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7Artisans Photoelectric 10mm f/2.8 Mark II 10mm

★★★★☆ 4.3 (139)

Its 185° full-frame fisheye perspective and f/2.8 aperture deliver an extreme, immersive field of view unavailable from rectilinear lenses. The all-metal build and glow-in-the-dark depth of field markings add practical, tactile value for precise manual focus adjustments in low light. This lens is best for astrophotographers and architectural shooters on Nikon Z systems who need an affordable, specialized ultra-wide perspective.

Focal length 10mm
Aperture f/16
Mount Canon RF
Weight 570 g
af type manual focus only
lens type fisheye
7Artisans Photoelectric 10mm f/2.8 Mark II 10mm lens
52 Overall Score
Also available in:

Snapshot

The 30-Second Version

The 7Artisans 10mm f/2.8 is a budget manual fisheye for full-frame Sony E that delivers impressive sharpness and a giant 178-degree view. At around $200, it's an incredible deal for astro and creative work. Just be ready for no autofocus, no weather sealing, and a touchy aperture ring. Buy it if you love slowing down and experimenting.

Pros & Cons

Pros

  • Outstanding sharpness in the center for the price 88th
  • Fast f/2.8 aperture ideal for astro and low light 71st
  • Creative, immersive 178° fisheye perspective 67th
  • Smooth, precise manual focus ring feel
  • Excellent value at around $200

Cons

  • Manual focus only, no electronic contacts
  • Aperture ring moves a bit too easily, prone to accidental changes
  • No image stabilization or weather sealing
  • Moderate edge softness typical of budget fisheyes
  • Hefty 570g weight might feel unbalanced on small bodies

What owners think

The Word on the Street

4.3/5 (139 reviews)
👍 A recurring theme is that sharpness absolutely exceeds expectations for the price, especially in the center, making it a favorite for astrophotography and detailed landscapes.
👍 Many owners praise the solid all-metal construction and smooth manual focus ring, saying the lens feels much more premium than its budget cost would suggest.
🤔 Manual focus draws mixed reactions. Some love the precise control, while others find it difficult to nail perfect focus without electronic aids, especially in low light.
👎 A common gripe is the aperture ring's sensitivity. Several users report accidentally shifting the aperture setting while handling the lens, leading to unintended exposure changes.

How owner sentiment changed over time

Exclusive

Based on when customers actually wrote their reviews - so you can see whether early praise held up.

Owner sentiment has held steady over time
82/100Our AI sentiment readmedium confidence · 18 sources · May 2026
1★2★3★4★5★Q1 '22: 5.0★ · 2 reviewsQ2 '22: 5.0★ · 1 reviewQ3 '22: 4.0★ · 1 reviewQ4 '22: 5.0★ · 1 reviewQ3 '23: 5.0★ · 2 reviewsQ1 '24: 4.0★ · 1 reviewQ4 '24: 5.0★ · 4 reviewsQ1 '25: 5.0★ · 4 reviewsQ2 '25: 4.3★ · 3 reviewsQ3 '25: 5.0★ · 6 reviewsQ4 '25: 5.0★ · 6 reviews211121234436652Q1 '22Q3 '22Q3 '23Q2 '24Q4 '24Q2 '25Q4 '25Q2 '26
Avg ratingHappy (4-5★)Unhappy (1-2★)Bar height = number of reviews

Based on 43 dated customer reviews, grouped by calendar quarter. Period analysis is in English.

The proof

Performance

Sharpness is the big headline here. Despite our database placing its overall optical score right around average among all lenses, actual owners gush about how crisp the center gets, even wide open at f/2.8. The aspherical and ED elements do their job keeping color fringing manageable, though don't expect edge-to-edge perfection. This is a fisheye, after all, and some softness creeping into the corners is part of the look. For astrophotography, the 10mm focal length gathers a ton of sky, and that f/2.8 aperture means you can keep ISO lower than you would with a slower ultra-wide.

