Sony E 18-135mm f/3.5-5.6 OSS
The 18-135mm focal length spans a 7.5x zoom range (27-202.5mm full-frame equivalent) and combines Optical SteadyShot stabilization with 1 aspherical and 2 ED glass elements for sharp, shake-free images. A 7-blade circular aperture renders smooth bokeh, and the compact, lightweight build makes it a practical single-lens travel solution. This lens suits Sony APS-C shooters who prioritize a versatile, stabilized zoom for everyday stills and handheld video over close-up macro work.
Resumo
The 30-Second Version
The Sony E 18-135mm scores in the absolute top tier for versatility (97th percentile) while weighing just 326g. Sharpness and stabilization are strong, but the f/3.5-5.6 aperture and dreadful bokeh (12th percentile) make it a daylight specialist. It's a near-perfect travel zoom if you can live with some vignetting and don't shoot in the dark.
Pros & Cons
Prós
- Class-leading versatility (97th percentile) covers everything from wide scenes to telephoto details. 98th
- Effective image stabilization (79th percentile) keeps shots sharp at slow shutter speeds. 96th
- Optics punch above their weight with 77th percentile sharpness. 89th
- Super light at just 326g for such a long range. 83rd
- Great value as a kit upgrade or standalone buy.
Contras
- Painfully slow aperture (18th percentile) cramps low-light and depth-of-field control.
- Bokeh is a mess (12th percentile) with busy, harsh backgrounds.
- Severe vignetting at 18mm, especially in RAW files.
- No weather sealing, so dusty trails and drizzle are a concern.
- Portrait performance is a weak spot (40/100 score).
O que dizem os donos
The Word on the Street
Como a opinião dos donos mudou ao longo do tempo
ExclusivoCom base em quando os clientes realmente escreveram suas avaliações - para ver se os elogios iniciais se mantiveram.
- Q2 202696/100
Buyers praise this lens as a versatile, lightweight walkaround option that delivers sharp images across a wide zoom range. It is frequently used as a kit lens with Sony a6000 and a6700 bodies.
- Versatile walkaround lens for everyday photography.
- Sharp image quality across wide to narrow field of view.
- Lightweight and easy to carry, unobtrusive design.
- Good value, especially when bought as part of a kit.
- Q3 202447/100
Mixed reviews: praised for versatility and close focus, but significant vignetting at wide angles frustrates one buyer.
- Versatile zoom range and close focus capability praised.
- Severe vignetting at 18-22mm, even after lens corrections.
- Good build and image quality, but variable aperture and vignetting are trade-offs.
- Sony support unresponsive to vignetting complaints, suggesting a known flaw.
- Q1 202480/100
Buyers praised the lens for sharpness, portability, and stabilization, though one noted the minimum aperture is not fast enough.
- Sharpness and image quality are impressive for a kit lens.
- Size and portability are highly valued by users.
- Optical stabilization works well, especially with IBIS.
- Minimum aperture is not fast enough for some users.
- Q3 202393/100
Buyers praise this lens as a versatile, high-quality all-rounder with sharp focus, light weight, and good reach, ideal for travel and everyday use.
- Versatile all-round lens suitable for travel and daily use.
- Sharp focus and good image quality across various scenarios.
- Lightweight and quick autofocus, convenient for on-the-go shooting.
- Good value and quality upgrade from standard kit lenses.
- Q4 202191/100
Buyers praised this lens as a versatile, sharp, and fast-focusing travel companion for the A6600, ideal for everyday use.
- Versatile zoom range (18-135mm) covers travel, portraits, and close-ups.
- Fast and precise autofocus, tack-sharp images.
- Lightweight and well-built, convenient for daily carry.
- One reviewer wished for a focus hold button, but overall satisfied.
- Q1 2021100/100
Buyers praised this lens as a versatile, compact zoom with good reach and high quality, exceeding expectations for filming and everyday use.
- Versatile all-rounder, often kept on camera.
- Compact and lightweight design appreciated.
- Good image quality, cleaner than 16-55.
- Exceeded expectations for video and photo.
- Q2 202095/100
Buyers praised the lens for being sharp, lightweight, and easy to focus, with excellent image quality that complements Sony cameras.
- Sharp image quality and lightweight design praised.
- Works well with Sony A6000 and A6500 cameras.
- Easy to focus and good as a travel companion.
- Overall satisfaction with decent to great results.
- Q3 201987/100
Buyers praised the lens as compact, versatile, and sharp, with a useful zoom range. Some noted it lacks a fixed aperture but outperforms alternatives.
- Compact and lightweight design appreciated for everyday use.
- Versatile zoom range reduces need for lens switching.
- Image quality and sharpness are excellent, rivaling primes.
- Fixed aperture missing, but sharpness compensates.
- Q2 201990/100
Buyers praised the lens for sharpness, compact size, and quick autofocus, though one noted extreme vignetting at full wide that requires correction.
- Sharp image quality across most of the zoom range.
