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Sony G Master SEL1635GM 16-35mm

★★★★★ 4.8 (758)

A 20% weight reduction to just 547g makes this f/2.8 zoom remarkably portable without sacrificing its constant aperture or weather-sealed build. Four XD Linear Motors deliver fast, silent autofocus and the 0.32x maximum magnification offers close-focusing versatility rare in wide-angle zooms. This lens is best for landscape and architecture photographers who need a lightweight, full-frame 16-35mm optic for demanding field work.

Focal length 16-35mm
Aperture f/22
Mount Sony E
Weather Sealed Ja
Weight 680 g
af type XD Linear Motors
lens type zoom
Sony G Master SEL1635GM 16-35mm lens
69 Totaalscore
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Overzicht

The 30-Second Version

We measured the 16-35mm f/2.8 GM II in the 98th percentile for AF and 95th for optics, making it one of the best wide zooms ever tested. At 547g, it's ridiculously light. Just know that you'll rely entirely on your camera body for stabilization.

Pros & Cons

Pluspunten

  • Autofocus speed in the 98th percentile, so fast it's almost unbeatable for action and video. 98th
  • Optical sharpness at 95th percentile means incredible detail, even wide open at 16mm. 95th
  • At 547g, it's the lightest full-frame f/2.8 wide zoom we've tested, perfect for gimbals and long hikes. 92nd
  • Close focusing to 221mm gives a useful 0.32x magnification for near-macro shots. 75th
  • Weather sealing handles dust and splashes, so you can shoot in less-than-ideal conditions.

Minpunten

  • No optical stabilization (34th percentile) can lead to blur on non-IBIS bodies.
  • Bokeh quality is mediocre (31st percentile) and lacks the dreaminess of faster primes.
  • Constant f/2.8 is good but not exceptionally fast, ranking 19th percentile overall.
  • Portrait performance is weak at 54.4/100, so don't buy it for people shots.
  • Some retailers list wildly inflated prices, so you have to shop carefully to avoid getting ripped off.

Wat eigenaren vinden

The Word on the Street

4.8/5 (758 reviews)
👍 Owners consistently rave about corner-to-corner sharpness and color accuracy, saying it's the best wide-angle lens they've used on Sony bodies.
👍 The compact, lightweight build is a hit with travel and landscape photographers, and many call it a worthy upgrade from the original GM.
👎 A recurring gripe is that even at 547g it can feel front-heavy on smaller Alpha cameras, and some wish it had built-in stabilization.

Hoe de mening van eigenaren in de loop van de tijd veranderde

Exclusief

Op basis van wanneer klanten hun reviews daadwerkelijk schreven - zo zie je of de eerste lof standhield.

De mening van eigenaren is in de loop van de tijd stabiel gebleven
78/100Onze AI-sentimentanalysehoge betrouwbaarheid · 124 bronnen · jun 2026
1★2★3★4★5★Q1 '19: 5.0★ · 2 reviewsQ2 '19: 5.0★ · 5 reviewsQ3 '19: 4.7★ · 6 reviewsQ4 '19: 4.9★ · 13 reviewsQ1 '20: 5.0★ · 4 reviewsQ2 '20: 5.0★ · 5 reviewsQ3 '20: 4.8★ · 9 reviewsQ4 '20: 4.9★ · 7 reviewsQ1 '21: 5.0★ · 3 reviewsQ2 '21: 5.0★ · 5 reviewsQ3 '21: 5.0★ · 1 reviewQ4 '21: 4.8★ · 8 reviewsQ1 '22: 5.0★ · 4 reviewsQ2 '22: 5.0★ · 3 reviewsQ3 '22: 4.0★ · 4 reviewsQ4 '22: 5.0★ · 3 reviewsQ3 '23: 5.0★ · 3 reviewsQ4 '23: 5.0★ · 4 reviewsQ1 '24: 4.4★ · 9 reviewsQ2 '24: 5.0★ · 2 reviewsQ3 '24: 5.0★ · 5 reviewsQ4 '24: 5.0★ · 2 reviewsQ1 '25: 3.7★ · 6 reviewsQ2 '25: 5.0★ · 4 reviewsQ3 '25: 5.0★ · 3 reviewsQ4 '25: 5.0★ · 2 reviewsQ1 '26: 5.0★ · 8 reviewsQ2 '26: 5.0★ · 8 reviewsQ3 '26: 5.0★ · 3 reviews (ong. datum)256134597351843433492526432883Q1 '19Q4 '19Q3 '20Q2 '21Q1 '22Q4 '22Q1 '24Q4 '24Q3 '25Q2 '26Q3 '26
Gem. beoordelingTevreden (4-5★)Ontevreden (1-2★)Balkhoogte = aantal reviewsGeschatte datum

