Panasonic Lumix G Leica DG SummiluxII H-XA025 25mm
Son ouverture f/1.4 constante offre une collecte de lumière exceptionnelle et un bokeh doux, tandis que le revêtement Nano Surface élimine efficacement les images fantômes. Sa conception tropicalisée et son poids de 340 g en font un objectif fiable et portable pour une utilisation en extérieur, avec une netteté uniforme du centre jusqu'aux coins. Cet objectif est idéal pour les photographes de portrait et les vidéastes utilisant le système Micro Four Thirds qui exigent une qualité d'image Leica et une performance fiable en basse lumière.
Aperçu
The 30-Second Version
The best nifty-fifty for Micro Four Thirds, period. Sharp, fast, and weather-sealed, it's the lens your camera deserves.
Pros & Cons
Points forts
- Gorgeous f/1.4 bokeh that's among the best we've seen 96th
- Rock-solid weather sealing for real-world shooting 94th
- Fast, silent autofocus that's perfect for video 88th
- Sharp and contrasty right from f/1.4 84th
Points faibles
- No lens hood in the box, which is just stingy
- Minimum focus distance is weak for close-up detail
- Not as tiny as some other MFT primes
L'avis des propriétaires
The Word on the Street
L'évolution de l'avis des propriétaires dans le temps
ExclusivitéD'après la date à laquelle les clients ont rédigé leurs avis - pour voir si l'enthousiasme initial s'est confirmé.
D'après 3 avis clients datés, regroupés par trimestre civil. L'analyse par période est en anglais.
Les preuves
Performance
What surprised us most is how this lens just gets out of the way. The stepping motor autofocus is fast and practically silent, nailing focus for both stills and video without any hunting drama. Wide open at f/1.4, the center sharpness is excellent, and the bokeh is smooth and buttery, landing it in the top tier of our database for rendering. It's not a macro lens by any stretch, with a pretty mediocre close-focus distance, but for portraits and everyday life, the image quality is simply beautiful.
Specifications
Full Specifications
Optics
| Type | Prime |
| Focal Length Min | 25 |
| Focal Length Max | 25 |
| Elements | 9 |
| Groups | 7 |
| Aspherical Elements | 2 |
| ED Elements | 1 |
| Coating | Nano Surface Coating |
Aperture
| Max Aperture | f/1.4 |
| Min Aperture | f/1.4 |
| Constant | Yes |
| Diaphragm Blades | 7 |
Build
| Mount | Micro Four Thirds |
| Format | micro-four-thirds |
| Weather Sealed | Yes |
| Weight | 0.3 kg / 0.7 lbs |
| Filter Thread | 46 |
AF & Stabilization
| AF Type | stepping motor |
| Stabilization | Yes |
Focus
| Min Focus Distance | 300 |
| Max Magnification | 0.11x |
vs Competition
The obvious budget alternative is Panasonic's own 25mm f/1.7, which is smaller and cheaper but lacks the Leica magic, weather sealing, and that extra two-thirds stop of light. If you're considering a zoom instead, something like the Sigma 28-70mm f/2.8 is more versatile but much larger and won't give you the same subject isolation on a Micro Four Thirds body. For pure low-light portraiture on the system, this Leica is the one to beat.
| Spec | Panasonic Lumix G Leica DG SummiluxII H-XA025 25mm | Sigma Contemporary 18-50mm f/2.8 DC DN | Tamron Di III 17-70mm f/2.8 Di III-A VC RXD | Nikon NIKKOR Z 17-28mm f/2.8 | Sony E PZ 16-50mm f/3.5-5.6 OSS | Canon RF 28-70mm f/2.8 IS STM |
|---|---|---|---|---|---|---|
| Focal Length | 25mm | 18-50mm | 17-70mm | 17-28mm | 16-50mm | 28-70mm |
| Max Aperture | f/1.4 | f/2.8 | f/2.8 | f/2.8 | f/3.5 | f/22 |
| Mount | Micro Four Thirds | Sony E | Sony E | Nikon Z | Sony E | Canon RF |
| Stabilization | true | false | true | false | true | true |
| Weather Sealed | true | true | true | true | true | true |
| Weight (g) | 340 | 290 | 544 | 450 | 107 | 495 |
| AF Type | stepping motor | stepping motor | RXD | Stepping Motor | Autofocus | STM |
| Lens Type | prime | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Produit | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Preuve sociale | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Panasonic Lumix G Leica DG SummiluxII H-XA025 25mm | 87.6 | 93.6 | 83.5 | 34.1 | 65.9 | 96.1 | 33.6 | 42.3 | 82.4 |
| Sigma Contemporary 18-50mm f/2.8 DC DN Compare | 87.6 | 80.4 | 86.5 | 90.8 | 82.5 | 82.8 | 78.5 | 90.1 | 36.7 |
| Tamron Di III 17-70mm f/2.8 Di III-A VC RXD Compare | 53.7 | 85.7 | 69.8 | 84.9 | 91 | 82.8 | 89.4 | 86 | 82.4 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87.6 | 85.7 | 76 | 84.9 | 88.4 | 82.8 | 68 | 71.4 | 36.7 |
| Sony E PZ 16-50mm f/3.5-5.6 OSS Compare | 53.7 | 73.7 | 98.6 | 43.2 | 69 | 75.9 | 83.1 | 82 | 93.5 |
| Canon RF 28-70mm f/2.8 IS STM Compare | 87.6 | 23 | 72.9 | 78.9 | 86.7 | 20.1 | 77.3 | 90.1 | 98.6 |
Prix
Value & Pricing
Pricing is all over the map, from $298 to $898 across different vendors, so you absolutely need to shop around. At the low end of that spread, this lens is a steal. At the high end, you're getting into used flagship territory. The sweet spot is finding it from a reputable seller in the $400-$500 range, where it handily beats the value of most zoom lenses for pure image quality.
En savoir plus
Overview
This is the lens that makes Micro Four Thirds sing. The Panasonic Leica 25mm f/1.4 II is the sharp, weather-sealed nifty-fifty equivalent that every Lumix shooter should at least seriously consider. It's not a pancake, but it's compact enough to live on your camera, and that f/1.4 aperture opens up a world of low-light shooting and creamy background blur that kit zooms can only dream about.
Common Questions
Q: Does this lens come with a lens hood?
Nope, and it's a real bummer. You'll need to budget for a separate 46mm screw-in hood or find a compatible bayonet one. Panasonic really should include one at this price.
Q: Is this good for video work?
Absolutely. The autofocus is quick and silent, so you won't hear any motor noise in your clips. The f/1.4 aperture is a lifesaver for keeping your ISO down in dimly lit scenes.
Q: How does it compare to the cheaper Panasonic 25mm f/1.7?
The f/1.7 is a great budget lens, but this Leica is in a different league. You get better sharpness, richer contrast, weather sealing, and that extra bit of light gathering that makes a real difference for background blur and low-light shots.
Who Should Skip This
If you're primarily a macro shooter or need a lens that can pull double duty for extreme close-ups, this isn't it. The minimum focus distance is pretty long, so you'll be frustrated fast. Grab a dedicated macro lens like the Olympus 60mm f/2.8 instead.
Verdict
If you own a Micro Four Thirds camera and don't have this lens, you're missing out. It's the perfect walk-around prime that delivers professional image quality in a compact, rugged package. The lack of a bundled hood is annoying, but the photos you'll get make it easy to forgive. This is a buy-it-for-life kind of lens.