Olympus M.Zuiko Digital ED V313020BU000 7-14mm
A constant f/2.8 aperture across the 7-14mm zoom range and a complex 14-element optical design with ZERO coating deliver sharp, flare-resistant images in a weather-sealed, 534g body. Its fast, silent Movie & Still Compatible autofocus and programmable L-Fn button make it equally adept for smooth video pulls and quick stills adjustments. This lens is best for Micro Four Thirds landscape and travel photographers who need a rugged, bright ultra-wide zoom for challenging outdoor conditions.
Resumo
The 30-Second Version
The Olympus 7-14mm f/2.8 PRO is a sharp, weather-sealed beast that's the best ultrawide zoom for Micro Four Thirds. Just accept you'll be buying a special filter holder and enjoy the stunning image quality.
Pros & Cons
Prós
- Top-tier sharpness across the frame 96th
- Constant f/2.8 aperture in a genuinely weather-sealed body 92nd
- Beautifully controlled flare and chromatic aberration 72nd
- Fast, silent autofocus that's great for video 70th
Contras
- Can't use standard screw-on filters
- No optical stabilization built in
- Hefty for a Micro Four Thirds lens at 534g
- Minimum focus distance is a mediocre 200mm
O que dizem os donos
The Word on the Street
Como a opinião dos donos mudou ao longo do tempo
ExclusivoCom base em quando os clientes realmente escreveram suas avaliações - para ver se os elogios iniciais se mantiveram.
- Q4 202267/100
Buyers praised the lens for landscape and sailing use, but two verified 0-star reviews contradict the positive tone, suggesting possible issues.
- Great for landscape and sailing photography, capturing wide scenes in tight spaces.
- Two verified 0-star reviews despite positive comments, indicating potential reliability concerns.
- Crisp, sharp, and easy to focus, with excellent image quality.
- Lightweight system compared to Canon, pleasing overall performance.
- Q1 2020100/100
Buyers in Q1 2020 praised this lens for its sharpness, vibrant colors, and fun use in cities and historic sites, despite not being an everyday lens.
- Sharp corner to corner with no fall off, exceeding expectations.
- Vibrant colors matching other PRO lenses, no workflow correction needed.
- Fun for architecture and downtown photography, more useful than expected.
- Reluctance to use in inclement weather due to large front element.
- Q3 201980/100
Buyers praised the lens for its sharpness, wide field of view, and macro capability, but one reported a broken zoom mechanism and costly out-of-warranty repair.
- Excellent sharpness and image quality for landscapes and architecture.
- Wide field of view and unique perspectives are highly valued.
- Lightweight, compact design and easy handling.
- Zoom mechanism broke with light use; expensive repair after warranty.
- Q2 201868/100
Buyers praised build and image quality for interiors, but one noted inconsistent autofocus and softness at F4, calling it overpriced.
- Excellent for real estate and architecture work, reliable daily use.
- Great build and image quality, but very large, heavy, and flare-prone.
- Autofocus hit-or-miss, not sharp at F4, overpriced for pro label.
- Curved front lens and fixed hood complicate filter use for landscapes.
- Q1 201890/100
Buyers praised the lens for its fun, wide-angle perspective and excellent optical performance, especially for astrophotography. Some noted front-heavy balance and lack of filter compatibility.
- Exceptional optical quality and fun, creative wide-angle perspective.
- Great for astrophotography and low light, with useful manual focus clutch.
- Weather sealing is good but less useful due to inability to take filters.
- Front-heavy design makes it uncomfortable for extended carry.
- Q3 201795/100
Buyers praise the lens for its excellent image quality, fast aperture, and solid build. Some note its large size, weight, and lack of filter support.
- Excellent image quality, sharpness, and color/contrast.
- Fast f/2.8 aperture and good low-light performance.
- Large and heavy for Micro Four Thirds; comparable to full-frame lenses.
- No filter thread; aftermarket adapters needed.
- Q2 2017100/100
Buyers praised the lens for its sharpness, versatile zoom range, and image quality rivaling primes, calling it a great value for landscape and everyday use.
- Excellent image quality and sharpness, even wide open.
- Versatile zoom range with f/2.8 aperture, ideal for various uses.
- Great value for money, rivaling prime lenses in quality.
- Fast autofocus and convenient manual/auto focus ring.
- Q1 201785/100
Buyers praised the lens for its wide angle, build quality, and landscape performance, though one noted noticeable flare in certain conditions.