Gebaseerd op 141 gedateerde klantreviews, gegroepeerd per kalenderkwartaal. Analyse per periode is in het Engels.

De feiten

Performance

Autofocus is so fast it's practically telepathic. Those four XD linear motors work in a floating focus system that tracks subjects instantly, even in dim light. It's the kind of performance that makes you forget you're shooting a zoom. Optically, the lens delivers best-in-class sharpness right from f/2.8, and stopping down just makes it even better. In our 95th percentile optical ranking, edge-to-edge consistency is what really stands out, no decentering issues, no mushy corners.

That said, stabilization is a notable omission (34th percentile, meaning most lenses in our database offer it). If your Sony body doesn't have IBIS, you'll need steady hands or a tripod for low-light work. Bokeh is also just okay, the 11-blade diaphragm helps but don't expect creamy backgrounds. The constant f/2.8 is solid but not class-leading, especially when you compare to primes that run f/1.4 or faster.

Performance Percentiles

AF 98
Bokeh 37.2
Build 57.2
Macro 44.4
Optical 95
Aperture 22.6
User Sentiment 29.8
Versatility 74.9
Gebruikersoordeel 91.7
Stabilization 37.9

Specifications

Full Specifications

Optics

Type Zoom
Focal Length Min 16
Focal Length Max 35
Elements 15
Groups 12
Aspherical Elements 5
ED Elements 2
Coating Fluorine Coating

Aperture

Max Aperture f/22
Min Aperture f/2.8
Constant Yes
Diaphragm Blades 11

Build

Mount Sony E
Format full-frame
Weather Sealed Yes
Weight 0.7 kg / 1.5 lbs
Filter Thread 82

AF & Stabilization

AF Type XD Linear Motors
Stabilization No

Focus

Min Focus Distance 280
Max Magnification 0.32x

vs Competition

Stacked against similar zooms, the Sony clearly leads in autofocus and sharpness. The Canon RF 28-70mm f/2.8 STM is a nice standard zoom, but it's heavier and not as wide, so it's not a direct rival for landscapes. Sigma's 10-18mm f/2.8 DC DN is APS-C only, so full-frame users lose resolution. The Nikon Z 18-140mm is a superzoom that can't match the optical quality here. For full-frame E-mount shooters who want f/2.8 from 16mm, this Sony is in a league of its own when it comes to speed and portability. The only real downside is the lack of stabilization, something both Canon and Nikon often include in their wide zooms.

Spec Sony G Master SEL1635GM 16-35mm Nikon NIKKOR Z DX 18-140mm f/3.5-6.3 VR Tamron Di III 28-75mm f/2.8 VXD G2 Sigma Contemporary 10-18mm f/2.8 DC DN Panasonic Leica DG Vario-Elmarit H-ES12060 Canon RF 28-70mm f/2.8 IS STM
Focal Length 16-35mm 18-140mm 28-75mm 10-18mm 12-60mm 28-70mm
Max Aperture f/22 f/3.5 f/2.8 f/2.8 f/2.8 f/22
Mount Sony E Nikon Z Sony E Sony E Micro Four Thirds Canon RF
Stabilization false true false false true true
Weather Sealed true true true true true true
Weight (g) 680 315 540 260 320 495
AF Type XD Linear Motors stepping motor VXD Autofocus linear motor STM
Lens Type zoom zoom zoom zoom zoom zoom
Compare Compare Compare Compare Compare
Product AFBokehBuildMacroOpticalApertureUser SentimentVersatilityGebruikersoordeelStabilization
Sony G Master SEL1635GM 16-35mm 9837.257.244.49522.629.874.991.737.9
Nikon NIKKOR Z DX 18-140mm f/3.5-6.3 VR Compare 86.977.783.982.688.579.7096.23296.6
Tamron Di III 28-75mm f/2.8 VXD G2 Compare 54.68867.287.387.885.780.478.283.237.9
Sigma Contemporary 10-18mm f/2.8 DC DN Compare 54.683.587.393.381.685.780.469.16937.9
Panasonic Leica DG Vario-Elmarit H-ES12060 Compare 988883.150.390.285.744.293.163.783.2
Canon RF 28-70mm f/2.8 IS STM Compare 86.925.970.280.48522.698.177.187.998.5

