Viltrox AF 50mm f/1.4 FE
Its f/1.4 aperture and 11-blade diaphragm produce exceptionally smooth bokeh, while the noiseless VCM autofocus motor ensures silent, precise subject acquisition for full-frame Sony E-mount bodies. The optical design, incorporating 3 ED and 1 aspherical element, delivers strong sharpness and contrast in a weather-sealed build. This lens is best for portrait photographers seeking a fast, normal-length prime with refined background separation at a competitive price.
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Panoramica
The 30-Second Version
A tiny, weather-sealed 50mm that's sharp and fast-focusing, but the f/2 aperture and meh bokeh keep it from greatness. Buy it cheap, skip it at full price.
Pros & Cons
Pro
- Featherweight 205g build, you'll forget it's mounted 95th
- Weather sealing at this price is rare and welcome 89th
- Quiet, reliable STM autofocus for photo and video 77th
- Sharp optics with 3 ED and 1 aspherical element 77th
Contro
- f/2 max aperture limits low-light and bokeh potential
- Bokeh quality is mediocre at best
- No stabilization, so handheld video needs a steady hand
- Minimum focus distance of 510mm is not close-up friendly
Cosa dicono i proprietari
Come è cambiata l'opinione dei proprietari nel tempo
EsclusivaIn base a quando i clienti hanno effettivamente scritto le recensioni, per vedere se gli elogi iniziali sono durati.
Basato su 10 recensioni dei clienti datate, raggruppate per trimestre solare. L'analisi per periodo è in inglese.
Le prove
Performance
The STM autofocus is a genuine surprise here. It's quick, quiet, and sits in the 86th percentile for AF performance, which is wild for a lens this cheap. The optical stack with 3 ED and 1 aspherical element keeps things sharp and controlled, landing in the 78th percentile overall. But the f/2 max aperture is just okay, and the bokeh is a weak spot at the 39th percentile. You'll get some background blur, but it's not the creamy, dreamy stuff you'd get from a faster 50mm.
Specifications
Full Specifications
Optics
| Type | Prime |
| Focal Length Min | 50 |
| Focal Length Max | 50 |
| Elements | 15 |
| Groups | 11 |
| Aspherical Elements | 1 |
| ED Elements | 3 |
| Coating | Nano-Coating and Resistance Coating |
Aperture
| Max Aperture | f/1.4 |
| Min Aperture | f/16 |
| Constant | Yes |
| Diaphragm Blades | 11 |
Build
| Mount | Sony E |
| Format | full-frame |
| Weather Sealed | Yes |
| Weight | 0.8 kg / 1.8 lbs |
| Filter Thread | 77 |
AF & Stabilization
| AF Type | VCM |
| Stabilization | No |
Focus
| Min Focus Distance | 450 |
| Max Magnification | 0.14x |
vs Competition
The Viltrox Air 50mm f/2 sits in a weird spot against the competition. The Sigma 18-50mm f/2.8 and Tamron 17-70mm f/2.8 are zooms, so they trade the Viltrox's prime sharpness and tiny size for flexibility. The Sony E 18-135mm and Canon EF-S 18-200mm are superzooms that sacrifice even more optical quality for range. If you want one small, sharp, weather-sealed prime for everyday carry, the Viltrox wins. If you need versatility or reach, any of those zooms will serve you better. The Nikon Z DX 18-140mm is also a zoom, so same story: more range, less character.
