Canon TS-E 24mm f/3.5L II 24mm
Combining four UD elements and one aspherical element with Subwavelength Coating, this lens delivers edge-to-edge sharpness with minimal chromatic aberration for full-frame EF-mount systems. Its robust L-series build includes weather sealing and a rotating tilt-shift mechanism offering ±8.5° of tilt and ±12mm of shift for precise perspective correction. This lens is best for architectural and interior photographers who require distortion-free, straight vertical lines in-camera without digital correction.
概览
用户评价
用户口碑如何随时间变化
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- Q1 201295/100
Buyers praise this tilt-shift lens as exceptional for architecture and landscape photography, noting its unique perspective control and sharpness, but caution it requires practice and a tripod.
- Exceptional image quality and sharpness for specialized use.
- Unique tilt-shift functionality for perspective and depth-of-field control.
- Expensive and requires learning curve; best for specific needs.
- Versatile for macro and creative effects like selective focus.
- Q4 2011100/100
All reviews are 5-star, praising the lens as extremely sharp, distortion-free, and a worthy successor to the Gen 1 model.
- Lens is incredibly sharp and distortion-free, with tack-sharp images.
- Tilt function is usable handheld, not requiring a tripod.
- Improved over Gen 1: sharper, less CA, enhanced movements.
- Large and heavy; some users prefer smaller alternatives for portability.
- Q3 201193/100
Buyers praise this lens for exceptional sharpness, tilt/shift/rotation versatility, and superior results for architecture and landscape photography.
- Outstanding sharpness and resolution, exceeding other Canon L lenses.
- Unique tilt/shift with rotation offers full perspective control.
- Excellent for architecture (correcting building lean) and landscapes.
- Setup and adjustments require a learning curve.
- Q4 201073/100
Buyers praise the lens's exceptional sharpness and tilt-shift capabilities, but note it requires a tripod for tilt and is expensive, with some preferring software correction.
- Exceptional sharpness and image quality, with no chromatic aberration or distortion.
- Tilt-shift features praised but require tripod; hand-holding possible only for shift.
- Lens is expensive and manual focus limits use for fast situations.
- Some users find it impractical without tripod, preferring software correction.
基于 59 条带日期的客户评价，按日历季度分组。分期分析为英文。
实测数据
性能表现
规格参数
完整规格参数
Optics
| Type | Tilt-shift |
| Focal Length Min | 24 |
| Focal Length Max | 24 |
| Elements | 16 |
| Groups | 11 |
| Aspherical Elements | 1 |
| ED Elements | 4 |
| Coating | SWC |
Aperture
| Max Aperture | f/22 |
| Min Aperture | f/3.5 |
| Constant | Yes |
| Diaphragm Blades | 8 |
Build
| Mount | Canon EF |
| Format | full-frame |
| Weather Sealed | Yes |
| Weight | 0.8 kg / 1.7 lbs |
| Filter Thread | 82 |
AF & Stabilization
| AF Type | manual focus only |
| Stabilization | No |
Focus
| Min Focus Distance | 210 |
| Max Magnification | 0.34x |
竞品对比
| Spec | Canon TS-E 24mm f/3.5L II 24mm | Sigma Contemporary 16-300mm f/3.5-6.7 DC OS | Tamron Di III 17-70mm f/2.8 Di III-A VC RXD | Nikon NIKKOR Z 17-28mm f/2.8 | Panasonic Leica DG Vario-Elmarit H-ES12035 | Sony E 18-135mm f/3.5-5.6 OSS |
|---|---|---|---|---|---|---|
| Focal Length | 24mm | 16-300mm | 17-70mm | 17-28mm | 12-35mm | 18-135mm |
| Max Aperture | f/22 | f/3.5 | f/2.8 | f/2.8 | f/2.8 | f/3.5 |
| Mount | Canon EF | Sony E | Sony E | Nikon Z | Micro Four Thirds | Sony E |
| Stabilization | false | true | true | false | true | true |
| Weather Sealed | true | true | true | true | true | false |
| Weight (g) | 780 | 615 | 544 | 450 | 306 | 326 |
| AF Type | manual focus only | HLA | RXD | Stepping Motor | Autofocus | Linear motor |
| Lens Type | tilt-shift | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| 产品 | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | 用户口碑 | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Canon TS-E 24mm f/3.5L II 24mm | 13.2 | 17.9 | 52.7 | 53 | 89.1 | 19.8 | 33.7 | 30.8 | 36.8 |
| Sigma Contemporary 16-300mm f/3.5-6.7 DC OS Compare | 53.8 | 84.5 | 64.2 | 87.4 | 99.2 | 76.6 | 99.6 | 81.9 | 99.2 |
| Tamron Di III 17-70mm f/2.8 Di III-A VC RXD Compare | 53.8 | 86.4 | 69.1 | 85.5 | 91.2 | 83.3 | 89.6 | 86.1 | 82.4 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 86.8 | 86.4 | 75.6 | 85.5 | 88.3 | 83.3 | 68.1 | 71 | 36.8 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 53.8 | 81.1 | 85.7 | 50.7 | 86.6 | 83.3 | 80.6 | 86.1 | 96.9 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 98 | 74.6 | 73 | 40.3 | 78.7 | 76.6 | 95.8 | 90.2 | 82.4 |