Handling is a mixed bag. The manual focus ring is well-damped and smooth, which is critical because, without any electronic distance readouts, you'll be relying on focus peaking or zooming your EVF. The aperture ring is de-clicked and turns a little too easily. Several owners in our community note that it's easy to nudge off your intended setting without noticing. That's annoying when you're trying to nail a specific exposure, but it's a quirk you can learn to work around. There's no weather sealing, so be mindful around dust and moisture, and the 570-gram weight feels substantial but not punishing on a full-frame body.

Performance Percentiles

AF 13.9
Bokeh 37.3
Build 46.3
Macro 88.3
Optical 66.5
Aperture 45.8
User Sentiment 44.2
Versatility 33.6
Social Proof 70.6
Stabilization 38

Specifications

Full Specifications

Optics

Type Fisheye
Focal Length Min 10
Focal Length Max 10
Elements 11
Groups 8
Aspherical Elements 1
ED Elements 2
Coating Hoya ultra-low dispersion

Aperture

Max Aperture f/16
Min Aperture f/2.8
Constant No
Diaphragm Blades 8

Build

Mount Canon RF
Format full-frame
Weather Sealed No
Weight 0.6 kg / 1.3 lbs
Filter Thread 62

AF & Stabilization

AF Type manual focus only
Stabilization No

Focus

Min Focus Distance 170

vs Competition

The most logical alternative from our database is the Viltrox Air 15mm f/1.7. That lens gives you autofocus, electronic communication, and a much more practical everyday focal length, but it sacrifices the extreme 178-degree view and the deliberate distortion that makes a fisheye a fisheye. It's a better fit if you shoot run-and-gun video or need quick focus acquisition, but it won't give you the same creative weirdness.

Then there's the Meike 50mm f/1.8 E, which is a totally different beast. It's a standard portrait-length prime with autofocus, and it's also cheap. If your goal is super shallow depth of field and traditional portraits, that's your lens. The 7Artisans is a terrible choice for that kind of work. On the other hand, if you've already got a normal lens covered and want an artistic sidekick for astro landscapes or experimental wide-angle shots, the 7Artisans is in its own league at this price. Nikon and Canon equivalents from the list are zooms that don't come close to this focal length or aperture speed, so they aren't direct comparisons.

Spec 7Artisans Photoelectric 10mm f/2.8 Mark II 10mm Nikon NIKKOR Z 17-28mm f/2.8 Tamron Di III 28-75mm f/2.8 VXD G2 Sigma Contemporary 10-18mm f/2.8 DC DN Panasonic Leica DG Vario-Elmarit H-ES12060 Sony FE SEL2070G
Focal Length 10mm 17-28mm 28-75mm 10-18mm 12-60mm 20-70mm
Max Aperture f/16 f/2.8 f/2.8 f/2.8 f/2.8 f/4
Mount Canon RF Nikon Z Sony E Sony E Micro Four Thirds Sony E
Stabilization false false false false true false
Weather Sealed false true true true true true
Weight (g) 570 450 540 260 320 488
AF Type manual focus only Stepping Motor VXD Autofocus linear motor Autofocus
Lens Type fisheye zoom zoom zoom zoom zoom
Compare Compare Compare Compare Compare
Product AFBokehBuildMacroOpticalApertureUser SentimentVersatilitySocial ProofStabilization
7Artisans Photoelectric 10mm f/2.8 Mark II 10mm 13.937.346.388.366.545.844.233.670.638
Nikon NIKKOR Z 17-28mm f/2.8 Compare 8788.173.686.38785.890.868.164.638
Tamron Di III 28-75mm f/2.8 VXD G2 Compare 54.688.167.287.387.885.880.478.283.138
Sigma Contemporary 10-18mm f/2.8 DC DN Compare 54.683.587.393.381.685.880.469.168.838
Panasonic Leica DG Vario-Elmarit H-ES12060 Compare 9888.183.150.490.285.844.293.163.583.2
Sony FE SEL2070G Compare 54.680.270.851.193.169.963.384.291.738

Price

Value & Pricing

Price is where this fisheye gets really interesting. It typically lands around $199, though a quick look around the web shows some extreme outliers. We spotted listings from $199 all the way up to $55,900, which is almost certainly a data entry error. Stick with reputable retailers and you'll find this lens hovering near the two-hundred-dollar mark. At that level, you're getting a full-frame, all-metal fisheye with surprisingly competent optics. That's a fraction of what a first-party Sony ultra-wide costs, and even cheaper than many third-party alternatives. If you're curious about fisheye photography but don't want to commit a ton of cash, the value proposition here is really tough to beat.

