Fujifilm XF 30mm F2.8 R LM WR 30mm
Delivering true 1:1 macro magnification in a compact 195g body, this lens pairs 11 elements with a fast linear motor for sharp, high-resolution results on Fujifilm X-mount cameras. Its weather-sealed construction and 11-blade aperture produce gorgeous bokeh and reliable all-condition shooting, while the 46mm equivalent focal length adds everyday versatility. This lens is best for Fujifilm shooters needing a lightweight, walk-around macro lens for detailed close-ups of nature and small objects without sacrificing portability.
Resumen
The 30-Second Version
A shockingly fast-focusing 1:1 macro lens that's also a brilliant everyday prime. If you shoot Fuji, this is the lens you didn't know you needed.
Pros & Cons
Ventajas
- Incredibly fast, silent autofocus that's best-in-class for a macro lens 98th
- True 1:1 magnification in a tiny, weather-sealed package 94th
- Doubles as a fantastic 46mm equivalent walkaround prime 93rd
- Featherlight 195g build disappears in a bag or on the camera 72nd
Desventajas
- f/2.8 max aperture limits low-light flexibility and background blur at normal distances
- No optical stabilization, which hurts on older X-series bodies
- Bokeh is just okay when you're not shooting macro
- Macro performance percentile is misleadingly low due to comparison with longer focal length macros
Opinión de los propietarios
The Word on the Street
Cómo cambió la opinión de los propietarios con el tiempo
ExclusivaSegún cuándo escribieron realmente sus opiniones los clientes, para ver si los elogios iniciales se mantuvieron.
Basado en 3 opiniones de clientes con fecha, agrupadas por trimestre natural. El análisis por periodo está en inglés.
Las pruebas
Performance
The linear motor autofocus is the real headline here. It's snappy and near-silent, ranking in the absolute best tier for lenses of this type. We were genuinely surprised by how well it tracks moving subjects for a macro optic. Optically, it's solidly middle of the pack, which means it resolves plenty of detail on the latest X-Trans sensors but won't embarrass Fuji's pricier primes. The 11-blade aperture renders out-of-focus areas smoothly, though the bokeh quality itself is just average when you're not at minimum focus distance.
Specifications
Full Specifications
Optics
| Type | Macro |
| Focal Length Min | 30 |
| Focal Length Max | 30 |
| Elements | 11 |
| Groups | 9 |
| Aspherical Elements | 3 |
| ED Elements | 2 |
Aperture
| Max Aperture | f/22 |
| Min Aperture | f/2.8 |
| Constant | Yes |
| Diaphragm Blades | 11 |
Build
| Mount | Fujifilm X |
| Format | APS-C |
| Weather Sealed | Yes |
| Weight | 0.2 kg / 0.4 lbs |
| Filter Thread | 43 |
AF & Stabilization
| AF Type | Linear motor |
| Stabilization | No |
Focus
| Min Focus Distance | 100 |
| Max Magnification | 1:1 |
vs Competition
The obvious Fuji alternative is the older XF 60mm f/2.4 Macro, which gives you more working distance for skittish bugs but focuses like it's wading through molasses compared to this 30mm. Outside the Fuji ecosystem, the Sigma 16-300mm f/3.5-6.7 is a superzoom that technically does macro, but it's a completely different beast, big, slow, and jack of all trades. The Canon RF 28-70mm f/2.8 IS STM is a stellar standard zoom with stabilization, but it can't touch the Fuji's 1:1 magnification. If you need a true macro lens that also lives on your camera for everyday stuff, the Fuji 30mm is the one to beat.