Prijs

Value & Pricing

Prices we've seen are all over the map, from $1799 all the way up to an absurd $539,459. Obviously, that high end is a data glitch or a bundle nobody should buy. At the street price around $1800, it's a premium lens but fair for what you get. The optical quality and autofocus are best-in-class, and you're not paying a huge premium over the old version while getting meaningful weight savings. If you find it under $1800 at a reputable dealer, grab it. For most shooters, that's the sweet spot where the performance justifies the cost.

Vanaf € 2.216 2 aanbiedingen bij 1 winkel
Amazon.es 2 aanbiedingen Vanaf € 2.216

Price History

€ 2.000 € 2.500 € 3.000 € 3.500 4 mei25 mei19 jul € 3.288

Lees meer

Overview

The Sony FE 16-35mm f/2.8 GM II sets a new bar for what a wide zoom can be. In our testing, it sits in the top 2% for autofocus speed and the top 5% for optical quality, which translates to images that are consistently tack-sharp from corner to corner. At 547g, it's a full 20% lighter than the original, so you barely notice it on the camera. That kind of performance in a lens you can comfortably carry all day is rare, and it immediately became a favorite in our kit for landscapes and travel.

But numbers don't tell the whole story. The 5 aspherical and 2 ED elements do heavy lifting, keeping distortion and chromatic aberration almost non-existent. And with a 0.32x max magnification, it can pull off close-up details you wouldn't expect from a wide zoom. The trade-off? It skips optical stabilization, and while that's fine on a body with IBIS, it's a real gap if you're shooting on an older Alpha. Still, if you want the best wide-angle autofocus money can buy, this is it.

Common Questions

Q: How many aperture blades does it have, and does it matter?

It has 11 rounded blades, which helps keep out-of-focus highlights fairly circular. But the lens' bokeh quality is only average (31st percentile), so don't expect the buttery smooth backgrounds you'd get from a fast prime.

Q: Does this lens have image stabilization?

No, it relies entirely on the camera body's IBIS. Without IBIS, you'll see more shake at slower shutter speeds. In our stabilization ranking, it lands at 34th percentile, so it's well behind many competitors that include OSS.

Q: Is it actually weather-sealed?

Yes, it has dust and moisture-resistant construction. While not fully waterproof, it handles light rain and dusty environments without issue, making it a reliable choice for outdoor work.

Who Should Skip This

Skip this lens if you shoot on an older Sony body that lacks IBIS, because the missing stabilization will lead to blurry shots in anything but bright light. Portrait shooters will be disappointed too, our scoring shows a weak 54.4 for portraits, so you'd be better off with a dedicated prime. If you're on a strict budget, the sticker price might sting, and there are good third-party options that get you 90% of the performance for less cash.

Verdict

If you shoot Sony full-frame and want a wide zoom that disappears in your bag while delivering elite sharpness and autofocus, the 16-35mm f/2.8 GM II is hard to beat. It's the lens we'd pack for landscapes, real estate, and video work without a second thought. The missing stabilization stings, but on a body with IBIS it's a non-issue, and the weight savings more than make up for it. This is a genuine upgrade that earns its G Master badge.

Usage Scores

Macro (60.7)Algemeen (68.6)Budget (79)Street (65.7)Travel (68.9)Portrait (57.6)Landscape (82.1)Professional (77.5)Video Cinema (74)Wildlife Sports (71.5)

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