- Wide angle capability and image quality highly praised for landscapes.
- Build quality and feel described as solid, premium, and well-balanced.
- Flare issue reported in sunlit indoor scenes, but not in landscapes.
- Manual focus ring and function button appreciated for usability.
- Q4 2016100/100
Buyers in Q4 2016 praised this lens for its exceptional sharpness, build quality, and versatility, calling it a must-have for micro four-thirds systems.
- Exceptional sharpness and image quality, often compared to Leica or Canon L lenses.
- Versatile for various uses: landscapes, night photography, real estate, and close-ups.
- Fast f2.8 aperture and wide-angle view praised for low-light performance.
- Some find it larger and heavier than expected for a wide-angle lens.
- Q2 201697/100
Buyers praise the lens for sharpness, build quality, and versatility, noting it's a favorite for wide-angle photography despite minor flare and focus issues.
- Exceptional sharpness and image quality, producing tack sharp and bright photos.
- Robust build quality, described as 'built like a tank' and reliable.
- Lens flare is common due to bulbous front element, but some find it adds character.
- Focus hunts in low light, though still quick; no screw-on filters possible.
- Q1 201695/100
Buyers praised the lens for its sharpness, versatility, and fast f/2.8 aperture. Some noted it is heavy and had rare autofocus hunting in low light.
- Extremely sharp and contrasty, earning its 'Pro' designation.
- Versatile zoom range with useful fisheye and wide-angle perspectives.
- Fast f/2.8 aperture enables low-light shooting without flash.
- Heavy at 534g but manageable; rare autofocus hunting in very dark conditions.
- Q4 2015100/100
Buyers praise the lens for its sharpness, build quality, and performance in low light. One reviewer survived a drop with only a scratched lens cap.
- Excellent image quality and sharpness, especially for wide-angle shooting.
- Durable build; survived a waist-high drop onto stone with no damage.
- Heavy but balances well on the E-M1; some find it a bit weighty.
- Pricing strategy criticized: high MSRP with frequent sales feels like a gimmick.
- Q3 201597/100
Buyers praised the lens for excellent optics, minimal distortion, and effective flare control, especially for landscape and night photography.
- Optics are sharp with vibrant colors and minimal barrel distortion.
- Flare control is notably better than previous lenses.
- Performs well for night photography at f2.8.
- Lens design does not accommodate screw-on filters.
Com base em 75 avaliações de clientes datadas, agrupadas por trimestre civil. A análise por período está em inglês.
As provas
Performance
The sharpness here is a real standout. In our database, the optical quality sits in the 91st percentile, and it shows. Images are crisp edge-to-edge, even wide open at f/2.8. What surprised us most is how well it handles flare and ghosting, given that massive, exposed front element. The ZERO coating does some serious heavy lifting. Autofocus is quick and silent, which is great for video, though it's nothing class-leading. The lack of stabilization is a minor bummer, but most modern MFT bodies have excellent IBIS, so it's rarely a dealbreaker.
Specifications
Full Specifications
Optics
| Type | Wide-angle |
| Focal Length Min | 7 |
| Focal Length Max | 14 |
| Elements | 14 |
| Groups | 11 |
| Aspherical Elements | 3 |
| ED Elements | 4 |
| Coating | Anti-Reflection ZERO Coating |
Aperture
| Max Aperture | f/22 |
| Min Aperture | f/2.8 |
| Constant | Yes |
| Diaphragm Blades | 7 |
Build
| Mount | Micro Four Thirds |
| Format | micro-four-thirds |
| Weather Sealed | Yes |
| Weight | 0.5 kg / 1.2 lbs |
| Filter Thread | 72 |
AF & Stabilization
| AF Type | Autofocus |
| Stabilization | No |
Focus
| Min Focus Distance | 200 |
| Max Magnification | 0.11x |
vs Competition
The obvious rival is the Panasonic Leica DG Vario-Elmarit 8-18mm f/2.8-4. It's lighter, takes filters, and gives you a bit more range, but it's not a constant f/2.8 and isn't quite as sharp at the wide end. If you're already in the Canon RF system, the RF 28-70mm f/2.8 IS STM is a fantastic standard zoom, but it can't touch this Olympus for sheer wide-angle drama. For the ultrawide junkie, the Olympus is the more specialized, uncompromising tool.
