OM System M.Zuiko Digital ED V335340BW000 8mm

★★☆☆☆ 2.3 (8)

Its globally unmatched f/1.8 maximum aperture in a fisheye lens enables clean low-light shooting and distinct circular bokeh from a 7-blade diaphragm. The IP53-rated dust, splash, and freeze-proof construction, combined with a ZERO coating to suppress flare, ensures reliable performance in harsh environments. This lens is best for underwater photographers and astrophotographers who need a durable, ultra-wide 180° angle of view with edge-to-edge sharpness.

Focal length 8mm
Aperture f/22
Mount Micro Four Thirds
Weather Sealed
Weight 315 g
af type MSC
lens type fisheye
OM System M.Zuiko Digital ED V335340BW000 8mm lens
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요약

The 30-Second Version

The OM System 8mm f/1.8 Fisheye PRO is a razor-sharp, weather-sealed weirdo with a best-in-class optical score that thrives in low light. If you need autofocus and an f/1.8 aperture in a fisheye for MFT, this is your only real option. It's pricey but worth it for the right kind of creative work.

Pros & Cons

장점

  • Ridiculously sharp for a fisheye, with top-shelf micro-contrast. 93rd
  • The bright f/1.8 opens up astro and underwater shooting. 90th
  • Weather sealing that laughs at rain, dust, and freezing temps. 84th
  • Lightweight and portable for a specialized pro lens.

단점

  • No optical stabilization means shaky video without a gimbal.
  • Specialized distortion is a love-it-or-hate-it affair.
  • Price is steep for a niche lens, especially on a budget.
  • Bokeh is nothing to write home about, even at f/1.8.

사용자 의견

The Word on the Street

2.3/5 (8 reviews)
👍 Owners describe it as a genuinely fun lens that rewards experimentation with unique, sharp images.
🤔 Several people mention that mastering the fisheye distortion takes time and a willingness to reframe how you compose.

근거 자료

Performance

Optically, this thing is a monster. We're talking 91st percentile sharpness across the frame, which for a fisheye is bonkers. That f/1.8 aperture gobbles up light on starry nights or in murky underwater housings, and the ZERO coating keeps flare in check when you point it at bright sources. Autofocus is quick but not mind-blowing (right around average for a lens like this), and there's no built-in stabilization, so you'll rely on your OM System body's IBIS to smooth out handheld stills. Video shooters will feel the pain: no OIS and that extreme distortion make handheld footage look like a skate video from 2001. It's also not a bokeh machine, but nobody buys a fisheye for creamy backgrounds.

Performance Percentiles

AF 54.6
Bokeh 14.5
Build 83.9
Macro 92.8
Optical 90.2
Aperture 22.6
Versatility 33.6
사용자 평판 7.1
Stabilization 38

Specifications

Full Specifications

Optics

Type Fisheye
Focal Length Min 8
Focal Length Max 8
Elements 17
Groups 15
Aspherical Elements 1
ED Elements 3
Coating ZERO (Zuiko Extra-low Reflection Optical) coating

Aperture

Max Aperture f/22
Min Aperture f/1.8
Constant No
Diaphragm Blades 7

Build

Mount Micro Four Thirds
Format micro-four-thirds
Weather Sealed Yes
Weight 0.3 kg / 0.7 lbs
Filter Thread 62

AF & Stabilization

AF Type MSC
Stabilization No

Focus

Min Focus Distance 120
Max Magnification 1:5

vs Competition

Direct competition in the MFT autofocus fisheye arena is basically a ghost town. The closest thing is the manual focus Samyang 7.5mm f/3.5, which is much cheaper but slower and not weather-sealed. Among the lenses you might cross-shop, the Viltrox AF 9mm f/2.8 for Sony E-mount is a rectilinear ultrawide, not a fisheye, so it misses the whole point. Even the full-frame Canon RF 28-70mm f/2.8 or the Sigma 10-18mm f/2.8 for crop sensors are in different categories. If you're dead set on a sharp, fast, weather-sealed fisheye with AF, this OM System lens stands alone. But if you don't need the distortion or the speed, you could save hundreds and get a manual fisheye or a standard ultrawide zoom.

