TTArtisan APO-M 35mm F2 ASPH 35mm
The 12-element, 9-group optical design with 3 ED and 1 aspherical element delivers strong chromatic aberration control, minimizing purple fringing in harsh light. The f/2 aperture creates smooth bokeh while the 63-degree viewing angle closely matches human vision, and the 510g all-metal build suits Leica M rangefinders. Best for street and documentary photographers who prioritize manual focus precision and want APO-level clarity without Leica pricing.
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Snapshot
The 30-Second Version
The TTArtisan APO-M 35mm F2 ASPH is a manual focus prime lens for Leica M mount that delivers impressive chromatic aberration control at a budget price. It's sharp in the center, well built, and dramatically cheaper than Leica's own 35mm options. Bokeh quality and corner sharpness are weak spots, but for street photographers who want APO performance without the Leica tax, this lens is a solid pick.
Pros & Cons
Pros
- Excellent chromatic aberration control for the price 68th
- Solid all-metal build quality
- Compact and lightweight at 510g
- Fast f/2 aperture for low light
- Dramatically cheaper than Leica's own 35mm lenses
Cons
- Manual focus only, no electronic contacts
- Bokeh quality is below average
- No weather sealing
- Minimum focus distance of 700mm is limiting
- Corner sharpness soft wide open
The proof
Performance
The headline feature here is the APO design, and it delivers. Chromatic aberration control is genuinely impressive for a lens at this price. You can shoot high contrast scenes in harsh sunlight and you won't see much purple fringing, which is exactly what the marketing claims. That's not always a given with budget glass. The 3 ED elements are doing real work here. In our database, optical quality sits at the 68th percentile, which is solidly above average for this category.
Sharpness wide open at f/2 is good, not great. The center is crisp, but corners soften up a bit until you stop down to f/4 or so. That's pretty typical for fast 35mm primes, even expensive ones. Bokeh is where this lens shows its budget roots. It ranks in the 14th percentile for bokeh quality, which is near the bottom. The rendering can get a little busy and nervous in the out of focus areas, especially with busy backgrounds. If you're buying this specifically for creamy, dreamy background blur, you might be disappointed. But for street work and documentary style shooting, it's perfectly usable.
Specifications
Full Specifications
Optics
| Type | Standard |
| Focal Length Min | 35 |
| Focal Length Max | 35 |
| Elements | 12 |
| Groups | 9 |
| Aspherical Elements | 1 |
| ED Elements | 3 |
Aperture
| Max Aperture | f/22 |
| Min Aperture | f/2 |
| Constant | Yes |
Build
| Mount | Leica M |
| Format | full-frame |
| Weather Sealed | No |
| Weight | 0.5 kg / 1.1 lbs |
| Filter Thread | 52 |
AF & Stabilization
| AF Type | manual focus only |
| Stabilization | No |
Focus
| Min Focus Distance | 700 |
vs Competition
The competitors listed in our database are mostly zoom lenses, which makes direct comparison a little odd. The Tamron 18-300mm and Sigma 16-300mm are superzoom lenses for APS-C mirrorless cameras. They're more versatile in terms of focal range, but they're slower, bigger, and they don't have the APO correction or the f/2 aperture. If you need one lens that does everything, those zooms win. But if you want a dedicated 35mm prime with excellent color correction, the TTArtisan is in a different league optically.
Against other manual focus 35mm primes for Leica M, the TTArtisan APO-M 35mm F2 competes with lenses from Voigtlander and Zeiss. The Voigtlander 35mm f/2 Ultron is a bit more expensive but has a better reputation for bokeh and overall rendering. The Zeiss Biogon 35mm f/2 is sharper corner to corner but costs significantly more. The TTArtisan undercuts both on price while delivering APO correction that neither of those lenses has. It's a trade-off. You save money and get great CA control, but you give up some bokeh quality and corner sharpness.
