Sirui Astra Series T1.8 1.33x 100mm Full-Frame Anamorphic 100mm

Combining autofocus with anamorphic optics, this 100mm T1.8 lens delivers a 2.4:1 widescreen image without cropping, thanks to its 1.33x squeeze and expansive 44mm full-frame image circle. Its neutral streak flares provide subtle cinematic character without strong color casts, and the lens weighs just 680g for comfortable handheld shooting. This lens is ideal for solo filmmakers and gimbal operators seeking cinematic widescreen portraits with reliable autofocus and flattering compression.

Focal length 100mm
Aperture T22
Mount Sony E
Weight 680 g
af type Autofocus
Sirui Astra Series T1.8 1.33x 100mm Full-Frame Anamorphic 100mm lens
36 Overall Score

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Snapshot

The 30-Second Version

The Sirui Astra 100mm T1.8 is a full-frame anamorphic with autofocus, which is still a rare combo. Optical quality is above average at the 72nd percentile, but aperture performance is a disappointing 21st percentile. At USD 849, it's a niche tool for solo shooters who want the anamorphic look without manual focus.

Pros & Cons

Pros

  • Full-frame anamorphic with autofocus, a rare combo at this price 72nd
  • T1.8 aperture for low light and shallow depth of field
  • 44mm image circle covers full frame without vignetting
  • Neutral streak flares for a more subtle anamorphic look
  • Only 680g, light for a full-frame anamorphic prime

Cons

  • Aperture performance at 21st percentile despite the T1.8 spec
  • Build quality at 37th percentile, below average for the category
  • No optical stabilization, 34th percentile ranking
  • Bokeh at 43rd percentile, not as smooth as the 13 blades suggest
  • Versatility at 33rd percentile, this is a one-trick lens

The proof

Performance

Let's talk about what this lens does well first. The optical score puts it at the 72nd percentile, which is above average but not a standout. The 18 elements in 13 groups do a decent job controlling aberrations across that 44mm image circle, and the neutral streak flares are a deliberate choice for shooters who don't want the heavy blue flare look that Sirui's cheaper anamorphics are known for. The 13-blade diaphragm helps keep bokeh smooth, though the bokeh score itself is only at the 43rd percentile, so don't expect the creamiest background rendering in the category. Autofocus lands at the 54th percentile, which is about average, and that's actually notable for an anamorphic lens. Most anamorphics are manual focus only, so having AF at all is a feature. But the stabilization score is 34th percentile, and there's no optical stabilization built in, so you'll want a gimbal or a body with IBIS if you're shooting handheld. The minimum focus distance of 2.3 feet is workable for a 100mm, but the macro score of 49th percentile confirms this isn't a close-up lens.

Performance Percentiles

AF 53.9
Bokeh 43.3
Build 37.4
Macro 49.6
Optical 71.6
Aperture 21.8
Versatility 33.2
Stabilization 34.4

Specifications

Full Specifications

Optics

Focal Length Min 100
Focal Length Max 100
Elements 18
Groups 13

Aperture

Max Aperture T22
Min Aperture T1.8
Constant Yes
Diaphragm Blades 13

Build

Mount Sony E
Format Full-Frame (44 mm Image Circle)
Weight 0.7 kg / 1.5 lbs
Filter Thread 67

AF & Stabilization

AF Type Autofocus
Stabilization No

Focus

Min Focus Distance 700

vs Competition

Stacking this against the competition is a bit unfair, because most of the top competitors in our database are zoom lenses, not anamorphic primes. The Tamron 18-300mm and Sigma 16-300mm are travel zooms that beat the Sirui on versatility and stabilization, but they can't produce an anamorphic image at all. The Sony E 18-135mm f/3.5-5.6 OSS is a solid all-rounder with optical stabilization, but it's a slow variable aperture zoom. The Panasonic Leica 12-35mm is a Micro Four Thirds lens, so it's not even playing the same game. What the Sirui offers that none of these do is the 2.4:1 aspect ratio without cropping, plus the oval bokeh and streak flares that define the anamorphic look. If you want that specific aesthetic, the comparison is moot. If you want a general-purpose lens, every one of those competitors is more versatile.

