Best Lenses under €500 for video production

Best Pick

Sigma Contemporary 56mm f/1.4 DC DN 56mm

81 Video/Cinema Score
56mmf/1.4Nikon ZWeather Sealed
Why we recommend this

The bright f/1.4 aperture and 84mm full-frame equivalent focal length deliver sharp subject isolation and strong low-light performance in a compact, 280g body. Its weather-sealed construction and near-silent stepping motor AF add durability and discreet operation uncommon at this price point. This lens is best for APS-C mirrorless portrait and street photographers who need a lightweight, fast telephoto prime with professional-grade optics.

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Great Alternatives

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Sigma MC-11 89E965

45.8 Video/Cinema Score
Canon EF a Sony E (EOS-SE)IS
Why we recommend this ▼

This Sigma MC-11 mount converter enables full electronic control, including autofocus and aperture selection, when adapting Canon EF or Sigma SA lenses to Sony FE bodies. It uniquely supports both in-lens optical stabilization and in-body camera shake reduction, bridging two major lens ecosystems. This adapter is best for portrait photographers with existing Canon glass who are transitioning to Sony mirrorless systems.

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Sigma TS-71

44.2 Video/Cinema Score
Why we recommend this ▼

Weighing just 100g, the Sigma TS-71 prioritizes portability with a tripod clamp and clip included for quick mounting. Its easy-lock button and anti-shock design simplify setup for run-and-gun shooting. This accessory is best for street photographers needing a lightweight, no-fuss support tool for candid captures.

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Best Lenses under €900 for video production

Best Pick

Sigma Contemporary 28-70mm f/2.8 DG DN

85 Video/Cinema Score
28-70mmf/2.8Sony EWeather Sealed
Why we recommend this

Combining a constant f/2.8 aperture with a remarkably light 470g body, this lens delivers Art-line optical quality in a portable package using 3 aspherical and 4 ED elements. Its weather-sealed construction and fast, quiet stepping motor autofocus make it a discreet and durable daily companion. This is best for Sony E-mount hybrid shooters who prioritize handheld versatility and image quality over the widest focal range.

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Sigma Art 28mm f/1.4 DG HSM

72.8 Video/Cinema Score
28mmf/1.4Sony EWeather Sealed
Why we recommend this ▼

The f/1.4 maximum aperture and an optical design with three aspherical and five SLD/FLD elements deliver exceptional sharpness and contrast control for low-light scenes. Its weather-sealed, robust build and Super Multi-Layer Coating ensure reliable, flare-resistant performance in demanding conditions. This lens is best for professional landscape and street photographers needing a fast, wide-angle prime with uncompromising optical clarity.

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Best Lenses under €1,500 for video production

Best Pick

Sigma Sports 70-200mm f/2.8 DG DN OS

71.1 Video/Cinema Score
70-200mmf/22Sony EISWeather Sealed
Why we recommend this

Dual HLA motors deliver fast, quiet autofocus and the OS2 algorithm provides 7.5 stops of stabilization, making this f/2.8 telephoto zoom exceptionally steady for handheld work. Its internal zoom mechanism and weather-sealed Sports-line build resist dust and moisture while minimizing focus breathing for consistent framing. This lens is best for sports and wildlife photographers using Sony E-mount who need reliable subject tracking and sharp results in challenging outdoor conditions.

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Sigma Art 24-70mm f/2.8 DG DN II

70.1 Video/Cinema Score
24-70mmf/22Sony EISWeather Sealed
Why we recommend this ▼

A redesigned HLA autofocus motor and a 7% smaller, 10% lighter body than its predecessor make this a fast-handling f/2.8 standard zoom. Its 6.7-inch minimum focusing distance delivers a strong 1:2.7 magnification ratio, offering near-macro versatility uncommon in this class. This lens is best for hybrid shooters needing a single, weather-sealed tool that excels at both detailed close-ups and general landscape work.

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Best Lenses under €2,500 for video production

Best Pick

Sigma Contemporary 15mm f/1.4 DC 15mm

82.3 Video/Cinema Score
15mmf/1.4Sony EWeather Sealed
Why we recommend this

Combining an ultra-wide 15mm field of view with a bright f/1.4 aperture in a mere 220g body, this lens stands out for its portability and low-light capability. Its optical design, featuring FLD and SLD elements, delivers sharp results, while the weather-sealed build and stepping motor ensure reliable, quiet autofocus. This lens is best for street and travel photographers who need a fast, lightweight prime for expansive scenes without a heavy kit.

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Great Alternatives

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Sigma Art 28-45mm f/1.8 DG DN

56.7 Video/Cinema Score
28-45mmf/16Sony EWeather Sealed
Why we recommend this ▼

Delivering a constant f/1.8 aperture across its 28-45mm zoom range, this lens eliminates the need for multiple fast primes in a kit. Its robust, weather-sealed build and de-clickable aperture ring make it equally suited for hybrid video work, while the HLA motor provides fast, quiet autofocus. This lens is best for event photographers and gimbal operators who need prime-level light gathering in a single, flexible zoom.

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Sigma Sports 60-600mm f/4.5-6.3 DG DN OS

53.7 Video/Cinema Score
60-600mm22-32Sony EISWeather Sealed
Why we recommend this ▼

A 10x zoom range from 60mm to 600mm, paired with a fast Linear Actuator (HLA) autofocus motor, makes this the only mirrorless lens of its kind, though its 2485g weight demands a sturdy grip. The dust and splash-resistant build and 1:2.4 maximum magnification add versatility for outdoor shooting, while the Dual Action Zoom function allows quick focal length changes. Best for wildlife and sports photographers on Sony E mount who need one lens to cover distant subjects without swapping glass.

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Premium Lenses for video production

Best Pick

Sigma Sports 185956 500mm

66.6 Video/Cinema Score
500mmf/4Sigma SAISWeather Sealed
Why we recommend this

A 500mm f/4 optical formula with one SLD and two FLD elements, plus Super Multi-Layer coating, delivers sharp, contrast-rich images, aided by a 4-stop Optical Stabilizer for handholding in dim conditions. Its dust- and splash-proof magnesium-alloy barrel, brass mount, and teleconverter compatibility ensure durability and extended reach options. This lens is ideal for sports and wildlife photographers who rely on fast Hyper Sonic AF with full-time manual override and a bright f/4 aperture to track distant, fast-moving subjects.

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