TTArtisan 17mm f/1.4 17mm
The bright f/1.4 maximum aperture and one aspherical element in a 9-element design deliver solid sharpness and low-light capability in a compact 248g body. Its all-metal build and clicked aperture ring provide a tactile, durable feel that belies its budget positioning. This lens is best for APS-C Sony E-mount photographers wanting an affordable, manual-focus 25.5mm equivalent for street scenes and environmental portraits.
요약
The 30-Second Version
A $139 all-metal f/1.4 wide-angle with real character and sharp centers. Skip it if you need autofocus, buy it if you want to actually enjoy shooting again.
Pros & Cons
장점
- All-metal build that feels like it costs triple the price 81st
- Sharp center resolution, especially stopped down a bit 79th
- Genuinely fast f/1.4 for low light and creative depth of field
- Beautiful 10-blade bokeh that's rare at this focal length
- Retro design with clicked aperture ring for tactile shooting
단점
- Manual focus only, no electronic contacts at all
- Corners get soft wide open
- No stabilization, so handheld low-light shots need steady hands
- Screw-on lens cap is annoying to deal with in the field
- Not compatible with full-frame Panasonic S5 despite L-mount
사용자 의견
The Word on the Street
시간에 따라 사용자 평판이 어떻게 변했는가
독점고객이 실제로 리뷰를 작성한 시점을 기준으로 합니다. 초기의 호평이 유지되었는지 확인할 수 있습니다.
날짜가 있는 고객 리뷰 19건을 기준으로 달력 분기별로 묶었습니다. 기간별 분석은 영어로 제공됩니다.
근거 자료
Performance
The sharpness story here is a tale of two zones. In the center, this lens punches way above its price point. Our optical data puts it right around the middle of the pack overall, but owners consistently rave about center resolution, and the one aspherical element does real work keeping things crisp. Color rendering gets a lot of love too, with that multicoating delivering natural, pleasing tones straight out of camera. The catch is the corners. Wide open at f/1.4, they get soft. Not 'throw the lens in a lake' soft, but noticeable if you're pixel-peeping landscapes or architecture. Stop down to f/4 or f/5.6 and things tighten up nicely. The 10-blade aperture also produces genuinely nice bokeh for a wide-angle, which surprised us. You don't expect subject separation from a 17mm, but at f/1.4 and close focus distances, it's there.
Specifications
Full Specifications
Optics
| Type | Prime |
| Focal Length Min | 17 |
| Focal Length Max | 17 |
| Elements | 9 |
| Groups | 8 |
| Aspherical Elements | 1 |
| Coating | Multicoated |
Aperture
| Max Aperture | f/16 |
| Min Aperture | f/1.4 |
| Constant | No |
| Diaphragm Blades | 10 |
Build
| Mount | Sony E |
| Format | APS-C |
| Weight | 0.2 kg / 0.5 lbs |
| Filter Thread | 41 |
AF & Stabilization
| AF Type | manual focus only |
| Stabilization | No |
Focus
| Min Focus Distance | 200 |
vs Competition
The most obvious competitor is the Sony E PZ 16-50mm f/3.5-5.6 OSS kit lens. That Sony gives you autofocus, stabilization, and zoom flexibility, but it's slow, plasticky, and optically boring. The TTArtisan destroys it for low light and character, though you lose all convenience features. The 7Artisans 35mm f/1.8 is another budget prime worth considering, but it's a different focal length entirely and full-frame oriented. If you want a fast wide-angle on APS-C with autofocus, you're looking at spending significantly more on something like a Viltrox or first-party option. For pure manual focus character on a budget, the TTArtisan stands alone in this price bracket.