Spec Sirui Astra Series T1.8 1.33x 100mm Full-Frame Anamorphic 100mm Tamron Di III VC 28-300mm f/4-7.1 VXD Nikon NIKKOR 20059 Sigma Art 17-40mm f/1.8 DC Panasonic Leica DG Vario-Elmarit H-ES12035 Sony E 18-135mm f/3.5-5.6 OSS
Focal Length 100mm 28-300mm 18-55mm 17-40mm 12-35mm 18-135mm
Max Aperture T22 f/4 f/3.5 f/1.8 f/2.8 f/3.5
Mount Sony E Sony E Nikon F Fujifilm X Micro Four Thirds Sony E
Stabilization false true true false true true
Weather Sealed false true false true true false
Weight (g) 680 590 205 535 306 326
AF Type Autofocus VXD linear motor pulse stepping motor HLA (High-response Linear Actuator) Autofocus Linear motor
Lens Type - zoom zoom zoom zoom zoom
Compare Compare Compare Compare Compare
Product AFBokehBuildMacroOpticalApertureVersatilityStabilization
Sirui Astra Series T1.8 1.33x 100mm Full-Frame Anamorphic 100mm 53.943.337.449.671.621.833.234.4
Tamron Di III VC 28-300mm f/4-7.1 VXD Compare 97.783.663.183.296.370.997.979.4
Nikon NIKKOR 20059 Compare 84.781.483.895.454.782.882.892.3
Sigma Art 17-40mm f/1.8 DC Compare 53.99767.172.396.795.375.834.4
Panasonic Leica DG Vario-Elmarit H-ES12035 Compare 53.986.783.949.186.288.380.596.4
Sony E 18-135mm f/3.5-5.6 OSS Compare 97.781.47137.677.982.895.879.4

Price

Value & Pricing

At USD 849 in the US and CAD 1,170 in Canada, the Astra 100mm is priced like a mid-range anamorphic, and that's where it gets interesting. You're getting autofocus, full-frame coverage, and a T1.8 aperture for less than many manual-focus anamorphic primes. But the value proposition depends entirely on whether you need the AF. If you're shooting narrative work on a tripod with a follow focus, the autofocus is wasted and you might be better served by a cheaper manual anamorphic with better build quality. If you're a solo shooter or run-and-gun filmmaker who wants the anamorphic look without pulling focus manually, this is one of the few options at this price point. The single US listing at USD 849 suggests availability is limited, so you may not have much room to shop around.

Read more

Overview

The Sirui Astra 100mm T1.8 anamorphic is a bit of an odd duck in our database. It's a full-frame autofocus anamorphic lens, which is still a rare combination, and it squeezes a 2.4:1 aspect ratio out of your sensor without cropping. The headline numbers are the T1.8 aperture and the 44mm image circle, which means you get that wide cinematic frame and shallow depth of field on a Sony E body. But the percentile data tells a more complicated story. Optical quality sits at the 72nd percentile, which is solid, but aperture performance lands at the 21st percentile, which is a real head-scratcher for a lens marketed on its low-light chops. The T1.8 is there, but the overall aperture score suggests something isn't translating in real-world use.

Common Questions

Q: Will this lens work on my APS-C Sony body?

Yes, it will mount and work fine on APS-C Sony E bodies like the a6700. The crop factor is 1.5x, so the 100mm focal length becomes effectively 150mm. You'll also lose some of the anamorphic squeeze benefit since the lens is designed for a 44mm full-frame image circle, but it will still produce the 2.4:1 aspect ratio with the 1.33x squeeze.

Q: Does the autofocus work well for video?

The AF performance ranks at the 54th percentile in our database, which is about average. For an anamorphic lens, having autofocus at all is notable, but don't expect the snappy, reliable tracking you'd get from a native Sony G Master lens. It's best suited for slower, deliberate focus pulls rather than fast action.

Q: How does the T1.8 aperture perform in low light?

The T1.8 maximum aperture should be great for low light, but the aperture performance score is only at the 21st percentile. This suggests that while the spec is there, real-world light transmission or sharpness wide open may not be as impressive as the number implies. You may need to stop down to T2.8 or so for the best image quality.

Who Should Skip This

Skip this lens if you need rugged build quality or optical stabilization. The build score is 37th percentile and there's no OIS, so handheld run-and-gun work without a gimbal or IBIS body will be shaky. Also skip it if you're primarily a stills shooter, the anamorphic squeeze means you'll be de-squeezing every image in post, and the 33rd percentile versatility score confirms this is not a general-purpose lens. If you shoot on APS-C, the 1.5x crop turns this into a 150mm equivalent, which is a very tight field of view for most indoor or interview work.

Verdict

The Sirui Astra 100mm T1.8 is a niche lens that knows exactly what it is. The optical performance is above average at the 72nd percentile, and the autofocus is a genuine differentiator in the anamorphic space. But the build quality at the 37th percentile and the aperture performance at the 21st percentile are hard to ignore. For USD 849, you're paying for the anamorphic look and the AF convenience, not for rugged construction or class-leading optics. If you're a solo filmmaker on Sony E who wants that 2.4:1 frame without a focus puller, this is a solid buy. If you're shooting on sticks with a manual focus workflow, there are better-built manual anamorphics out there for similar money.

Usage Scores

Macro (44.8)Overall (35.5)Budget (29.5)Street (36.7)Travel (23.1)Portrait (39.2)Landscape (31.6)Professional (40.8)Video Cinema (43.1)Wildlife Sports (30.4)

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