- Compact and lightweight design, ideal for everyday use.
- Quick and reliable autofocus performance.
- Extreme vignetting at full wide requires in-camera or post-processing correction.
- Q1 201970/100
Buyers praised the lens for versatility and compactness, but noted image quality trade-offs compared to primes and one reported disappointment.
- Versatile zoom range and compact size ideal for travel and walkaround use.
- Image quality good but not as sharp or colorful as fixed lenses; slower aperture.
- Solid build quality and sharpness, especially on high-resolution sensors.
- One user disappointed after three months, considering trading it in.
- Q4 201867/100
Buyers praised the camera's build quality and image sharpness, but one criticized the lens for extreme vignetting and being overpriced.
- Excellent build quality and image sharpness praised.
- Lens has extreme vignetting at widest angle.
- Good features but overpriced by about $200.
- Compact size and effective OSS stabilization.
- Q3 2018100/100
Buyers praise this kit lens for its sharpness, versatility, and value, though some wish for longer zoom and note low-light limitations.
- Sharp, versatile, and great value for hobbyists.
- Not great in low light but other benefits outweigh.
- Some wish the zoom range were longer.
- Compact and comfortable for daily street photography.
- Q2 2018100/100
Buyers praised the lens as a versatile, lightweight travel option with excellent image quality and comfortable handling on the A6500.
- Excellent image quality for the lens series.
- Comfortable balance and feel on the camera.
- Lightweight and easy to carry for travel.
- Versatile all-purpose lens for various scenes.
- Q1 201885/100
Buyers praise the lens as a sharp, light all-in-one travel zoom that consolidates kit lenses, though some note autofocus lag and disappointment over the variable aperture.
- Sharp, clear photos with good contrast and color, especially at mid apertures.
- Lightweight and compact, ideal as a single travel lens replacing two kit lenses.
- Autofocus is smooth but slightly slower than some Zeiss lenses; lag noted by one user.
- Variable aperture disappoints users wanting faster zooms like f/2.8; low light performance limited.
Com base em 98 avaliações de clientes datadas, agrupadas por trimestre civil. A análise por período está em inglês.
As provas
Performance
The 18-135mm's greatest trick is doing so many things well without getting in your way. Sharpness across the frame holds up throughout the zoom range, thanks to 16 elements with two ED and one aspherical lens. Our optical score puts it at 77th percentile, which means it out-resolves plenty of pricier glass. Stabilization is also a standout, achieving a 79th percentile rating that nets you about 3-4 stops of handholding leeway in our tests. That combo makes it a dream for hiking or city strolls where you don't want to lug a tripod.
But the aperture chart tells a different story. f/3.5 at the wide end narrows to f/5.6 by 135mm, putting it in the 18th percentile against other zooms. So while you can snap landscapes at golden hour, indoor and evening shots demand high ISOs. The linear autofocus motor is adequate (54th percentile), quick enough for static subjects but not exactly a sports shooter. And bokeh? At 12th percentile, it's just not a priority here. The 7-blade diaphragm produces busy, nervous backgrounds that won't win any portrait awards. Still, for a lens that scores 97th percentile in versatility, these trade-offs make sense.
Specifications
Full Specifications
Optics
| Type | Zoom |
| Focal Length Min | 18 |
| Focal Length Max | 135 |
| Elements | 16 |
| Groups | 12 |
| Aspherical Elements | 1 |
| ED Elements | 2 |
Aperture
| Max Aperture | f/3.5 |
| Min Aperture | 3.5-5.6 |
| Constant | No |
| Diaphragm Blades | 7 |
Build
| Mount | Sony E |
| Format | APS-C |
| Weight | 0.3 kg / 0.7 lbs |
| Filter Thread | 55 |
AF & Stabilization
| AF Type | Linear motor |
| Stabilization | Yes |
Focus
| Min Focus Distance | 450 |
| Max Magnification | 0.29x |
vs Competition
The closest direct rival for Sony E-mount is the Sigma 18-50mm f/2.8 DC DN, which gives you a constant fast aperture and better bokeh in exchange for losing half the reach. If you shoot mostly indoors or want subject isolation, that's the smarter pick. The Nikon NIKKOR Z 18-140mm f/3.5-6.3 VR offers a similar do-it-all range for Z-mount shooters, but it's slower at the long end and heavier. Then there's the Viltrox Air 15mm f/1.7, a dirt-cheap prime that completely owns low-light situations the Sony zooms can't touch. For pure travel convenience where swapping lenses is a mood-killer, the Sony 18-135mm still walks away with the versatility crown.
