7Artisans Hope Prime 85mm T2.1 85mm
With its T2.1 constant aperture and an exceptionally long 260° focus throw, this 85mm cine lens enables precise manual rack focusing even in low light. The smooth focus damping, stepless aperture ring, and 10-blade diaphragm deliver consistent optical performance and rounded bokeh across the Hope Prime series. It’s best for Fuji X-mount filmmakers and solo shooters needing a tight cinema prime for interviews, music videos, and controlled portrait work.
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Snapshot
The 30-Second Version
The 260-degree focus throw is the whole story here, and it's a good one. At $369, this APS-C cine lens gives you precise manual focus control and a stepless aperture that photo lenses in this price range simply don't offer. Just don't expect great bokeh or weather sealing.
Pros & Cons
Pros
- 260-degree focus throw makes precise manual focus pulls actually possible 79th
- Stepless aperture ring with 10 blades for smooth exposure changes mid-shot 70th
- T2.1 light transmission is honest and consistent across the frame 69th
- 80th percentile stabilization score for a prime cine lens is a genuine surprise
- $369 price tag is a fraction of what name-brand cine lenses cost
Cons
- No weather sealing, and build quality sits at the 38th percentile
- Bokeh quality at the 33rd percentile won't impress portrait shooters
- Aperture ranking of 21st percentile means it's not a low-light monster
- Manual focus only, no autofocus at all
- APS-C coverage only, so full-frame shooters need not apply
The proof
Performance
The 260-degree focus throw is the star of the show here. Most photo lenses give you maybe 90 to 120 degrees of rotation, which makes precise manual focus pulls feel like threading a needle with oven mitts on. This lens gives you more than double that, and the stepless aperture ring means you can adjust exposure mid-shot without any clicking. The 10-blade diaphragm should produce smooth, round bokeh, though the bokeh score sits at the 33rd percentile, so don't expect the creamiest background blur in the business.
Optically, the 15 elements in 12 groups put this lens at the 63rd percentile in our database. That's solid middle-of-the-pack performance. The T2.1 aperture lands at the 21st percentile, which sounds bad until you remember this is a cine lens where T-stops measure actual light transmission, not just the theoretical f-stop. The 726g weight is reasonable for a metal-bodied cine lens, and the 77mm filter thread is a standard size that won't force you to buy weird adapters. The stabilization score of 80th percentile is genuinely impressive for a prime lens in this price range, though it's worth noting that stabilization on a manual cine lens is more about smooth handheld footage than freezing action shots.
Specifications
Full Specifications
Optics
| Type | Prime |
| Focal Length Min | 85 |
| Focal Length Max | 85 |
| Elements | 15 |
| Groups | 12 |
| Coating | multi-layer nano-coating |
Aperture
| Max Aperture | f/22 |
| Min Aperture | f/2.1 |
| Constant | Yes |
| Diaphragm Blades | 10 |
Build
| Mount | Fujifilm X |
| Format | APS-C |
| Weight | 0.7 kg / 1.5 lbs |
| Filter Thread | 77 |
AF & Stabilization
| AF Type | manual focus only |
| Stabilization | Yes |
Focus
| Min Focus Distance | 300 |
vs Competition
Stacked against the Sigma 18-50mm f/2.8 DC DN, the 7Artisans loses on versatility and autofocus but wins on focus control and price. The Sigma is a zoom with autofocus and better build quality, but it costs more and can't match the 260-degree focus throw for video work. The Sony FE 35mm f/1.4 ZA is in a completely different league optically, but it's also a full-frame photo lens that costs several times more and lacks the cine-specific features. The Tamron 28-300mm offers zoom flexibility but at f/4-7.1 it's much slower, and the variable aperture makes it a pain for video. For pure cine work on APS-C, the 7Artisans is the only one of these that's actually designed for the job.