Spec OM System M.Zuiko Digital ED V335340BW000 8mm Nikon NIKKOR Z 17-28mm f/2.8 Tamron Di III 28-75mm f/2.8 VXD G2 Sigma Contemporary 10-18mm f/2.8 DC DN Panasonic Leica DG Vario-Elmarit H-ES12060 Canon RF 28-70mm f/2.8 IS STM
Focal Length 8mm 17-28mm 28-75mm 10-18mm 12-60mm 28-70mm
Max Aperture f/22 f/2.8 f/2.8 f/2.8 f/2.8 f/22
Mount Micro Four Thirds Nikon Z Sony E Sony E Micro Four Thirds Canon RF
Stabilization false false false false true true
Weather Sealed true true true true true true
Weight (g) 315 450 540 260 320 495
AF Type MSC Stepping Motor VXD Autofocus linear motor STM
Lens Type fisheye zoom zoom zoom zoom zoom
Compare Compare Compare Compare Compare
제품 AFBokehBuildMacroOpticalApertureVersatility사용자 평판Stabilization
OM System M.Zuiko Digital ED V335340BW000 8mm 54.614.583.992.890.222.633.67.138
Nikon NIKKOR Z 17-28mm f/2.8 Compare 8788.173.686.38785.868.164.538
Tamron Di III 28-75mm f/2.8 VXD G2 Compare 54.688.167.287.387.885.878.283.138
Sigma Contemporary 10-18mm f/2.8 DC DN Compare 54.683.587.393.381.685.869.168.838
Panasonic Leica DG Vario-Elmarit H-ES12060 Compare 9888.183.150.490.285.893.163.583.2
Canon RF 28-70mm f/2.8 IS STM Compare 8725.970.280.48522.677.287.998.5

가격

Value & Pricing

Pricing is where it gets funky. We've seen it listed as low as $1,007 and as high as... well, $221,759, which we're pretty sure is a typo or someone testing the limits of internet commerce. Realistically, you're looking at around a grand, and for that money you're getting a tank-like build, pro-grade optics, and a feature set no other MFT fisheye matches. If you compare it to manual-only alternatives like the Samyang 7.5mm, you're paying a premium for autofocus and weather sealing. Is it worth it? If you'll use the f/1.8 often, absolutely. If you're just dipping your toes into fisheye territory, rent it first or hunt for a used deal. The best price we spotted today is from Adorama at that $1,007 mark.

최저 €1,269 소매점 1곳, 가격 1개
Amazon.es 가격 1개 최저 €1,269

Price History

€1,240 €1,250 €1,260 €1,270 €1,280 5월 29일7월 18일 €1,269

더 보기

Overview

This is OM System's niche weapon for MFT shooters who want to get weird, and we mean that in the best way possible. It's an autofocus fisheye that opens up to f/1.8, which basically lets you shoot in the dark or underwater without screaming at your screen. The 180-degree diagonal view sucks you into scenes like a creative black hole, and the weather sealing means you can take it out in the rain and snow without a second thought. It's surprisingly sharp edge-to-edge, too, which isn't something we say about every fisheye.

But let's be real: this is not a walkaround lens. You're buying it for that wild, bulbous perspective and the low-light chops, not for conventional snaps. If you're not into astrophotography, underwater adventures, or artistic distortion, it's going to feel like an expensive one-trick pony. Our database puts its optical quality near the top of the charts, so the trick it does, it does incredibly well.

Common Questions

Q: Can I de-fish the photos in post to use this as a regular ultrawide?

Yes, you can straighten the distortion in software, but you'll lose some corner sharpness and a bit of resolution. It's doable, but this lens really shines when you embrace the curved lines.

Q: Does this lens work for astrophotography?

It's excellent for astro. The f/1.8 aperture lets in loads of light, and the optical design minimizes coma, so stars stay crisp across most of the frame.

Q: Will my OM System camera's IBIS stabilize this lens?

Yes, the lens relies entirely on the camera body's built-in stabilization. With an OM-1 or E-M1 series, you'll get solid handheld performance for stills, but video can still be jittery without extra support.

Who Should Skip This

Skip this lens if you're after a practical wide-angle zoom for walkaround shooting or if you shoot a lot of handheld video and can't tolerate the wobble. The distortion is the star of the show, and if you're planning to de-fish every shot, just buy a rectilinear ultrawide and save yourself the headache. Budget-conscious shooters should also steer clear; you can get manual fisheyes for a third of the price if autofocus and weather sealing aren't must-haves.

Verdict

Buy this if you're an MFT shooter obsessed with astrophotography, underwater imaging, or creative in-your-face perspective. It's a specialist's lens that delivers near-flawless optical performance and tank-like build quality. The lack of stabilization and the price will scare off dabblers, but for the true believers, there's nothing else like it out there. Just make sure your imagination is as wide as the 180-degree view before you swipe that card.

Usage Scores

Macro (71.7)종합 (50)Budget (39.1)Street (48)Travel (46.2)Portrait (37)Landscape (54.9)Professional (53.8)Video Cinema (39.3)Wildlife Sports (48.6)

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