| Spec | TTArtisan 17mm f/1.4 17mm | Tamron Di III VC 28-300mm f/4-7.1 VXD | Sony E 18-135mm f/3.5-5.6 OSS | Nikon NIKKOR 2178 | Sigma Contemporary 18-300mm f/3.5-6.3 DC Macro OS HSM | Canon EF-M 15-45mm f/3.5-6.3 IS STM |
|---|---|---|---|---|---|---|
| Focal Length | 17mm | 28-300mm | 18-135mm | 16-85mm | 18-300mm | 15-45mm |
| Max Aperture | f/16 | f/4 | f/3.5 | f/3.5 | f/3.5 | f/3.5 |
| Mount | Sony E | Sony E | Sony E | Nikon F | Nikon F | Canon EF-M |
| Stabilization | false | true | true | true | true | true |
| Weather Sealed | false | true | false | false | false | false |
| Weight (g) | 248 | 590 | 326 | 485 | 120 | 463 |
| AF Type | manual focus only | VXD linear motor | Linear motor | AF-S | HSM | STM |
| Lens Type | prime | zoom | zoom | zoom | macro | zoom |
| Compare | Compare | Compare | Compare | Compare |
| 제품 | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | 사용자 평판 | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| TTArtisan 17mm f/1.4 17mm | 14.8 | 44.8 | 78.9 | 81.1 | 54.4 | 44.9 | 31.6 | 33.2 | 54.7 | 34.4 |
| Tamron Di III VC 28-300mm f/4-7.1 VXD Compare | 97.7 | 83.5 | 62.8 | 83.3 | 96.3 | 71 | 92.2 | 97.9 | 50.5 | 79.3 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 97.7 | 81.3 | 70.8 | 37.3 | 78 | 82.7 | 47.8 | 95.8 | 90.7 | 79.3 |
| Nikon NIKKOR 2178 Compare | 53.8 | 81.3 | 54.5 | 63.1 | 67.5 | 82.7 | 81.7 | 94.1 | 90.7 | 92.3 |
| Sigma Contemporary 18-300mm f/3.5-6.3 DC Macro OS HSM Compare | 53.8 | 81.3 | 93.5 | 62.1 | 79.2 | 82.7 | 0 | 99.3 | 73.4 | 79.3 |
| Canon EF-M 15-45mm f/3.5-6.3 IS STM Compare | 84.6 | 81.3 | 56.4 | 96.3 | 45.5 | 82.7 | 0 | 81.8 | 73.4 | 90 |
가격
Value & Pricing
At $139 USD, this lens is a steal. You're getting a metal-bodied, f/1.4 wide-angle prime with genuinely pleasing rendering for less than most camera bags cost. The build quality sits in the 80th percentile of all lenses we track, which is wild for this price. If you're on a budget and want to explore wide-angle photography without dropping $400+ on a first-party option, this is the obvious choice. The value proposition only breaks down if you absolutely need autofocus or plan to shoot wide open constantly and demand corner-to-corner sharpness.
Amazon 가격 1개 최저 €170
Price History
더 보기
Overview
The TTArtisan 17mm f/1.4 is one of those lenses that makes you wonder why you'd ever spend five times more on a first-party wide-angle. It's a fully manual, all-metal prime that gives APS-C shooters a 25.5mm equivalent field of view with a genuinely fast f/1.4 aperture. The headline here is simple: you get solid optics, a beautiful retro build, and real low-light capability for around $139 USD. That's absurd value.
But let's be clear about what you're signing up for. There's no autofocus, no stabilization, no weather sealing, and no electronic communication with your camera. If you're cool with that, this lens rewards you with sharp centers, lovely bokeh from the 10-blade diaphragm, and a tactile shooting experience that feels more like a film camera than a modern mirrorless setup.
Common Questions
Q: How clicky is the aperture ring?
The clicks are pronounced enough that you can feel each stop change without looking at the lens. It's a tactile, satisfying experience, though some owners find the detents a bit soft for their taste. If you're shooting at night and need to adjust aperture by feel, it works.
Q: What's the focal length on Micro Four Thirds?
On M43, the 2x crop factor gives you a 34mm full-frame equivalent. That's a nice walkaround wide-normal field of view. Just remember you're getting a slightly tighter frame than the 25.5mm equivalent you'd see on APS-C.
Q: Does this lens have any macro capability?
Not really. TTArtisan doesn't publish a magnification ratio, and the minimum focus distance of 7.9 inches isn't close enough for true macro work. You can get some nice close-up shots with background separation thanks to f/1.4, but if macro is your thing, look elsewhere.
Who Should Skip This
If you need autofocus for fast-moving subjects, kids, pets, or event work, this isn't your lens. The manual focus only setup will drive you crazy when you're trying to nail focus on anything that won't hold still. Go grab a Sony E PZ 16-50mm OSS or save up for a first-party prime with AF instead. Also skip it if you're shooting full-frame Panasonic S5, because despite the L-mount, it won't cover that sensor properly.
Verdict
The TTArtisan 17mm f/1.4 is a lens for people who know exactly what they want: a fast, wide, affordable prime with real character and no hand-holding. It's not for everyone, and that's fine. But if you're willing to slow down, focus manually, and embrace the quirks, this lens delivers image quality and build that feel genuinely premium for pocket change. We'd recommend it without hesitation to anyone shooting street, landscapes, interiors, or environmental portraits on APS-C who doesn't need autofocus.