Nikon NIKKOR 24-85mm f/2.8-4D IF 24-85mm
The fast f/2.8 maximum aperture at 24mm, combined with two aspherical elements and Super Integrated Coating, delivers sharp, contrasty images with smooth bokeh from a 9-blade diaphragm. Its 1:2 macro reproduction ratio at 85mm and lightweight 139g build make it a versatile, portable option for close-up detail work. This lens is best for Nikon DSLR photographers prioritizing portrait and macro shots on a budget.
Snapshot
The 30-Second Version
The Nikon 24-85mm f/2.8-4D is a compact zoom with a bright aperture and a killer 1:2 macro mode that punches above its weight. Bokeh is lovely, but you'll deal with some edge distortion and no stabilization. Worth it if you find one under $800 and your body has a focus motor.
Pros & Cons
Pros
- Bright f/2.8 at the wide end for low light and subject separation. 88th
- Impressive 1:2 macro mode that's rare in a standard zoom. 86th
- Build quality feels solid and durable, not plasticky. 84th
- Smooth, pleasing bokeh from the 9-blade diaphragm. 84th
Cons
- No built-in stabilization, so handheld video is shaky.
- Noticeable distortion at 24mm, especially at the edges.
- Screw-drive AF is noisy and won't work on entry-level bodies.
- Not weather sealed, so be careful in rain or dust.
What owners think
The Word on the Street
How owner sentiment changed over time
ExclusiveBased on when customers actually wrote their reviews - so you can see whether early praise held up.
Based on 13 dated customer reviews, grouped by calendar quarter. Period analysis is in English.
The proof
Performance
Sharpness is solid in the center, landing in the top quarter of our database for optical quality. The real party trick here is the 1:2 macro capability, which is a standout feature for a standard zoom and lets you get surprisingly close to flowers or details. Bokeh is smooth thanks to the 9-blade aperture, but edge distortion at 24mm is a known weak spot that shows up in real-world shots. Autofocus speed is middle of the pack, and there's no stabilization, so you'll want to keep your shutter speeds up in low light.
Specifications
Full Specifications
Optics
| Type | Zoom |
| Focal Length Min | 24 |
| Focal Length Max | 85 |
| Elements | 15 |
| Groups | 11 |
| Aspherical Elements | 2 |
| Coating | Super Integrated Coating |
Aperture
| Max Aperture | f/2.8 |
| Min Aperture | 2.8-4 |
| Constant | No |
| Diaphragm Blades | 9 |
Build
| Mount | Nikon F |
| Format | full-frame |
| Weight | 0.5 kg / 1.2 lbs |
| Filter Thread | 72 |
AF & Stabilization
| AF Type | Internal focusing AF system |
Focus
| Min Focus Distance | 200 |
| Max Magnification | 1:2 |
vs Competition
Stacked against modern all-in-one zooms like the Tamron 18-300mm, this Nikon feels more specialized. The Tamron gives you stabilization and a massive range but a much slower variable aperture. The Sigma 16-300mm is another superzoom competitor that trades the bright f/2.8 for sheer versatility. If you need a one-lens solution for travel, those are better. But for portraits and close-up work on an FX body, the Nikkor's bokeh and macro chops put it in a different league.
| Spec | Nikon NIKKOR 24-85mm f/2.8-4D IF 24-85mm | Tamron Di III 28-75mm f/2.8 VXD G2 | Sigma Contemporary 10-18mm f/2.8 DC DN | Panasonic Leica DG Vario-Elmarit H-ES12060 | Canon RF 28-70mm f/2.8 IS STM | Sony G SELP28135G.SYX |
|---|---|---|---|---|---|---|
| Focal Length | 24-85mm | 28-75mm | 10-18mm | 12-60mm | 28-70mm | 28-135mm |
| Max Aperture | f/2.8 | f/2.8 | f/2.8 | f/2.8 | f/22 | f/4 |
| Mount | Nikon F | Sony E | Sony E | Micro Four Thirds | Canon RF | Sony E |
| Stabilization | false | false | false | true | true | true |
| Weather Sealed | false | true | true | true | true | true |
| Weight (g) | 545 | 540 | 260 | 320 | 495 | 420 |
| AF Type | Internal focusing AF system | VXD | Autofocus | linear motor | STM | SSM |
| Lens Type | zoom | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Product | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Social Proof | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Nikon NIKKOR 24-85mm f/2.8-4D IF 24-85mm | 54.6 | 88.1 | 48.4 | 84.1 | 77.6 | 85.8 | 84.4 | 63 | 38 |
| Tamron Di III 28-75mm f/2.8 VXD G2 Compare | 54.6 | 88.1 | 67.2 | 87.3 | 87.8 | 85.8 | 78.2 | 83.1 | 38 |
| Sigma Contemporary 10-18mm f/2.8 DC DN Compare | 54.6 | 83.5 | 87.3 | 93.3 | 81.6 | 85.8 | 69.1 | 68.8 | 38 |
| Panasonic Leica DG Vario-Elmarit H-ES12060 Compare | 98 | 88.1 | 83.1 | 50.4 | 90.2 | 85.8 | 93.1 | 63.5 | 83.2 |
| Canon RF 28-70mm f/2.8 IS STM Compare | 87 | 25.9 | 70.2 | 80.4 | 85 | 22.6 | 77.2 | 87.9 | 98.5 |
| Sony G SELP28135G.SYX Compare | 94.2 | 80.2 | 75.5 | 31.2 | 87 | 69.9 | 92.4 | 50.2 | 92.8 |
Price
Value & Pricing
Pricing for this lens is all over the map, with a wild spread from around $705 to over $1,200 depending on the bundle and warranty. The sweet spot seems to be the international models with accessory kits from Newegg, which get you the lens, filters, and a tripod for the lower end of that range. At that price, it's a lot of glass for the money, especially if you want macro without carrying a dedicated lens.
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Overview
The Nikon 24-85mm f/2.8-4D is one of those lenses that feels like a secret handshake among Nikon shooters. It's an older screw-drive AF design, so it won't autofocus on the entry-level bodies without a built-in motor, but on a D750 or D850 it comes alive. You get a genuinely useful f/2.8 at the wide end that dims to f/4 when you zoom in, which is a fair trade-off for a lens this compact and light.
Common Questions
Q: Will this lens autofocus on my Nikon D3500 or D5600?
No, it won't. This lens uses a screw-drive AF system that requires a camera body with a built-in focus motor, like the D7500, D500, or any full-frame DSLR.
Q: How close can I get for macro shots?
You can focus as close as 200mm, which gives you a 1:2 reproduction ratio. That's half life-size, so you can fill the frame with a flower or a detailed product shot without a dedicated macro lens.
Q: Is the f/2.8 aperture available throughout the whole zoom range?
No, it's a variable aperture. You get f/2.8 at 24mm, but it gradually steps down to f/4 by the time you reach 85mm.
Who Should Skip This
If you shoot a lot of video or need silent autofocus, look elsewhere. The screw-drive motor is loud, and the lack of stabilization makes handheld footage a jittery mess. Wildlife and sports shooters should also pass, as the 85mm reach is too short and the AF speed is just average.
Verdict
This lens is for the Nikon shooter who wants a walkaround zoom with character. It's not the sharpest tool in the shed at every focal length, but the bright aperture, macro mode, and solid build make it a joy to use on a compatible body. If you're shooting a D7xxx series or full-frame DSLR and find a good deal, it's a smart pickup.