| Spec | Viltrox AF 50mm f/1.4 FE | Canon RF 24-105mm f/2.8 L IS USM Z | Sony G Master FE 50-150mm f/2 GM | Sigma Art 17-40mm f/1.8 DC | Tamron Di III 70-180mm f/2.8 VC VXD G2 | Nikon NIKKOR Z 50mm f/1.2 S |
|---|---|---|---|---|---|---|
| Focal Length | 50mm | 24-105mm | 50-150mm | 17-40mm | 70-180mm | 50mm |
| Max Aperture | f/1.4 | f/2.8 | f/2 | f/1.8 | f/2.8 | f/1.2 |
| Mount | Sony E | Canon RF | Sony E | Fujifilm X | Sony E | Nikon Z |
| Format Coverage | full-frame | full-frame | full-frame | APS-C | full-frame | full-frame |
| Stabilization | false | true | false | false | true | false |
| Weather Sealed | true | true | true | true | true | true |
| Weight (g) | 800 | 1315 | 1340 | 535 | 855 | 1090 |
| AF Type | VCM | Nano USM | XD linear motors | HLA (High-response Linear Actuator) | VXD | Multi-Focus Stepping Motor AF System |
| Lens Type | prime | zoom | zoom | zoom | zoom | prime |
| Compare | Compare | Compare | Compare | Compare |
| Prodotto | AF | Bokeh | Build | Macro | Reach | Video | Optical | Aperture | User Sentiment | Wide Angle | Portability | Versatility | Riscontro degli utenti | Affordability | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Viltrox AF 50mm f/1.4 FE | 95.4 | 77.1 | 77.4 | 33.1 | 43.9 | 72.4 | 70.4 | 88.9 | 2.5 | 39.9 | 24.8 | 33 | 75 | 54 | 36.1 |
| Canon RF 24-105mm f/2.8 L IS USM Z Compare | 90 | 78.8 | 95.3 | 69.5 | 73.9 | 88.1 | 97.9 | 43.8 | 81.8 | 74.5 | 11.2 | 91.9 | 87.9 | 8.1 | 96 |
| Sony G Master FE 50-150mm f/2 GM Compare | 95.4 | 95.9 | 98.9 | 52.1 | 80.2 | 88.1 | 95.7 | 64.1 | 66.5 | 39.9 | 11 | 82.3 | 92.6 | 7.3 | 36.1 |
| Sigma Art 17-40mm f/1.8 DC Compare | 95.4 | 53.2 | 95.3 | 54.4 | 53.2 | 88.1 | 97.3 | 74.8 | 98.8 | 68.7 | 47 | 75.3 | 92.6 | 33.7 | 36.1 |
| Tamron Di III 70-180mm f/2.8 VC VXD G2 Compare | 95.4 | 86.6 | 77.4 | 75.7 | 81.1 | 84.3 | 96.5 | 43.8 | 66.5 | 29.1 | 21.9 | 77.4 | 92.6 | 27.6 | 97.4 |
| Nikon NIKKOR Z 50mm f/1.2 S Compare | 68.8 | 80.7 | 77.4 | 38.1 | 43.9 | 72.4 | 87.5 | 96.1 | 92.7 | 39.9 | 15.4 | 33 | 96.1 | 16 | 36.1 |
Prezzo
Value & Pricing
The value story is complicated by the price spread. We're seeing USD 199 to USD 549 across three US listings, and that's a huge gap. At USD 199, this lens is an absolute steal. At USD 549, you're getting into territory where faster, better-corrected 50mm primes start looking tempting. If you can find it near the low end, buy it without hesitation. If you're staring at the high end, wait for a sale or look elsewhere.
Approfondisci
Overview
The Viltrox Air AF 50mm f/2 is a tiny, weather-sealed prime that punches way above its price class for build quality. At 205g with a 58mm filter thread, it's the kind of lens you forget is on your camera until you check the shots later. The one thing to know: this is a budget-friendly everyday 50mm that nails the fundamentals, even if it won't win any bokeh beauty contests.
Common Questions
Q: Can I use a filter with the included lens hood?
Yep. The hood works fine with 58mm filters. Just make sure the filter has 58mm threads on both sides and isn't wider than the hood opening, or it won't fit.
Q: Is this lens good for video?
It's decent. The STM autofocus is quiet and smooth, which is great for video. But there's no stabilization, so handheld footage will be shaky unless your camera body has IBIS.
Q: How close can I focus?
Minimum focus distance is 510mm, about 20 inches. That's fine for portraits and everyday shots, but don't expect macro-style close-ups. The max magnification is only 1:9.09.
Who Should Skip This
If you want creamy bokeh or serious low-light performance, this isn't your lens. The f/2 aperture just doesn't deliver the background separation or light gathering of a f/1.4 or f/1.8 prime. Go grab a used 50mm f/1.8 instead, or save up for the Viltrox 50mm f/1.4 Pro if you want to stay in the family.
Verdict
The Viltrox Air AF 50mm f/2 is a no-brainer if you find it under USD 250. It's sharp, tiny, weather-sealed, and focuses fast. The f/2 aperture and mediocre bokeh hold it back from greatness, but for everyday photography, street work, and casual video, it's a fantastic little lens. Just don't pay full retail for it.
Usage Scores
- Macro31.5
- Complessivo72.1
- Budget82.6
- Street79.1
- Travel38.8
- Portrait78.1
- Landscape44.2
- Professional78.9
- Video Cinema67.4
- Wildlife Sports43.2