Best Pick

Sony G Master SEL100M28GM 100mm

76.1 Video/Cinema Score
100mmf/22Sony EISWeather Sealed
Why we recommend this

The 100mm f/2.8 prime delivers 1.4x native magnification, extending to 2.8x with a teleconverter, while two XA and two ED elements ensure edge-to-edge G Master resolution. Its four XD linear motors provide fast, quiet autofocus and advanced optical stabilization is specifically tuned for precise handheld macro work. This lens is best for macro specialists needing extreme detail capture beyond 1:1, from product photographers to entomologists working in the field.

View Details & Prices

Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Art 24-70mm f/2.8 DG DN II

70 Video/Cinema Score
24-70mmf/22Sony EISWeather Sealed
Why we recommend this ▼

A redesigned HLA autofocus motor and a 7% smaller, 10% lighter body than its predecessor make this a fast-handling f/2.8 standard zoom. Its 6.7-inch minimum focusing distance delivers a strong 1:2.7 magnification ratio, offering near-macro versatility uncommon in this class. This lens is best for hybrid shooters needing a single, weather-sealed tool that excels at both detailed close-ups and general landscape work.

View Details & Prices
Sigma Art 24-70mm f/2.8 DG DN II lens
Price CA$1,530

Thypoch Simera-C 16-75mm

68.7 Video/Cinema Score
16-75mmf/1.5Sony EISWeather Sealed
Why we recommend this ▼

The constant T1.5 aperture and 16-blade diaphragm produce exceptionally smooth bokeh and strong subject separation for full-frame sensors. Its sub-450g aluminum build, weather sealing, and unified gear placement make it a practical, travel-ready option for gimbal and handheld rigs. This lens is best for independent filmmakers and cinematographers needing precise, 210-degree manual focus pulls for narrative or documentary work.

View Details & Prices

Zeiss Batis 000000-2136-691 18mm

65.6 Video/Cinema Score
18mmf/22Sony EWeather Sealed
Why we recommend this ▼

The 18mm f/2.8 prime delivers high contrast and resolution through a Distagon optical design with seven special glass elements and a Zeiss T* coating to suppress stray light. Its robust, weather-sealed metal build houses an innovative OLED display that shows focus distance and depth of field, a unique differentiator for precision work in poor light. This lens is best for portrait and street photographers using Sony full-frame E-mount cameras who need a compact, durable wide-angle prime with reliable autofocus.

View Details & Prices

Rokinon AF IO1424AFZ-E 14-24mm

53.3 Video/Cinema Score
14-24mmf/22Sony EWeather Sealed
Why we recommend this ▼

Combining a constant f/2.8 aperture with a lightweight 445g build and weather sealing, this ultra-wide zoom stands out for full-frame Sony shooters needing portability without sacrificing speed. Its optical design, incorporating three aspherical and three ED elements with Ultra Multi-Coating, delivers sharpness across the frame while a 7-inch minimum focus distance enables dramatic close-up perspectives. This lens is best for landscape and architecture photographers who require a durable, fast wide-angle zoom for challenging outdoor conditions.

View Details & Prices

Sony G 70-300mm f/4.5-5.6 G OSS

49.5 Video/Cinema Score
70-300mmf/29Sony EISWeather Sealed
Why we recommend this ▼

This 70-300mm f/4.5-5.6 telezoom stands out with its linear motor AF, 2 ED elements, and Nano AR Coating delivering reliable sharpness, all within a dust- and moisture-resistant construction. Optical SteadyShot image stabilization enables sharp handheld shots at 300mm, while the 9-blade circular diaphragm renders smooth bokeh for portraits. Best for outdoor and wildlife photographers who need a portable 854g telephoto lens that balances reach, stabilization, and robust build quality.

View Details & Prices

Zeiss Touit 12mm f/2.8 12mm

44.2 Video/Cinema Score
12mmf/22Sony E
Why we recommend this ▼

The 12mm focal length delivers a 99-degree field of view on APS-C, with an 11-element, 8-group design including one aspherical element and T* anti-reflective coating for edge-to-edge sharpness and color fidelity. The floating elements design maintains consistent performance from 180mm minimum focus to infinity, while the 260g metal barrel and 9-blade diaphragm offer durability and smooth bokeh. Best for landscape and architecture photographers on Fujifilm X-mount who need a compact, wide-angle prime with reliable autofocus and minimal distortion.

View Details & Prices