Sony E | Sony E | Fujifilm X | Sony E | Nikon Z |
| Stabilization | false | false | true | true | true | true |
| Weather Sealed | false | true | true | false | false | false |
| Weight (g) | 315 | 290 | 544 | 180 | 326 | 426 |
| AF Type | Autofocus | stepping motor | RXD | STM (Stepping Motor) | Linear motor | STM |
| Lens Type | prime | zoom | zoom | prime | zoom | prime |
| Compare | Compare | Compare | Compare | Compare |
| Produkt | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | Nutzerresonanz | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Meike Neo Series 33mm f/1.4 AF 33mm | 53.8 | 40.1 | 72.4 | 62.5 | 63 | 44.2 | 80.5 | 33.6 | 76.9 | 36.1 |
| Sigma Contemporary 18-50mm f/2.8 DC DN Compare | 85.5 | 84.4 | 85.4 | 91.5 | 81.2 | 86.3 | 80.5 | 78.6 | 90 | 36.1 |
| Tamron Di III 17-70mm f/2.8 Di III-A VC RXD Compare | 53.8 | 88.9 | 67.3 | 85.4 | 90.3 | 86.3 | 63.7 | 89.6 | 85.6 | 81.3 |
| Viltrox AF 35mm f/1.7 XF Compare | 85.5 | 95.7 | 86.7 | 97.2 | 65.2 | 95.3 | 63.7 | 33.6 | 85.6 | 81.3 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 97.7 | 78.4 | 71.5 | 39.2 | 77.6 | 80.1 | 45 | 95.9 | 90 | 81.3 |
| 7Artisans Lite Series AutoFocus 35mm F1.8 Full Frame Compare | 85.5 | 96.4 | 60.2 | 97.2 | 61.9 | 94.3 | 90.9 | 33.6 | 45.3 | 81.3 |
Preis
Value & Pricing
At $190 USD, this lens is an absolute steal. You're getting f/1.4 light gathering, autofocus, and sharp optics for less than half what Sony charges for their 35mm f/1.8 OSS. The budget score of 54.3 in our database undersells it, honestly. That number gets dragged down by the lack of stabilization and the mediocre macro performance, but for pure image quality per dollar, this is one of the best deals in the APS-C E-mount ecosystem. If you're building a kit on a budget, this should be one of your first purchases.
Amazon 1 Angebot Ab 197 £
Price History
Mehr erfahren
Overview
The Meike 33mm f/1.4 AF is one of those lenses that makes you wonder why you'd spend three times more on a first-party option. It's a 50mm full-frame equivalent for Sony E-mount APS-C bodies, which is the classic "normal" focal length for portraits, street shots, and everyday carry. At 315g with a 55mm filter thread, it's small enough to live on your camera without making the whole setup feel front-heavy.
Meike isn't exactly a household name, but this lens has quietly built a solid reputation. The user sentiment score sits in the 81st percentile in our database, and the 4.4-star average across 298 reviews backs that up. People aren't just tolerating this lens, they're recommending it as a budget alternative to native glass.
Common Questions
Q: Does this lens work on full-frame Sony cameras?
No, it's designed for APS-C sensors only. On a full-frame body you'd get heavy vignetting or need to shoot in crop mode, which defeats the purpose.
Q: Is the autofocus good enough for video?
The STM motor is quiet and smooth enough for casual video work. It's not going to match Sony's native linear motors for critical focus pulls, but it's perfectly usable for vlogging and talking-head shots.
Q: How bad is the vignetting at f/1.4?
It's noticeable in the corners, especially against bright backgrounds. Stopping down to f/2.8 or f/4 cleans it up significantly, and most editing software can correct it with a profile or manual adjustments.
Who Should Skip This
Skip this if you need image stabilization and shoot on a body without IBIS, because handheld low-light shots will get shaky. Also skip it if you do a lot of close-up or macro work, the 400mm minimum focus distance is frustratingly long. And if you're picky about build quality, the plastic front ring will annoy you every time you touch it.
Verdict
If you shoot on a Sony APS-C body and want a fast normal prime without emptying your wallet, buy this lens. It's sharp, the autofocus is reliable, and the f/1.4 aperture gives you real low-light capability and background separation. Portrait shooters, street photographers, and anyone who wants a lightweight everyday lens will be happy. The vignetting and edge softness at f/1.4 are real, but they're easy to work around and honestly part of the character at this price point.