| Spec | Olympus M.Zuiko Digital ED V313020BU000 7-14mm | Sigma Contemporary 18-50mm f/2.8 DC DN | Tamron Di III 17-70mm F/2.8 Di III-A VC RXD | Nikon NIKKOR Z 17-28mm f/2.8 | Sony E 18-135mm f/3.5-5.6 OSS | Panasonic LUMIX G X VARIO II H-HSA12035 |
|---|---|---|---|---|---|---|
| Focal Length | 7-14mm | 18-50mm | 17-70mm | 17-28mm | 18-135mm | 12-35mm |
| Max Aperture | f/22 | f/2.8 | f/2.8 | f/2.8 | f/3.5 | f/2.8 |
| Mount | Micro Four Thirds | Sony E | Canon RF | Nikon Z | Sony E | Micro Four Thirds |
| Stabilization | false | false | true | false | true | true |
| Weather Sealed | true | true | true | true | false | true |
| Weight (g) | 534 | 290 | 544 | 450 | 326 | 306 |
| AF Type | Autofocus | stepping motor | RXD | Stepping Motor | Linear motor | Linear motor |
| Lens Type | wide-angle | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Produto | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Prova social | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Olympus M.Zuiko Digital ED V313020BU000 7-14mm | 53.4 | 13.4 | 70.1 | 38.3 | 92 | 20.5 | 72.1 | 95.8 | 37 |
| Sigma Contemporary 18-50mm f/2.8 DC DN Compare | 87.2 | 81.3 | 86.5 | 90.9 | 82.6 | 83.4 | 78.5 | 89.1 | 37 |
| Tamron Di III 17-70mm F/2.8 Di III-A VC RXD Compare | 53.4 | 86.4 | 69.4 | 85.1 | 91.1 | 83.4 | 89.5 | 84.7 | 82.7 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87.2 | 86.4 | 75.8 | 85.1 | 88.4 | 83.4 | 68.1 | 68.5 | 37 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 98.1 | 74.7 | 73.1 | 40 | 79.1 | 76.8 | 95.8 | 89.1 | 82.7 |
| Panasonic LUMIX G X VARIO II H-HSA12035 Compare | 53.4 | 81.3 | 85.8 | 50.6 | 86.8 | 83.4 | 80.5 | 84.7 | 97 |
Preço
Value & Pricing
The price spread on this lens is wild, ranging from $820 to an absurd $235,727 across vendors. Obviously, ignore the crazy outlier. At the real-world price around $800-$900, this lens is a solid investment for serious landscape shooters. It's not cheap, but the optical quality punches way above its weight. If you find a clean used copy for under $700, jump on it.
Amazon.es 1 oferta A partir de € 1.666
Price History
Saiba mais
Overview
This is the wide-angle zoom that makes Micro Four Thirds shooters feel like they're cheating. The Olympus 7-14mm f/2.8 PRO is a tank of a lens that delivers best-in-class optical performance in a package you can actually take into a rainstorm. If you shoot landscapes or architecture on an OM System or Panasonic body, this is the glass you save up for. It's sharp, fast, and built to outlast your camera body. Just know that the bulbous front element means you can forget about using standard screw-on filters.
Common Questions
Q: Can I use screw-on filters with this lens?
Nope, the front element bulges out too far. You'll need a third-party filter holder system that fits over the built-in petal hood if you want to use ND grads or polarizers.
Q: Does it work well for astrophotography?
It's decent but not ideal. The f/2.8 aperture is fast enough to get started, but you'll want something even faster like a manual focus f/1.4 prime if you're serious about capturing the Milky Way.
Q: Is this lens stabilized?
No, it relies on your camera body's in-body image stabilization (IBIS). On most modern Olympus and Panasonic bodies, the IBIS is so good you won't miss lens stabilization at all.
Who Should Skip This
If you're a casual travel photographer who wants a light, do-it-all zoom that takes filters, this isn't it. Go get the Panasonic 8-18mm f/2.8-4 instead. It's smaller, lighter, and won't force you into a specialized filter system.
Verdict
This is the best ultrawide zoom you can put on a Micro Four Thirds camera, period. The optical quality is phenomenal, the weather sealing gives you peace of mind, and the constant f/2.8 aperture makes it versatile in tricky light. If you can live without screw-on filters and don't mind a bit of heft, this lens will make your landscapes sing. It's a buy-and-keep-forever kind of lens.
