Laowa 85mm f/5.6 2x Ultra Macro APO 85mm
This 85mm prime achieves a rare 2:1 maximum magnification with apochromatic correction via three ED elements, delivering distortion-free macro at a 163mm working distance. Weighing just 291g and focusing to infinity, it doubles as a portable short telephoto for everyday carry, despite its f/5.6 aperture and manual focus. It’s best for macro specialists who prioritize extreme close-up capability and a featherlight build for field work over autofocus or video performance.
Обзор
The 30-Second Version
The Laowa 85mm f/5.6 2x Ultra Macro APO is a tiny, affordable macro lens that delivers 2:1 magnification and excellent sharpness in a 291g package. It's manual focus only and the f/5.6 aperture limits bokeh and low-light use, but the macro performance is top-tier at 94th percentile in our database. Prices range from $449 to $771 depending on mount, making it a steal for serious macro shooters. If you want autofocus and stabilization, look elsewhere, but for pure magnification per dollar, this thing is hard to beat.
Pros & Cons
Плюсы
- Incredible 2:1 macro magnification in a tiny 291g body 95th
- Excellent sharpness and APO color correction, 94th percentile macro performance 76th
- Solid metal build quality that feels premium for the price 74th
- Works for both macro and general infinity-focus shooting
- Great value at $449-771, especially for the optical quality
Минусы
- Manual focus only with a short throw that makes precision tricky
- f/5.6 max aperture limits low-light and bokeh potential
- No weather sealing or image stabilization
- Bokeh quality is below average, 13th percentile in our database
- Vignetting on sensors larger than full-frame, like Hasselblad 44x33mm
Мнение владельцев
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Факты
Performance
Sharpness is where this lens earns its keep. The APO designation isn't marketing fluff. Chromatic aberration is so well controlled that you'd have to pixel-peep at 200% to find any, and even then you'd struggle. At macro distances, center sharpness is excellent wide open at f/5.6 and only gets better stopped down to f/8 or f/11. By f/16 diffraction starts to soften things a bit, but that's true of every lens. For general shooting at infinity, it's still quite sharp across the frame, though the corners on high-resolution sensors show a little softness until f/8. For a lens this small and this affordable, the optical performance is genuinely impressive. It sits in the 75th percentile for optical quality in our database, which puts it ahead of plenty of more expensive glass.
But there's no getting around the manual focus. The focus ring has a short throw, which makes quick adjustments snappy but also makes precise focusing at 2:1 magnification a bit of a dance. You'll want to use focus peaking or magnification in your EVF, and a steady hand or a tripod helps a lot. The minimum focus distance is 163mm, which gives you decent working room from the front of the lens. The 7-blade aperture produces decent enough bokeh, but it's not the strong point here. Bokeh sits in the 13th percentile, which is pretty rough. Highlights can look a bit busy and geometric, so don't expect the buttery smoothness of an f/1.4 portrait lens. This is a tool for detail, not dreamy backgrounds.
Specifications
Full Specifications
Optics
| Type | Macro |
| Focal Length Min | 85 |
| Focal Length Max | 85 |
| Elements | 13 |
| Groups | 9 |
| ED Elements | 3 |
| Coating | APO |
Aperture
| Max Aperture | f/22 |
| Min Aperture | f/5.6 |
| Constant | No |
| Diaphragm Blades | 7 |
Build
| Mount | Nikon Z |
| Format | full-frame |
| Weight | 0.3 kg / 0.6 lbs |
| Filter Thread | 46 |
AF & Stabilization
| AF Type | manual focus only |
| Stabilization | No |
Focus
| Min Focus Distance | 163 |
| Max Magnification | 2:1 |
vs Competition
The obvious competitor is any traditional 1:1 macro lens in the 90-105mm range, like the Sony FE 90mm f/2.8 Macro G or the Nikon Z MC 105mm f/2.8 VR S. Those lenses give you autofocus, image stabilization, and a faster aperture, but they're also two to three times the price and significantly heavier. They're better all-rounders if you want one lens for portraits and macro, but they can't touch the Laowa's 2:1 magnification. If you're serious about high-magnification macro, the Laowa is the more specialized tool.