| Spec | TTArtisan APO-M 35mm F2 ASPH 35mm | Tamron Di III VC 28-300mm f/4-7.1 VXD | Nikon NIKKOR 20059 | Sigma Art 17-40mm f/1.8 DC | Panasonic Leica DG Vario-Elmarit H-ES12035 | Sony E 18-135mm f/3.5-5.6 OSS |
|---|---|---|---|---|---|---|
| Focal Length | 35mm | 28-300mm | 18-55mm | 17-40mm | 12-35mm | 18-135mm |
| Max Aperture | f/22 | f/4 | f/3.5 | f/1.8 | f/2.8 | f/3.5 |
| Mount | Leica M | Sony E | Nikon F | Fujifilm X | Micro Four Thirds | Sony E |
| Stabilization | false | true | true | false | true | true |
| Weather Sealed | false | true | false | true | true | false |
| Weight (g) | 510 | 590 | 205 | 535 | 306 | 326 |
| AF Type | manual focus only | VXD linear motor | pulse stepping motor | HLA (High-response Linear Actuator) | Autofocus | Linear motor |
| Lens Type | standard | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Product | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Social Proof | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| TTArtisan APO-M 35mm F2 ASPH 35mm | 14.8 | 13.9 | 48.2 | 49.6 | 67.5 | 21.8 | 33.2 | 35.2 | 34.4 |
| Tamron Di III VC 28-300mm f/4-7.1 VXD Compare | 97.7 | 83.6 | 63.1 | 83.2 | 96.3 | 70.9 | 97.9 | 50.8 | 79.4 |
| Nikon NIKKOR 20059 Compare | 84.7 | 81.4 | 83.8 | 95.4 | 54.7 | 82.8 | 82.8 | 86.3 | 92.3 |
| Sigma Art 17-40mm f/1.8 DC Compare | 53.9 | 97 | 67.1 | 72.3 | 96.7 | 95.3 | 75.8 | 94.1 | 34.4 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 53.9 | 86.7 | 83.9 | 49.1 | 86.2 | 88.3 | 80.5 | 86.3 | 96.4 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 97.7 | 81.4 | 71 | 37.6 | 77.9 | 82.8 | 95.8 | 90.8 | 79.4 |
Price
Value & Pricing
At $468 USD, this lens is a fascinating value proposition. You're getting APO-level optical performance in a Leica M mount lens for less than half of what you'd pay for a used Leica Summarit 35mm. The catch is that you're giving up autofocus, weather sealing, and any electronic communication with the camera body. For Leica M shooters, that's not really a sacrifice since the M system is manual focus anyway. But if you're thinking about adapting this to a Sony or Fuji body, you should know there are native autofocus options in this price range that might serve you better. The value score in our database is low, but that's because it's being compared against all lenses, including cheap kit zooms. For what it is, a manual APO prime for Leica M, the price is actually quite reasonable.
Read more
Overview
The TTArtisan APO-M 35mm F2 ASPH is a manual focus prime lens for Leica M mount cameras, and it's one of the more interesting budget options in that space. At around $468 USD, it's dramatically cheaper than Leica's own 35mm glass, which can run several times that. The pitch here is simple: APO-level chromatic aberration control and a fast f/2 aperture in a compact, all-metal package. For rangefinder shooters who want that classic 35mm field of view without selling a kidney, this thing looks mighty tempting on paper.
It's built around a 12 element, 9 group optical design with 3 ED elements and 1 aspherical element. That's a serious optical formula for the price. The 35mm focal length gives you roughly a 63 degree viewing angle, which is why so many street photographers swear by it. It's close to what your eyes naturally see, so framing feels intuitive. You're not fighting the lens to get the shot you want.
But let's be real about what this is. It's a fully manual lens with no electronic contacts, no autofocus, and no image stabilization. On a Leica M body, that's par for the course. But if you're adapting this to something else, you need to know what you're signing up for. This is a lens for people who enjoy the process of photography, not for folks who want the camera to do the heavy lifting.
Common Questions
Q: Is the TTArtisan APO-M 35mm F2 good for street photography?
Yes, the 35mm focal length and manual focus design make it a natural fit for street photography. The APO correction helps keep high contrast scenes clean, and the compact size means you won't draw attention to yourself.
Q: Does the TTArtisan 35mm f2 work on all Leica M cameras?
It's compatible with Leica M mount bodies including the M2 through M11 series. Since it has no electronic contacts, it works on both film and digital M bodies without any adapter or firmware updates.
Q: How does the TTArtisan APO-M 35mm compare to the Leica 35mm Summicron?
The Leica Summicron has better bokeh, corner sharpness, and overall build quality, but it costs several times more. The TTArtisan actually has better chromatic aberration control thanks to its APO design, so it's a legitimate alternative if you can live with manual focus and slightly softer corners.
Q: Is the TTArtisan 35mm f2 weather sealed?
No, this lens has no weather sealing. You'll want to be careful shooting in rain, dust, or snow. A simple rain cover or just being mindful of the conditions is a good idea.
Who Should Skip This
Skip this lens if you need autofocus, weather sealing, or close focusing ability. The 700mm minimum focus distance means you can't get close to small subjects, so macro shooters should look elsewhere. If you're adapting to a mirrorless camera, native autofocus primes like the Sony 35mm f/1.8 or Fuji 35mm f/2 are better choices for most people. And if bokeh quality is your top priority, this lens ranks near the bottom of our database. You'd be happier with something like the Voigtlander 35mm f/2 Ultron or a used Zeiss Biogon.
Verdict
Should you buy the TTArtisan APO-M 35mm F2 ASPH? If you shoot a Leica M body and you want a fast 35mm with excellent chromatic aberration control without spending Leica money, yes. This is one of the best budget options for that system. The APO designation isn't just marketing fluff. The lens genuinely controls fringing better than most lenses in its class.
But if you're not already committed to the Leica M system, think carefully. There are autofocus 35mm primes for Sony, Fuji, and Nikon that cost about the same and offer better bokeh, weather sealing, and modern conveniences. This lens makes the most sense for rangefinder purists who value the manual focusing experience and want APO performance on a budget. For everyone else, it's a niche product that requires some compromises.