Viltrox Air AF 9mm f/2.8 Air 9mm
Das 9mm F2.8 APS-C (ca. 13,5mm KB-Äquivalent) bietet einen extremen 113,8°-Bildwinkel, eine lichtstarke f/2.8-Blende und einen präzisen Autofokus mit Augen- und Gesichtserkennung für rauscharme Aufnahmen bei wenig Licht. Die Naheinstellgrenze von nur 0,13m ermöglicht dramatische Weitwinkel-Nahaufnahmen, und die optische Konstruktion aus 13 Elementen in 11 Gruppen (inkl. ED- und asphärischer Linsen) sorgt für Verzeichnungsarmut und hohe Randschärfe. Das Objektiv eignet sich besonders für Fujifilm-X-Fotografen, die kreative Makro-Weitwinkelperspektiven, immersive Vlogs und Architekturaufnahmen mit einem Gewicht von nur 414g realisieren möchten.
Überblick
The 30-Second Version
This ultra-wide prime crushes macro at the 99th percentile, focusing down to 0.13m for dramatic close-ups. It's bright, stabilized, and sharp, but build quality and the lack of an aperture ring are real trade-offs. Pick it up cheap and it's a unique creative tool for Fuji shooters.
Pros & Cons
Vorteile
- Macro performance is flat-out elite (99th percentile) 95th
- Ultra-wide 113.8° view opens up dramatic compositions 90th
- F/2.8 aperture is bright for an ultra-wide prime 86th
- Stabilization puts it in the stronger 79th percentile 84th
- Great sharpness and value according to owner feedback
Nachteile
- Build quality feels mediocre at 43rd percentile
- No aperture ring, a common gripe among Fuji shooters
- Corners get soft, especially wide open
- Heavier than some alternatives at 414g
Was Besitzer sagen
The Word on the Street
Wie sich die Meinung der Besitzer im Lauf der Zeit verändert hat
ExklusivBasierend darauf, wann Kunden ihre Bewertungen tatsächlich geschrieben haben - so sehen Sie, ob das anfängliche Lob anhielt.
Basierend auf 13 datierten Kundenbewertungen, gruppiert nach Kalenderquartal. Die Periodenanalyse ist in englischer Sprache.
Die Fakten
Performance
That macro score is the story here. The lens is practically touching the subject at its minimum focus distance, producing exaggerated perspectives and sharp detail that our database shows as best-in-class. The 13-element optical design with aspherical and ED glass does a decent job controlling distortion and fringing, though optical performance overall lands at the 54th percentile, so it's solid but not class-leading. For everyday shooting, the f/2.8 aperture is well above average in this category, giving you some low-light flexibility and a bit of background blur, even if bokeh quality is just okay. Autofocus with Eye/Face Detection is quiet and accurate enough to stay around the middle of the pack, and the built-in stabilization helps with handheld video, ranking in the top quarter of lenses we track.
Specifications
Full Specifications
Optics
| Type | Wide-angle |
| Focal Length Min | 9 |
| Focal Length Max | 9 |
| Elements | 13 |
| Groups | 11 |
| Aspherical Elements | 2 |
| ED Elements | 3 |
| Coating | Specialized Multi-Layer Coating Technology |
Aperture
| Max Aperture | f/16 |
| Min Aperture | f/2.8 |
| Constant | Yes |
Build
| Mount | Fujifilm X |
| Format | APS-C |
| Weather Sealed | Yes |
| Weight | 0.2 kg / 0.4 lbs |
| Filter Thread | 58 |
AF & Stabilization
| AF Type | STM + Lead screw focus motor |
| Stabilization | Yes |
Focus
| Min Focus Distance | 130 |
| Max Magnification | 0.13 m |
vs Competition
The Sigma 16mm f/1.4 is a natural rival, offering a much faster aperture for low light and subject separation, but it's nowhere near as wide. If you need that 9mm field of view for architecture or environmental vlogging, the Viltrox gives you an angle the Sigma simply can't. The Fujifilm XF 35mm F2 XC is sharper overall but cropped tight in comparison. For pure macro, the Viltrox's 0.13m focus distance smokes most competitors. Its stabilization also puts it ahead of many budget primes for video work.
