Best Pick

Panasonic LUMIX G VARIO H-F007014 14mm

62.9 Budget Score
7-14mmf/22Micro Four ThirdsIS
Why we recommend this

Its 114-degree angle of view and constant f/4 aperture across the 7-14mm zoom range deliver consistent exposure for expansive scenes, aided by a 16-element optical design with four ED elements to suppress distortion. The compact 300g build and multi-coated optics effectively minimize ghosting and flare, making it a practical, portable ultra-wide solution. This lens is best for Micro Four Thirds shooters focused on landscape and travel photography who need a rectilinear wide-angle zoom in a lightweight package.

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Great Alternatives

These options also score highly and may better suit your specific needs

OM System M.Zuiko V335940BW000 18-36mm

54.4 Budget Score
18mmf/22Micro Four Thirds
Why we recommend this

Weighing just 154g with a 52mm filter thread, this lens stands out as an ultralight 18-36mm equivalent zoom for Micro Four Thirds, ideal for all-day carry. Its redesigned body features modernized focus and zoom rings with a uniform black finish, enhancing handling and aesthetics. This lens is best for travel and landscape photographers who prioritize a compact, unobtrusive kit over maximum aperture speed.

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Olympus M.Zuiko 12mm f/2 35mm

48.3 Budget Score
12mmf/22Micro Four Thirds
Why we recommend this

The bright f/2 maximum aperture and 12mm focal length (24mm equivalent) make this lens a strong choice for dramatic landscapes and low-light street scenes, complemented by a full-metal body and a manual focus snap ring with a distance indicator. Its Movie & Still Compatible autofocus mechanism delivers fast, near-silent performance that benefits both video and stills shooters. This lens is best for architectural and landscape photographers who need a compact, high-speed wide-angle prime for the Micro Four Thirds system.

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Rokinon Cine DS100M-MFT 100mm

37.6 Budget Score
100mmf/32Micro Four Thirds
Why we recommend this

Offering 1:1 macro magnification with a 100mm focal length and T3.1 aperture, this lens captures detailed close-ups with smooth, de-clicked aperture control and a 9-blade diaphragm for circular bokeh. The Cine DS version adds unified focus and aperture gear positions, color-matched barrels, and dual-sided distance scales for quick lens swaps on set. It’s best for Micro Four Thirds video shooters needing a dedicated macro cine lens for product shots, nature details, and dramatic close-ups with follow-focus rigs.

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OM System M.Zuiko Digital ED 75-300mm f/4.8-6.7 II 300mm

50.7 Budget Score
75-300mmf/22Micro Four Thirds
Why we recommend this

Delivering a 150-600mm equivalent reach in a remarkably portable 423g body, this lens stands out for its lightweight super-telephoto range on Micro Four Thirds cameras. Its optical design incorporates Super ED and ED elements with a ZERO coating, yielding sharp, high-contrast images while the near-silent AF system suits both stills and video. This lens is best for wildlife and sports enthusiasts who need extreme magnification without the bulk of traditional telephoto glass.

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OM System M.Zuiko Digital 17mm f/1.8 II 17mm

38 Budget Score
17mmf/22Micro Four ThirdsWeather Sealed
Why we recommend this

Its 112-gram body, weather-sealed construction, and f/1.8 aperture make this 17mm (34mm equivalent) lens a low-light and bokeh standout for Micro Four Thirds. The fast, precise autofocus and ultra-compact design enhance its discreet, travel-friendly handling without sacrificing image quality. This lens is best for street and travel photographers who need a rugged, fast prime that reliably performs in rain or dust.

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