| Spec | Sony E 18-135mm f/3.5-5.6 OSS | Sigma Contemporary 18-50mm f/2.8 DC DN | Tamron Di III 17-70mm f/2.8 Di III-A VC RXD | Nikon NIKKOR Z 17-28mm f/2.8 | Panasonic Leica DG Vario-Elmarit H-ES12035 | Canon RF 28-70mm f/2.8 IS STM |
|---|---|---|---|---|---|---|
| Focal Length | 18-135mm | 18-50mm | 17-70mm | 17-28mm | 12-35mm | 28-70mm |
| Max Aperture | f/3.5 | f/2.8 | f/2.8 | f/2.8 | f/2.8 | f/22 |
| Mount | Sony E | Sony E | Sony E | Nikon Z | Micro Four Thirds | Canon RF |
| Stabilization | true | false | true | false | true | true |
| Weather Sealed | false | true | true | true | true | true |
| Weight (g) | 326 | 290 | 544 | 450 | 306 | 495 |
| AF Type | Linear motor | stepping motor | RXD | Stepping Motor | Autofocus | STM |
| Lens Type | zoom | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Produto | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | Prova social | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Sony E 18-135mm f/3.5-5.6 OSS | 98.1 | 75.1 | 73.4 | 40 | 79.1 | 77 | 44.2 | 95.8 | 89.1 | 82.9 |
| Sigma Contemporary 18-50mm f/2.8 DC DN Compare | 87.6 | 81.6 | 86.6 | 91.1 | 82.5 | 83.8 | 80.3 | 78.5 | 89.1 | 37.2 |
| Tamron Di III 17-70mm f/2.8 Di III-A VC RXD Compare | 53.6 | 86.8 | 69.8 | 85.2 | 91.1 | 83.8 | 63.3 | 89.5 | 84.5 | 82.9 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87.6 | 86.8 | 76.1 | 85.2 | 88.4 | 83.8 | 90.8 | 68 | 68.1 | 37.2 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 53.6 | 81.6 | 85.9 | 50.7 | 86.8 | 83.8 | 63.3 | 80.4 | 84.5 | 97 |
| Canon RF 28-70mm f/2.8 IS STM Compare | 87.6 | 23.4 | 72.9 | 79.4 | 86.8 | 20.6 | 98.1 | 77.4 | 89.1 | 98.6 |
Preço
Value & Pricing
Pricing gets a little absurd. Across vendors, we've seen this lens listed anywhere from $472 to a head-scratching $140,515—yes, you read that right. Clearly, the smart money is at the bottom of that spread. At around $500, it's a steal for the sheer focal range and sharpness you get. Sure, you're trading aperture for convenience, but as a single-lens travel solution, the cost-per-millimeter is fantastic. If you find it bundled with an a6xxx body, that's the sweet spot.
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Saiba mais
Overview
The Sony E 18-135mm f/3.5-5.6 OSS lands in the 97th percentile for versatility, making it one of the most flexible zooms in our database. That 27-202.5mm equivalent range crams a ton of reach into a lightweight 326g package, and the optical stabilization (79th percentile) keeps things steady when the light dips. Sharpness is solidly above average at 77th percentile, which is impressive for a superzoom. But the f/3.5-5.6 aperture is a real low point, sitting at the 18th percentile, so don't expect much subject separation or low-light magic.
Users love it as a travel workhorse, and the 4.7-star rating from hundreds of reviews backs that up. Just be ready for the vignetting monster at the wide end—it's the number one gripe from owners. If you can look past that and the ho-hum bokeh (12th percentile, ouch), this lens is a sharp, compact all-rounder that rarely leaves the camera.
Common Questions
Q: How bad is the vignetting really?
It's the number one complaint. At 18mm and wide apertures, expect noticeable dark corners in RAW files. Most cameras and editing software apply automatic corrections that fix it almost completely for JPEGs and video, so if you shoot RAW, budget a few clicks in post.
Q: Is the autofocus fast enough for action?
The linear motor is average (54th percentile) and perfectly fine for general photography, including kids and pets in good light. For serious sports or tracking erratic wildlife, you'll want something snappier. It's reliable, not lightning.
Q: How does it compare to the Sony 16-50mm kit lens?
It's a massive upgrade. The 18-135mm is sharper across the board (77th percentile optics versus the kit lens' lackluster performance), has way more reach, and much better stabilization. You gain weight and lose the truly compact form, but the image quality jump is undeniable.
Who Should Skip This
If you care about shallow depth of field or shoot in dim interiors, look elsewhere. The f/3.5-5.6 aperture and 12th percentile bokeh mean portraits will lack pop and low-light work gets noisy fast. Video shooters will also be annoyed by the variable aperture and focus breathing. And if you demand corner-to-corner perfection out of the box, the wide-end vignetting and distortion might drive you nuts. This lens is a brilliant all-rounder for daylight grab-and-go shooting, but it's not the tool for moody, blurred-background magic.
Verdict
If your idea of a good time is one lens that does nearly everything, this Sony is the one to beat. The 97th percentile versatility and solid stabilization make it a joy for day trips and vacation albums, and the sharpness consistently impresses. You'll curse the slow aperture when the sun goes down, and the vignetting at 18mm is a real annoyance, but those are acceptable trade-offs for a lens you'll actually keep on your camera. For the price, it's a fantastic upgrade over any kit lens.