From CA$351 3 offers across 2 retailers
B&H Photo 2 offers From CA$351
Amazon.ca 1 offer From CA$379

Price History

CA$340 CA$350 CA$360 CA$370 CA$380 CA$390 May 2May 14May 29Jul 18 CA$379

Read more

Overview

If you've been itching to play with a proper full-frame fisheye without selling a kidney, the 7Artisans 10mm f/2.8 is worth a serious look. It's a fully manual prime that wraps a 178-degree field of view around your Sony E-mount camera, and it does so with a bright constant aperture that opens up low-light and astrophotography possibilities. At around $200, it's one of the most accessible ways to get that wild, bulbous perspective that makes people stop scrolling.

We're talking 11 elements in 8 groups, including one aspherical and two ED elements, all stuffed into a 570-gram metal barrel. There's no autofocus, no electronic communication with your camera, and no stabilization. That might sound like a deal-breaker if you're used to modern glass, but for the crowd that loves slowing down and meticulously composing a shot, it's more of an invitation.

This lens isn't trying to be your everyday walkaround optic. It's a creative tool for astro shooters, experimental portraitists, and landscape photographers who want to bend reality a bit. The strong distortion is the whole point, and when you pair that with surprisingly sharp central performance, you've got a recipe for some really fun images.

Common Questions

Q: Does this lens have autofocus?

No, it's a fully manual lens with no electronic contacts. You'll need to focus using the ring and rely on your camera's focus peaking or magnified live view. Metering and aperture control are also manual, so it works best in slower, deliberate shooting situations.

Q: Is this lens compatible with full-frame Sony cameras?

Yes, the 7Artisans 10mm f/2.8 is designed for full-frame Sony E-mount cameras and covers the entire sensor. It also works on APS-C bodies, though you'll lose some of the extreme 178-degree field of view due to the crop factor.

Q: How do I prevent accidental aperture changes?

The de-clicked aperture ring turns quite freely, which can lead to unintended adjustments. Many users add a strip of gaffer tape to set it in place, or simply develop a habit of checking the ring before each shot. Unfortunately, there's no locking mechanism built in.

Q: Can I use filters with this fisheye lens?

The lens has a 68mm front filter thread, but due to the extreme curvature of the front element, you'll need to be careful with thick filters that could vignette. It's possible, but results may vary depending on the filter's design.

Who Should Skip This

Anyone who needs autofocus should look elsewhere without a second thought. The lack of electronic communication means no EXIF data, no focus confirmation, and no aperture control from the camera body. If you're shooting fast-moving subjects, sports, or wildlife, this lens earns its abysmal 30/100 in that category. Video shooters who rely on smooth focus pulls will also be frustrated.

For a more practical wide-angle with autofocus and still a bright aperture, the Viltrox Air 15mm f/1.7 is a solid alternative from our database. It's wider than a standard lens but without the intense fisheye distortion. If you just want a general-purpose prime that's easy to live with, that's a better pick. And if you hate the idea of a lens that forces you to manage every setting manually, this isn't the experience you're looking for.

Verdict

For the astrophotography crowd, the 7Artisans 10mm f/2.8 is a no-brainer at its typical price. The combination of an ultra-wide field, bright aperture, and strong central sharpness makes it a standout for capturing the Milky Way or star trails. Creative photographers who love manual focus and want to explore distorted, dramatic perspectives will also find a lot to like.

If you're a hybrid shooter who bounces between stills and video, or if you need autofocus for fast-moving subjects, this isn't your lens. The manual-only operation and lack of stabilization make it a poor fit for vlogging or run-and-gun situations. But as a specialty tool that's going to live in your bag for specific, high-impact moments, it's a genuinely fun piece of glass that punches well above its price class.

Usage Scores

Macro (65.2)Overall (52.1)Budget (47.7)Street (39.4)Travel (36.5)Portrait (44.9)Landscape (43.8)Professional (37.2)Video Cinema (39)Wildlife Sports (27.4)

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