| Spec | 7Artisans Hope Prime 85mm T2.1 85mm | Tamron Di III VC 28-300mm f/4-7.1 VXD | Sigma Art 17-40mm f/1.8 DC | Panasonic Leica DG Vario-Elmarit H-ES12035 | Sony E 18-135mm f/3.5-5.6 OSS | Nikon NIKKOR 2178 |
|---|---|---|---|---|---|---|
| Focal Length | 85mm | 28-300mm | 17-40mm | 12-35mm | 18-135mm | 16-85mm |
| Max Aperture | f/22 | f/4 | f/1.8 | f/2.8 | f/3.5 | f/3.5 |
| Mount | Fujifilm X | Sony E | Fujifilm X | Micro Four Thirds | Sony E | Nikon F |
| Stabilization | true | true | false | true | true | true |
| Weather Sealed | false | true | true | true | false | false |
| Weight (g) | 700 | 590 | 535 | 306 | 326 | 485 |
| AF Type | manual focus only | VXD linear motor | HLA (High-response Linear Actuator) | Autofocus | Linear motor | AF-S |
| Lens Type | prime | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Product | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Social Proof | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| 7Artisans Hope Prime 85mm T2.1 85mm | 14.8 | 34.5 | 36.5 | 68.9 | 70 | 21.9 | 33.2 | 43.6 | 79.3 |
| Tamron Di III VC 28-300mm f/4-7.1 VXD Compare | 97.7 | 83.6 | 62.8 | 83.3 | 96.3 | 71 | 97.9 | 50.5 | 79.3 |
| Sigma Art 17-40mm f/1.8 DC Compare | 53.9 | 97 | 66.9 | 72.2 | 96.6 | 95.4 | 75.7 | 94.1 | 34.4 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 53.9 | 86.7 | 83.7 | 49 | 86.1 | 88.3 | 80.5 | 86.1 | 96.4 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 97.7 | 81.3 | 70.8 | 37.4 | 78 | 82.8 | 95.8 | 90.7 | 79.3 |
| Nikon NIKKOR 2178 Compare | 53.9 | 81.3 | 54.7 | 63.1 | 67.4 | 82.8 | 94.1 | 90.7 | 92.3 |
Price
Value & Pricing
At $369, this lens is competing with budget photo primes, not cine lenses. The Tamron 28-300mm and Sigma 18-50mm f/2.8 both cost more and don't offer the 260-degree focus throw or stepless aperture that video shooters need. You're getting a dedicated cine tool for the price of a decent photo prime. The value proposition is simple: if you shoot video on an APS-C Sony E or Fuji X body and you want that long focus throw without spending $1,000+, this is basically your only option. The 5/5 rating from two reviews isn't much social proof, but the specs speak for themselves at this price.
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Overview
The 7Artisans Hope Prime 85mm T2.1 is a cine lens that punches way above its $369 price tag in one specific area: focus control. That 260-degree focus throw is the headline here, and it's the reason this lens exists. On an APS-C body, the 85mm focal length gives you roughly a 127mm equivalent, which is classic portrait territory. The T2.1 aperture is fast enough for low light and shallow depth of field, though it's not going to blow anyone away compared to f/1.4 photo lenses.
But let's be real about what this is. It's a manual focus cine lens with no weather sealing, no autofocus, and a build quality that sits at the 38th percentile in our database. The stabilization score is surprisingly strong at the 80th percentile, which is unusual for a prime cine lens. The macro score of 57.7 out of 100 is decent for an 85mm, and the minimum focus distance of 300mm means you can get reasonably close to subjects. This is a specialized tool for video shooters who want that long, precise focus throw without spending four figures.
Common Questions
Q: Does this lens have autofocus?
No, this is a fully manual focus cine lens. The 260-degree focus throw is designed for use with follow focus systems and manual focus pulling, not autofocus. If you need autofocus, look at photo lenses like the Sigma 18-50mm f/2.8 DC DN instead.
Q: Will this lens work on a full-frame camera?
No, this lens only covers APS-C sensors. On a full-frame Sony E or Fuji X body, you'll get heavy vignetting or a cropped image. The 85mm focal length gives you roughly a 127mm equivalent field of view on APS-C.
Q: Is the T2.1 aperture good for low light?
T2.1 is decent for low light but not exceptional. It ranks at the 21st percentile in our database, which means most lenses in this category are faster. You'll get usable footage in dim conditions, but don't expect the low-light performance of an f/1.4 photo lens.
Who Should Skip This
Skip this lens if you shoot stills, need autofocus, or work in harsh weather. The build quality at the 38th percentile and lack of weather sealing make it a poor choice for outdoor documentary work in unpredictable conditions. The bokeh at the 33rd percentile will disappoint portrait photographers who want creamy backgrounds. And if you're on a full-frame body, this lens simply won't cover your sensor. The travel score of 26.6 out of 100 tells you everything: this is a studio or controlled-environment tool, not a run-and-gun companion.
Verdict
The 7Artisans Hope Prime 85mm T2.1 is a niche tool that nails its niche. If you need a manual focus cine lens with a long focus throw for APS-C video work, this is a no-brainer at $369. The 260-degree focus rotation alone justifies the price, and the stepless aperture is the cherry on top. But if you're a stills shooter or you need autofocus, weather sealing, or full-frame coverage, this lens will frustrate you. The build quality and bokeh are mediocre, and the lack of weather sealing means you'll want to keep it out of the rain. For the right shooter, it's a steal. For everyone else, it's a paperweight.