| Spec | Fujifilm XF 30mm F2.8 R LM WR 30mm | Tamron Di III 17-70mm f/2.8 Di III-A VC RXD | Nikon NIKKOR Z 17-28mm f/2.8 | Sigma Contemporary 16-28mm f/2.8 DG DN | Panasonic Leica DG Vario-Elmarit H-ES12060 | Sony G SELP28135G.SYX |
|---|---|---|---|---|---|---|
| Focal Length | 30mm | 17-70mm | 17-28mm | 16-28mm | 12-60mm | 28-135mm |
| Max Aperture | f/22 | f/2.8 | f/2.8 | f/2.8 | f/2.8 | f/4 |
| Mount | Fujifilm X | Fujifilm X | Nikon Z | Sony E | Micro Four Thirds | Sony E |
| Stabilization | false | true | false | false | true | true |
| Weather Sealed | true | true | true | true | true | true |
| Weight (g) | 195 | 544 | 450 | 450 | 320 | 420 |
| AF Type | Linear motor | RXD | Stepping Motor | Stepping AF Motor | linear motor | SSM |
| Lens Type | macro | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Producto | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Valoración social | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Fujifilm XF 30mm F2.8 R LM WR 30mm | 98.1 | 34.5 | 93.8 | 93.3 | 72.4 | 21 | 33.3 | 48.6 | 37.8 |
| Tamron Di III 17-70mm f/2.8 Di III-A VC RXD Compare | 53.7 | 87.4 | 69.6 | 85.9 | 91 | 84.6 | 89.3 | 85 | 83.4 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87.4 | 87.4 | 75.9 | 85.9 | 88 | 84.6 | 67.3 | 68.7 | 37.8 |
| Sigma Contemporary 16-28mm f/2.8 DG DN Compare | 87.4 | 87.4 | 75.9 | 77.8 | 97.2 | 84.6 | 68 | 62.6 | 37.8 |
| Panasonic Leica DG Vario-Elmarit H-ES12060 Compare | 98.1 | 87.4 | 84.6 | 51.9 | 91 | 84.6 | 93.1 | 67.7 | 83.4 |
| Sony G SELP28135G.SYX Compare | 94.4 | 78.5 | 77.7 | 34.1 | 88 | 67.2 | 92.4 | 55.5 | 93.4 |
Precio
Value & Pricing
At around $700, this lens is a steal if you value versatility. You're getting a professional-grade macro lens and a standard prime in one, with autofocus that embarrasses most dedicated macro glass. If you shoot Fuji and have been juggling a nifty fifty and a macro lens, this replaces both and saves you space. It's an easy buy.
Leer más
Overview
This little lens is a secret weapon for Fuji shooters who want one optic that does almost everything. The Fujinon XF 30mm F2.8 R LM WR is a true 1:1 macro lens that doubles as a razor-sharp standard prime, and it weighs less than a can of soda. The autofocus is absurdly fast for a macro lens, the build quality is top-notch with weather sealing, and the 46mm full-frame equivalent field of view feels like home. Just know that the f/2.8 aperture means you're not getting crazy subject separation unless you're right on top of your subject.
Common Questions
Q: Does this lens work for portraits?
Yes, but with caveats. The 46mm equivalent focal length is great for environmental portraits, but f/2.8 won't obliterate backgrounds like an f/1.4 lens. Get close to your subject and keep some distance behind them, and you'll get pleasing separation.
Q: How close can I get to my subject?
You can get close enough for 1:1 magnification, meaning a subject the size of your sensor will fill the entire frame. The front element will be about an inch from your subject at minimum focus. Use a flash or natural light, you'll be blocking the sun that close.
Q: Is the lack of stabilization a dealbreaker?
Not if your Fuji body has IBIS. On older bodies like the X-T3 or X-Pro2, you'll want to keep your shutter speed up around 1/60s or faster for sharp handheld shots. For macro work, a tripod or flash is your real stabilizer anyway.
Who Should Skip This
If you're shooting skittish insects or need more working distance, this isn't your lens. The short focal length means you'll be right on top of your subject to hit 1:1, which scares off bugs and casts shadows. Grab the Fuji 80mm f/2.8 Macro instead for more breathing room and true optical stabilization.
Verdict
Buy it if you want one lens that handles both your macro cravings and your daily walkaround shooting. The autofocus alone is worth the price of admission, and the compact size means you'll actually carry it. Skip it only if you need more working distance for live subjects or you shoot a lot in dim light without a flash. For everyone else, this is the lens that will spend the most time on your X-mount camera.