Then there's the Tamron 17-70mm f/2.8 and Sigma 28-70mm f/2.8 zooms, which show up as competitors in our database but really aren't in the same conversation. Those are general-purpose zooms that happen to focus somewhat close. They're versatile, sure, but they top out at around 1:2 or 1:3 magnification. If macro is your priority, the Laowa runs circles around them. The Nikon Z 17-28mm f/2.8 is even less relevant here. It's a wide zoom. The comparison algorithm is just doing its best. For actual macro work, the Laowa's real competition is other manual focus macro lenses from brands like 7Artisans or TTArtisan, and Laowa generally has better build quality and optical consistency.
| Spec | Laowa 85mm f/5.6 2x Ultra Macro APO 85mm | Tamron Di III VC 28-300mm f/4-7.1 VXD | Sigma Contemporary 18-50mm f/2.8 DC DN | Nikon NIKKOR Z 17-28mm f/2.8 | Panasonic Leica DG Vario-Elmarit H-ES12035 | Sony E 18-135mm f/3.5-5.6 OSS |
|---|---|---|---|---|---|---|
| Focal Length | 85mm | 28-300mm | 18-50mm | 17-28mm | 12-35mm | 18-135mm |
| Max Aperture | f/22 | f/4 | f/2.8 | f/2.8 | f/2.8 | f/3.5 |
| Mount | Nikon Z | Sony E | Sony E | Nikon Z | Micro Four Thirds | Sony E |
| Stabilization | false | true | false | false | true | true |
| Weather Sealed | false | true | true | true | true | false |
| Weight (g) | 291 | 590 | 290 | 450 | 306 | 326 |
| AF Type | manual focus only | VXD linear motor | stepping motor | Stepping Motor | Autofocus | Linear motor |
| Lens Type | macro | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Товар | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | Отзывы пользователей | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Laowa 85mm f/5.6 2x Ultra Macro APO 85mm | 13.3 | 13.2 | 76.1 | 94.6 | 74.1 | 20.2 | 16 | 33.6 | 52.6 | 36.8 |
| Tamron Di III VC 28-300mm f/4-7.1 VXD Compare | 98 | 77.9 | 65.1 | 85.8 | 96.7 | 66 | 91.2 | 97.7 | 55.8 | 82.4 |
| Sigma Contemporary 18-50mm f/2.8 DC DN Compare | 86.8 | 81.8 | 86 | 91.7 | 82.2 | 83.9 | 80.9 | 78.6 | 89.8 | 36.8 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 86.8 | 87 | 75.2 | 85.8 | 88.2 | 83.9 | 91.2 | 68 | 69.8 | 36.8 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 53.9 | 81.8 | 85.4 | 51 | 86.5 | 83.9 | 63.7 | 80.6 | 85.5 | 96.9 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 98 | 75.4 | 72.5 | 40.3 | 78.5 | 77.3 | 44.7 | 95.8 | 89.8 | 82.4 |
Цена
Value & Pricing
Pricing on this lens is a bit all over the place depending on the mount and vendor, with a spread from $449 to $771. That's a $322 gap, so it pays to shop around. For Canon RF and Nikon Z shooters, you'll typically find it on the lower end of that range, while Leica L and Sony E mounts sometimes creep higher. Even at the top end, you're getting a lens that outperforms many macro options costing twice as much. The 2:1 magnification alone is something you'd normally need extension tubes or a specialized ultra-macro lens to achieve, and those usually cost well over a grand.
Compared to something like the Canon EF 85mm f/1.4L IS USM, which is a completely different beast for portraits, the Laowa is a fraction of the price and weight. It's not competing in the same category. For pure macro value, there's really nothing that matches this combination of magnification, sharpness, and portability at this price point. If you're a macro shooter on a budget who doesn't mind manual focus, this is one of the best deals in the lens world right now.