| Spec | Viltrox Air AF 9mm f/2.8 Air 9mm | Sigma Contemporary 18-50mm f/2.8 DC DN | Tamron Di III 17-70mm f/2.8 Di III-A VC RXD | Panasonic Leica DG Vario-Elmarit H-ES12035 | Sony E 18-135mm f/3.5-5.6 OSS | 7Artisans Lite Series AutoFocus 35mm F1.8 Full Frame |
|---|---|---|---|---|---|---|
| Focal Length | 9mm | 18-50mm | 17-70mm | 12-35mm | 18-135mm | 35mm |
| Max Aperture | f/16 | f/2.8 | f/2.8 | f/2.8 | f/3.5 | f/1.8 |
| Mount | Fujifilm X | Sony E | Sony E | Micro Four Thirds | Sony E | Nikon Z |
| Stabilization | true | false | true | true | true | true |
| Weather Sealed | true | true | true | true | false | false |
| Weight (g) | 175 | 290 | 544 | 306 | 326 | 426 |
| AF Type | STM + Lead screw focus motor | stepping motor | RXD | Autofocus | Linear motor | STM |
| Lens Type | wide-angle | zoom | zoom | zoom | zoom | prime |
| Compare | Compare | Compare | Compare | Compare |
| Produkt | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | Nutzerresonanz | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Viltrox Air AF 9mm f/2.8 Air 9mm | 85.5 | 30.7 | 94.9 | 44.3 | 84.1 | 44.2 | 63.6 | 33.6 | 89.9 | 81.3 |
| Sigma Contemporary 18-50mm f/2.8 DC DN Compare | 85.5 | 84.4 | 85.4 | 91.5 | 81.2 | 86.3 | 80.4 | 78.6 | 89.9 | 36.1 |
| Tamron Di III 17-70mm f/2.8 Di III-A VC RXD Compare | 53.8 | 88.9 | 67.3 | 85.4 | 90.3 | 86.3 | 63.6 | 89.6 | 85.5 | 81.3 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 53.8 | 84.4 | 84.6 | 50 | 85.7 | 86.3 | 90.9 | 80.6 | 85.5 | 96.6 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 97.7 | 78.4 | 71.5 | 39.2 | 77.6 | 80.1 | 44.9 | 95.9 | 89.9 | 81.3 |
| 7Artisans Lite Series AutoFocus 35mm F1.8 Full Frame Compare | 85.5 | 96.5 | 60.2 | 97.2 | 61.9 | 94.3 | 90.9 | 33.6 | 45.2 | 81.3 |
Preis
Value & Pricing
Pricing is all over the place, with listings ranging from $190 to an eye-watering $3658. Stick to the lower end and this is a steal for the macro chops you're getting. Compared to first-party Fujifilm ultra-wides, you're saving a bundle while getting competitive sharpness and autofocus. Just don't overpay, the sweet spot is under $250.
Amazon 1 Angebot Ab 229 €
Price History
Mehr erfahren
Overview
Viltrox's 9mm F2.8 lands in the 99th percentile for macro performance, which is wild for an ultra-wide lens. You can focus down to just 0.13m, letting you get stupidly close to subjects while still pulling in a huge 113.8° field of view. That combination opens up creative shots you can't really get anywhere else at this price point. At 414g it's not a featherweight, and build quality sits in the 43rd percentile, so don't expect premium feel.
Common Questions
Q: Will this autofocus well on older Fujifilm bodies like the X-T2?
Autofocus performance is solidly average for its class, ranking at the 54th percentile. It will work fine on older bodies, but Eye/Face Detection may be slower than on newer X-Processor 5 cameras like the X-T5 or X-H2.
Q: How close can I really get? Is it true macro?
Yes, it focuses down to 0.13m (about 5 inches), giving it a macro score in the 99th percentile of lenses we track. You won't get 1:1 reproduction, but you can fill the frame with small subjects in a way no other ultra-wide prime can.
Q: Is the F2.8 enough for astrophotography?
The F2.8 aperture is well above average for ultra-wide lenses, ranking in the 73rd percentile. It can capture the Milky Way with a high ISO, but you'll want a tripod since it's not as bright as dedicated astro lenses at f/1.4 or f/2.
Who Should Skip This
Skip this if you prioritize build quality or a tactile aperture ring, as it languishes in the 43rd percentile for construction and lacks the physical controls Fuji shooters love. Travelers might also look elsewhere, portability is its weakest area at just the 41st percentile, and 414g gets noticeable on long days. If you don't need the extreme wide angle or close-up capability, a more general prime will likely suit you better.
Verdict
If you're a Fuji X-mount shooter who wants to explore macro with an ultra-wide twist, this lens delivers a rare combo that tops our charts. The build won't wow you, and the missing aperture ring may frustrate purists, but the images you'll get in return are worth it, especially when you find it at the right price.