Panasonic LUMIX G G97 Black 2025

A rugged, weather-sealed video workhorse with brilliant stabilization and a battery that dies way too fast. The current top cameras have left its autofocus in the dust, but the build and unlimited 4K still hold up.

The stabilization is the real star here. The 5-axis Dual I.S. 2 system is a standout, letting us pull off handheld shots that would be a blurry mess on other cameras. Video performance is also impressive for the price, with clean 4K 30p that won't shut down on you mid-shoot and a full V-Log L profile for color grading. But the 20.3MP sensor is solid at best, and the 49-point contrast-detect autofocus system feels sluggish compared to the phase-detect systems in newer rivals. It's fine for slow, deliberate work, but tracking a fast-moving subject is an exercise in frustration.

The competitive field has shifted hard since this camera launched. The Fujifilm X-H2S, Sony a7R V, Nikon Z9, Canon EOS R6 Mark III, and Panasonic Lumix S5 II now sit at the top of the market, and every one of them runs circles around the G97 in autofocus and sensor capability. The Sony a7R V and Nikon Z9 are in a completely different price bracket, but the Canon R6 Mark III and Panasonic S5 II are the real threats here. They cost more, but they deliver modern phase-detect autofocus and full-frame image quality that the G97 simply cannot match. The G97 still holds its own as a budget-friendly, weather-sealed video workhorse, but the gap between it and the current leaders has grown wider, not narrower.

Pricing is all over the map, with a spread from $598 to a frankly absurd $174,160. Ignore the crazy high outliers. At the low end around $600, this kit with the 12-60mm lens is a solid deal for a weather-sealed hybrid camera. You're getting a lot of video capability and ruggedness for the money. Just factor the cost of at least two extra batteries into your budget immediately.

The Panasonic LUMIX G97 is a tough camera to pin down. It's built like a little tank and feels fantastic in the hand, but it's running on an engine that's starting to show its age. Think of it as the ultimate greatest-hits album for the Micro Four Thirds system. You get class-leading weather sealing, genuinely useful stabilization, and unlimited 4K video recording in a body that won't break your back or your bank account. The main thing to know is this: it's a brilliant tool for video and hybrid creators who shoot outdoors, but the dated autofocus and weak battery life mean stills photographers should think twice.

If your main goal is still photography, skip this. The sensor is just okay, and the autofocus will frustrate you. A used Sony a6700 or even a Nikon Z5 II will give you a much better hit rate and image quality for photos. This camera is for video-first creators who shoot in bad weather.

The Panasonic LUMIX G97 is a specialized tool that excels in a specific niche, but that niche is shrinking. If you're a vlogger or hybrid shooter who needs a camera that can survive a rainstorm and record video until the card fills up, it's still a solid choice. For everyone else, especially stills photographers, the weak autofocus and poor battery life are significant hurdles, and the current top-tier cameras from Canon, Sony, Nikon, and Panasonic have only made those weaknesses more obvious. It's a great camera for the right person, but make sure that person is you before you buy.