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Подробнее
Overview
The Laowa 85mm f/5.6 2x Ultra Macro APO is one of those lenses that makes you do a double take when you first pick it up. It's tiny. We're talking 291 grams and small enough to disappear in a jacket pocket, yet it packs a 2:1 macro reproduction ratio that puts most dedicated macro lenses to shame. Most 85mm lenses are chunky portrait workhorses, but Laowa went a completely different direction here, building something that feels more like a short telephoto pancake lens that just happens to be an absolute monster at close focusing. It covers full-frame sensors and comes in mounts for Canon RF, Nikon Z, Leica L, and Sony E, so most mirrorless shooters are covered.
Who's this for? Macro nerds who want to travel light, obviously. But also anyone who wants a walk-around 85mm that can suddenly get two times life-size when a cool bug or flower shows up. The f/5.6 max aperture tells you this isn't a portrait lens for creamy bokeh, and the manual focus only design means you'll be doing the work yourself. But for the right person, those aren't dealbreakers. They're trade-offs that make the size and price possible. And at $449 to $771 depending on the mount and vendor, it's genuinely affordable for what it does.
Here's the thing about the 2x magnification: most macro lenses stop at 1:1, where a 36mm object fills a full-frame sensor. This lens goes twice as close, so an 18mm subject fills the frame. That's the kind of magnification where you see individual facets on a bee's eye or the texture on a moth's wing. And it does it with an apochromatic design using three ED elements, which means color fringing is basically nonexistent. In our database, this lens lands in the 94th percentile for macro performance, which is about as good as it gets without spending several times more money.
Common Questions
Q: Is this lens compatible with my Leica M rangefinder for focusing?
No, the Leica M version is not rangefinder coupled. You'll need to use live view or an EVF to focus, which is pretty standard for macro work anyway. The lack of coupling means the rangefinder patch won't move when you turn the focus ring, so don't expect to use it like a traditional M-mount lens for zone focusing.
Q: Can I use this lens for video with a follow focus motor?
It's not a great fit for motorized focus rigs. The manual focus ring doesn't have gear teeth for a follow focus, and the short focus throw makes smooth rack focusing difficult. If you're doing video work that requires precise focus pulls, you'd be better off with a cinema lens that has built-in gears and a longer focus throw.
Q: Does this lens come with a lens hood?
Yes, Venus Optics includes a lens hood in the box. It's a nice bonus at this price point, and given the 46mm filter thread, the hood helps with flare protection without adding much bulk.
Q: Will this lens cover my medium format sensor?
It's designed for full-frame 36x24mm sensors, so on larger formats like the Hasselblad 44x33mm you'll get noticeable vignetting. One user reported that cropping to a square 33x33mm works fine, but if you need full medium format coverage, this isn't the lens for you.
Who Should Skip This
If you need autofocus for fast-moving subjects like insects in flight or kids running around, this lens will frustrate you. The manual focus is precise but slow, and at f/5.6 your depth of field is already thin enough at macro distances that nailing focus handheld takes practice. Look at something like a used Canon 100mm f/2.8L Macro or Nikon 105mm f/2.8 VR instead. Also, if you're primarily a portrait shooter who wants creamy bokeh, the f/5.6 aperture and 13th percentile bokeh rating mean backgrounds will look busy and distracting. An 85mm f/1.8 or f/1.4 is what you actually want. And if you shoot a lot in dim light without a flash, the slow aperture combined with no stabilization will push your ISO higher than you'd like. This lens shines with good light or a flash, not in dark forests handheld.
Verdict
If you're a dedicated macro shooter who wants to travel light and get closer than 1:1, this lens is a no-brainer. The 2x magnification opens up a world of detail that most photographers never get to see, and the APO design means you're not fighting purple fringing in post. It's small enough to live in your bag permanently, and at this price, it's an easy recommendation for anyone who knows their way around manual focus. Pair it with a small flash or LED light and you've got a killer field macro kit that weighs almost nothing.
For casual shooters who just want to dabble in macro, the manual focus and slow aperture might be frustrating. You'll miss shots while you're dialing in focus, and the dim f/5.6 viewfinder image in low light isn't ideal. If you want a more forgiving experience, save up for an autofocus macro lens with stabilization. But if you're willing to slow down and work deliberately, this lens rewards patience with images that look like they came from a much more expensive setup. It's a specialist's tool at a generalist's price, and we're here for it.