Nikon NIKKOR Z 2164 70mm

With optical quality in the 90th percentile, this is one of the sharpest standard zooms we've seen. The constant f/2.8 aperture and internal zoom make it a standout for video and low-light work. Just be ready for average autofocus and a build that doesn't feel as premium as the price suggests.

Optically, this lens is a monster. With 15 elements in 11 groups, including 3 aspherical and 3 ED elements, it delivers sharpness that puts it among the best on the market. The Nano Crystal Coat does its job, keeping ghosting and flare to a minimum even when shooting into the light. Bokeh is smooth and pleasing, ranking in the 86th percentile, which is impressive for a zoom. The 9-blade diaphragm helps render out-of-focus areas with a natural look that's usually reserved for primes.

Stabilization is strong, sitting well above average, and the constant f/2.8 aperture gives you consistent exposure across the zoom range. The internal zoom is a real-world win for video shooters, keeping the center of gravity steady. Macro performance is just okay, around average, with a minimum focus distance of 366mm and a 1/3.7 magnification. It won't replace a dedicated macro lens, but it's fine for close-up details. The AF-S motor is quiet but not blazing fast, which explains that 55th percentile ranking. It's reliable, just not class-leading.

Stacked against the competition, the NIKKOR Z 24-70mm f/2.8 S II holds its own optically but shows some cracks elsewhere. The Canon RF 28-70mm f/2.8 IS STM is a direct rival with similar light-gathering and likely better build, though we haven't tested it head-to-head. The Tamron 18-300mm offers way more reach and versatility for travel, but you sacrifice the constant f/2.8 and some sharpness. The Sigma 16-300mm is another superzoom that's more practical for casual shooters, but it can't touch the Nikon's bokeh or low-light performance. If you prioritize image quality above all else, the Nikon is the clear winner here. If you need range or a lighter kit, look elsewhere.

Pricing for this lens is a rollercoaster, with a spread from $580 all the way up to $144,444 across vendors. That's not a typo. If you can find it at the lower end, the price-to-performance ratio is outstanding, especially given that optical quality. But at the higher end, you're paying a premium that doesn't match the build quality or autofocus speed. Shop around, and don't be afraid to check lesser-known retailers for a deal. The sweet spot seems to be well under $2,000, where this lens becomes a no-brainer for Nikon shooters.

The NIKKOR Z 24-70mm f/2.8 S II lands in the 90th percentile for optical quality in our database, which is about as good as it gets for a standard zoom. Sharpness is thrilling, and the constant f/2.8 aperture puts it in the top tier for light gathering. It's a workhorse that weighs 900g, and the internal zoom design means it doesn't extend, keeping your rig balanced on a gimbal. For landscape and video shooters, our scores of 86 and 85.6 out of 100 tell you this is a standout performer.

But not everything is best-in-class. The autofocus system, while quiet, sits in the middle of the pack at the 55th percentile. Build quality also falls behind, landing in the 38th percentile, which is a bit of a head-scratcher for a pro-level lens. The price is all over the map too, with a spread of over $143,000 across vendors, so you'll want to shop carefully. If you need a lens that does everything well and nails the fundamentals, this one makes a strong case, but it's not without a few quirks.

Travel photographers should think twice. Our travel score of 69.6 out of 100 is the weakest area for this lens, and the 900g weight is a big reason why. The build quality also sits in the 38th percentile, so if you're rough on gear or shooting in harsh conditions, this might not hold up as well as some competitors. If you need a lightweight, all-in-one zoom for hiking or street photography, a superzoom like the Tamron 18-300mm will serve you better, even if you give up some sharpness and the constant aperture.

The NIKKOR Z 24-70mm f/2.8 S II is a data-backed winner for anyone who lives and breathes image quality. That 90th percentile optical score isn't just a number, it translates to real-world sharpness and contrast that will make your jaw drop. The internal zoom and strong stabilization make it a killer tool for video, too. Just know that you're trading some build quality and autofocus speed for that optical excellence. If you can find it at a reasonable price, it's one of the best standard zooms you can buy right now.